"Metanoia"-- Chapter 03: The Fiend
Metanoia-Independent art short film (2022)
獨立藝術短片（2022）
Zhang ZaoZao--Metanoia(Chapter03：The Fiend)
Body and heart
“如果我們的身體是與我們的意識相匹配的材料，那么，它就和我們的意識共同延展，領悟我們所感知的一切， 直至通向遙遠的星辰。”
---亨利·柏格森
" If our body is the material that matches our consciousness, then it extends together with our consciousness to comprehend everything that we perceive, until it leads to the distant stars."
---Henry Bergson
Environmental installation - A tied rabbit chrysalis hanging upside down (2022)
環境裝置--倒掛被綁的兔子繭（2022）
body art - The act of smashing glass ( 2022)
身體藝術--砸玻璃的行為（2022）
打造理想的自我需要不斷修復意識和身體構成的宇宙。身體從氣味、對話、表情、環境中獲得感性體驗從而引發意識的反饋。身體是意識和世界相互作用的載體，意識的改變讓身體做出相應的調整，并且維持身體與世界的通感連接。在復雜的人類關系中，個體的肉身和意識被共存系統所規訓，自我的宇宙成為社會系統的縮影。 那些沒有爆發的力量被長期積蓄在身體中，等待在意識改變的時候釋放出來，取代不可一世的規訓。
Building the ideal self requires constantly repairing the universe of consciousness and the body. The body obtains perceptual experience from smell, dialogue, expression, and environment to trigger conscious feedback.The body is the carrier of the interaction between consciousness and the world. The change of consciousness allows the body to adjust accordingly and maintain its synesthesia connection to the world.In complex human relationships, the individual body and consciousness are regulated by coexistence systems.The self-contained universe becomes the epitome of the social system.Those forces that do not burst are stored in the body for a long time, waiting to be released when the consciousness changes, replacing the arrogant discipline.
Body art- dancer (2022)
身體藝術-舞者（2022）
廢墟中的舞蹈如同抽象藝術的去物質化過程，在抹除物質原有意義的同時，它將精神抽離出原有環境，成為獨立的形式。在視頻中，赤裸的肌肉誘發身體擺脫了禁錮釋放活力；血色碎片掩蓋捉摸不透的表情，將原來的意識消解在不完整的身體之中，自我任由一種逃脫式的直覺帶入到祭祀般的場景。但身體并沒有把逃離的自我引向外部世界，而是讓它重歸心源。回歸并不意味著自我的退縮和衰敗，而是自我的覺醒，激發從心源深處擴散出來的離心運動，重塑了身體的外形。
Dance in the ruins is like the dematerialization process of abstract art.While removing the original meaning of material, it removes the spirit from the original environment and becomes an independent form.In the video, naked muscles induce the body to get rid of confinement and release vitality.The blood fragments hide the unpredictable expression, dissolve the original consciousness into the incomplete body.The self allows an escape intuition to bring into a sacrificial scene.But the body does not lead the fleeing self to the outside world, but brings it back to its heart. Return does not mean self withdrawal and decay, but self awakening. It ulates centrifugal movements that spread from the depths of the heart, reshaping the shape of the body.
Body and Environmental installation Art-Body of the dancer and the rabbits(2022)
身體和環境裝置藝術-舞者和兔子的身體（2022）
如同理查德·朗的大地藝術，當身體在荒蕪的曠野中行走，它嘗試挖掘隱藏在其中的貫通的邏輯，將身體、心源和世界相互連通。當人形的身體被替換成兔子的身體（一個源自生肖且根植于共識基礎的載體），意味著新的意識適配了新的身體，藝術家從此替換了自我和世界對接的形態。那些散落在林中的兔子的身體，承載了無數來自心源的沖動和漩渦，將一切卷入到充滿生機的個體宇宙之中。
Like Richard Lang's earth art.As the body walks in the barren wilderness, it tries to dig up the penetrating logic hidden within it, connecting the body, the heart, and the world.When the human body is replaced with the rabbit body (a vehicle derived from the zodiac and rooted in the consensus base).It means that the new consciousness corresponds to the new body, and the artist replaces the form of self with the world.The bodies of the rabbits scattered in the forest carry countless impulses and swirl outwards from the heart, drawing everything into the vibrant individual universe.
ZhangZaoZao and works (2022)
章藻藻與作品（2022）
身體是意識，體驗和世界的交匯點。藝術家以身體的直覺、在意義、世界和語言之間游走，以藝術獨有的斷言式陳述，展現人性的事實。這即體現了意識肉身化的一面，也是一種肉身化的美學表達。
The body is the point where consciousness, experience and the world meet.The artist walks around with her physical intuition, between meaning, the world, and language, and presents the facts of humanity in an assertion unique to art.This reflects the embodiment of consciousness, but also an aesthetic expression of embodiment of consciousness.
撰文：蘇磊
新媒體藝術策展人， 當代藝術理論家
原今日美術館新媒體實驗室 執行總監
2022年7月29日
Article author：Su Lei
Curator of New Media Art, a contemporary art theorist
Former Executive Director of the New Media Lab of the Today Art Museum
July 29,2022
2022/07/29
導演，制作，編劇，藝術指導：章藻藻
Director, Film producer, Screenwriter, Art Director：Zhang ZaoZao
副導演：溫凌杏
Associate Director: Wen Lingxing
配樂：郭小乖
Music Producer: Guo XiaoGuai
舞蹈表演：秦寬
Body Performer: Qin Kuan
攝影指導：吉日泰
Director of Photography: Ji RiTai
攝影：慶獻
Cameraman:Qing Xian
攝影助理：世瑞
Assistant Cameraman: Shi Rui
觀眾評論：
Imagine looking through a mirror to a twisted reality, how strange and unsettling it may be. Things that are familiar are now unknown but there is a haunting feeling of recognition that lingers in the air. Now imagine breaking that mirror, breaking through into this other world.
想象一下，透過一面鏡子看到一個扭曲的現實，它可能是多么的奇怪和令人不安。熟悉的事物現在是未知的，但在空中徘徊一種縈繞心頭揮之不去的認知感。現在想象一下，打破那面鏡子，進入另一個世界。
---Matt Bird
Fragments de verre（Glass fragments）
Gouttes de sang qui coulent（Drop by drop of blood）
Étrangeté du son et du mouvement （The peculiarity of sound and movement）
Doudous au spectacle, spectacle des doudous（Teddy bears at the performance, teddy bears are performing）
Danse désarticulée, aérienne（Disjointed, dancing in the air）
La chute, le trou, le choc, le noir （Fall, hole, shock, darkness）
Danseur sans visage, oiseau sans aile（A dancer without a face, a bird without wings）
Le calme après la tempête ?（The calm after the storm?）
Toujours la violence ?（Or violence?）
玻璃碎片
流淌的血滴
奇特的聲音和動作
泰迪兔置身裝置之中 ，泰迪兔也在表演
脫節的，空中的舞蹈
跌倒，洞，震撼，黑暗
沒有臉的舞者，沒有翅膀的鳥
暴風雨過后平靜嗎？還是暴力？
---An unknown dear French friend
Shattered glass, shattered lives, shattered dreams,the fiendish chimera looms over the landscape of devastated lives.
Compassion, spiritual exploration and reformation, the rabbit brings hope for a better tomorrow.
The creepy place here filled with beauty sunshine.
破碎的玻璃，破碎的生活，破碎的夢，惡魔或是頑童的結合體籠罩著被徹底破壞的景觀。
同情、精神探索和改革，兔子為一個更好的明天帶來了希望。
這個令人毛骨悚然的地方充滿了美麗的陽光。
---Frank
I would like to think that the Fiend found what he was looking for in those woods. The story went from evil through madness to serenity.
我認為頑童在樹林里找到了他要找的東西。故事從邪惡經過瘋狂再到寧靜。
---Ronan
Zhang Zao Zao's video work "The Fiend", moves between privacy and sociality . Visual, auditory, tactile are full of tension. let people's heart tremble.
章藻藻的視頻作品"頑童"穿梭于私密性與社會性之間，視覺、聽覺、觸覺上均充滿了張力，讓人心靈震顫。
---李麗 陜西師范大學美術學院碩士研究生導師、藝術文化史博士。
---Li Li Master tutor of School of Fine Arts, Shanxi Normal University,Doctor of Art and Culture History
The short film is haunting beautiful - I'm very impressed with new work.
短片令人魂牽夢繞的美麗--我對新作品印象深刻。
---Benjamin saphiro
'Very impressive thought provoking atmospheric video'
"非常令人印象深刻的發人深省的大氣視頻"
--- Hugh Reed
I feel that the visual impact is great, and the sound effect works very well，Plus the final caption can be seen as a independent short film. The rabbit makes people think of beauty, happiness, youth and vitality. But the rabbit in the film is a metaphor for all the unknown of the crazy grotesque. It also reminds me a film "The Misty", directed by Frank Dara bonte . Part of the story tells about people's different ideas and countermeasures in despair.
個人感覺視覺沖擊力很棒，音效也好，加上最后的配文完全可以當做獨立短片去看。兔子讓人聯想美好，幸福，青春有活力，但影片里的兔子隱喻一切未知的瘋狂怪誕。同時也讓我想起一部電影，由弗蘭克·達拉邦特導演的"迷霧"，里面的部分內容講述了人在絕境中不同的想法與應對辦法。
