Zhang ZaoZao--Metanoia(Chapter01:Conception)
The Source of concept-Exquisite and broken
“我從未看過荒原
我從未看過海洋--
可我知道石楠的容貌和狂濤巨浪。
我從未與上帝交談
也不曾拜訪過天堂--
可我好像已通過檢查，一定會到那個地方 。”
--------艾米莉·狄金森
“ I have never seen the wasteland
I have never seen the ocean
But I know heather's appearance and the wild waves.
I have never spoken to God
Never visited heaven-
But I seem to have passed the inspection and will definitely be in that place.”
--------by Emily Dickinson
“Metanoia”-- Chapter 01-Conception
ndependent art short film (2022)
獨立藝術(shù)短片
Metanoia-photographic works（2022年）Variable size
攝影作品
那些讓身體閃耀奢華光芒的珠寶，還能構(gòu)建自我和現(xiàn)實之間的對話嗎？
Can the jewelry that makes the body shine with luxury still build a dialogue between self and reality?
Metanoia- Installation works production site（2021-2022)
裝置作品制作
章藻藻的成長經(jīng)歷了珠寶玉石發(fā)展的鼎盛時期。巨大的繁榮催生人們追逐玉石的高貴精致、生命寓意以及玉石所代表的文化認同。然而，藝術(shù)家始終質(zhì)疑材料內(nèi)在的精致本質(zhì)，并且看到它們在雕刻中的價值。藝術(shù)家不僅感知材料的內(nèi)在價值，也滲入其中她生命與文化的獨特才華。沒有了藝術(shù)家，精致材料變成一個絢爛的空殼，一個有可能被藝術(shù)家的活力和激情灌輸?shù)挠白印Ｎ覀儗Σ牧系母兄蕾囉趥鹘y(tǒng)思想，這是一種內(nèi)在的價值；然而，必須在作品中感知到藝術(shù)家，才能通過藝術(shù)真正地看到一個新世界。
Zhangzaozao experienced the heyday of jewelry and jade development; the great prosperity which prompted people to pursue the nobility and delicacy of jade, as well as the cultural identity jade represents. However, the artist has always questioned the inherent exquisite nature of materials as intrinsic, and see their value in the craft of sculpture.The artist perceive the intrinsic value of the material, but praise the unique brilliance of the artist in how she infuse her life and culture into it. Without the artist, the material becomes an empty shell, a shadow of what it could be when instilled with the artist's vitality and passion. We depend upon traditional thought in our perception of the material, being a value inherent within; yet we must perceive of the artist within their creation to truly see a new world through the art.
Metanoia--Digital Art Print (2022) Variable size
數(shù)碼藝術(shù)作品
在影片開始，浮光掠影的珠寶世界和沉重而緊迫感的鼓聲形成對比，讓精美珠寶的絢爛和它背后的空虛與不安交替展現(xiàn)。藝術(shù)家繞開珠寶奢華的幻影，在垃圾場里采拾廢棄的玻璃 -– 一種最廉價卑微的材料。她用全部的激情為這些碎片雕琢翅膀和經(jīng)脈，再向這些經(jīng)脈中注入自己的鮮血，最終，碎片擁有生命和翅膀。它們在激情的女高音和嘈雜的機械噪聲中，煥發(fā)出靚麗的光彩，飛翔天空。卑微變得燦爛，渺小變得偉大。生命沖動成為構(gòu)建自我的核心動力，一個催生激情的世界在廢墟中誕生。
At the beginning of the film, the flashy world of jewelry contrasts with the heavy and intense drums, alternating the gorgeous jewelry with the emptiness and uneasiness behind it. The artist bypasses the illusion of jewelry and picks discarded glass from the dump, one of the cheapest and humblest materials .With all her passion, she carved the wings and veins for these fragments, and then injected her own blood into them, and finally, the fragments have life and wings. They are in the passionate soprano and noisy mechanical clamour, they glow with beautiful radiance as they raise into the sky. Humble becomes brilliant, small becomes large. The impulse of life becomes the core driving force of their self-construction, and a world of passion is born in the ruins.
撰文：蘇磊
新媒體藝術(shù)策展人, 當代藝術(shù)理論家
原今日美術(shù)館新媒體實驗室 執(zhí)行總監(jiān)
2022年5月6日
Article author：Su Lei
Curator of New Media Art, a contemporary art theorist
Former Executive Director of the New Media Lab of the Today Art Museum
May 6,2022
導演，編劇 ，藝術(shù)指導：章藻藻
藝術(shù)家
Director，Screenwriter，art director：Zhang ZaoZao
An artist
配樂：郭小乖
北京音樂制作人
Background music producer: Guo XiaoGuai
An independent music producer in Beijing
