【藏品名稱】：《毛主席去安源》油畫
[collection name]: oil painting of Chairman Mao going to Anyuan
【藏品作者】：劉春華
[author]: Liu Chunhua
【藏品簡介】：劉春華原名劉成華，男，遼寧新金人。一級美術(shù)師。男，漢族。國家一級美術(shù)師。1968年畢業(yè)于中央工藝美術(shù)學(xué)院（現(xiàn)清華大學(xué)美術(shù)學(xué)院）。歷任北京出版社副總編輯，北京畫院副院長、院長，北京美術(shù)家協(xié)會副主席，北京文聯(lián)理事，中國美術(shù)家協(xié)會理事，北京版權(quán)保護協(xié)會常務(wù)理事等。
[collection introduction]: Liu Chunhua, formerly known as Liu Chenghua, male, Liaoning Xinjin people. First class artist. Male, Han nationality. National first-class artist. In 1968, he graduated from the Central Academy of Arts and crafts (now the Academy of fine arts of Tsinghua University). He has successively served as deputy editor in chief of Beijing Publishing House, vice president and President of Beijing Painting Academy, vice president of Beijing Artists Association, director of Beijing Federation of literary and art circles, director of China Artists Association, executive director of Beijing Copyright Protection Association, etc.
1967年創(chuàng)作油畫《毛主席去安源》、《敬愛的周總理永遠活在我們心中》，中國畫《屈子求索圖》、《春必將至》、《滾燙的冬季》等；長期從事中國畫創(chuàng)作，擅長人物兼及花鳥、山水。作品多以現(xiàn)實生活為題材，深沉含蓄，筆墨洗練；作品參加七、八、九屆全國美展等國內(nèi)外重要展覽，多次舉辦聯(lián)展和個展，在國內(nèi)外獲得好評。部分作品被國內(nèi)外博物館、美術(shù)館及私人收藏。1990年出版《劉春華畫集》。2000年被日本《美術(shù)手貼》評選為“20世紀世界百年百件美術(shù)作品作者”（中國共有徐悲鴻等三人入選）。
In 1967, he created oil paintings "Chairman Mao goes to Anyuan", "the beloved Premier Zhou will always live in our hearts", Chinese paintings "Qu Zi's quest", "spring will come", "hot winter", etc; He has been engaged in the creation of Chinese painting for a long time, and is good at figures, flowers, birds and landscapes. Most of the works take real life as the theme, deep and implicit, and wash and refine the pen and ink; His works have participated in the 7th, 8th and 9th national art exhibitions and other important exhibitions at home and abroad. He has held joint exhibitions and solo exhibitions for many times, which has been highly praised at home and abroad. Some works have been collected by museums, art galleries and private collections at home and abroad. In 1990, he published Liu Chunhua's paintings. In 2000, he was selected as the "author of 100 art works in the world in the 20th century" by Japan's Art Hand stickers (three people including Xu Beihong were selected in China). Oil painting Chairman Mao goes to Anyuan
創(chuàng)作《毛主席去安源》這幅畫，最重要的是表現(xiàn)毛澤東青年時代的形象和思想。劉春華等人廣泛搜集了反映毛澤東青年時代的文章，以及有關(guān)毛澤東革命活動的回憶錄和安源工人運動史料，并反復(fù)學(xué)習(xí)和研究。為了突出主題，作者在構(gòu)圖上把毛澤東的形象安排在中心位置。在動態(tài)處理上，讓毛澤東的每一個微小動作都有一定的含義：稍稍揚起的頭和稍稍扭轉(zhuǎn)的頸部，表現(xiàn)毛澤東不畏艱險、不畏強暴、敢于斗爭、敢于勝利的大無畏精神；緊握的左手，表現(xiàn)毛澤東爭取解放全國人民的雄心壯志和必勝信念；右手挾一把雨傘，說明毛澤東風(fēng)里來，雨里去，為革命不辭辛苦的工作作風(fēng)……
The most important thing in creating the painting "Chairman Mao goes to Anyuan" is to show the image and thought of Mao Zedong in his youth. Liu Chunhua and others extensively collected articles reflecting Mao Zedong's youth, memoirs on Mao Zedong's revolutionary activities and historical materials of Anyuan workers' movement, and repeatedly studied and studied them. In order to highlight the theme, the author arranges the image of Mao Zedong in the central position in the composition. In terms of dynamic processing, every tiny action of Mao Zedong has a certain meaning: a slightly raised head and a slightly twisted neck show Mao Zedong's fearless spirit of fearing difficulties and dangers, violence, struggle and victory; Holding his left hand tightly shows Mao Zedong's ambition and belief in victory in striving to liberate the people of the whole country; Holding an umbrella in his right hand shows that Mao Zedong came in the wind and went out in the rain, and worked tirelessly for the revolution
劉春華根據(jù)主題的需要和群眾欣賞的習(xí)慣，利用油畫表現(xiàn)力豐富的特長和中國傳統(tǒng)繪畫細致的優(yōu)點，大膽嘗試，經(jīng)過反復(fù)努力，終于在中華人民共和國成立18周年前夕，創(chuàng)作出《毛主席去安源》大幅油畫。該畫“開創(chuàng)了無產(chǎn)階級美術(shù)創(chuàng)作的新紀元”，在“文化大革命”時期曾風(fēng)靡一時，這在世界繪畫史上，也是絕無僅有的奇跡。這幅身價百倍的油畫，有著不平凡的經(jīng)歷和鮮為人知的歷史，未來的升值空間更是無法估量！
According to the needs of the theme and the people's appreciation habits, Liu Chunhua made bold attempts by taking advantage of the rich expressiveness of oil painting and the meticulous advantages of traditional Chinese painting. After repeated efforts, he finally created a large-scale oil painting of Chairman Mao's going to Anyuan on the eve of the 18th anniversary of the founding of the people's Republic of China. The painting "created a new era of proletarian art creation" and was popular during the "Cultural Revolution", which is also a unique miracle in the history of world painting. This valuable oil painting has extraordinary experience and little-known history, and the appreciation space in the future is immeasurable!
