【藏品名稱】：祥龍獻瑞蝦趣圖
[collection name]: interesting picture of auspicious dragon offering auspicious shrimp
【藏品作者】：布云子(齊白石大弟子)
[author]: Bu Yunzi (Qi Baishi's eldest disciple)
【藏品規格】：長四平尺
[collection Specification]: four square feet long
【藏品簡介】：齊白石是中國近現代的繪畫大師，早年是木工，后來以賣畫為主。在我國的繪畫歷史上，不得不提的一位大畫家就是齊白石。他的《墨蝦》僅以水墨濃淡的變化就生動靈驗地畫出了蝦的神情，可以說是畫畫的典范，而齊白石本人在畫畫領域上的成就得到了無數人的認可。齊白石除了畫蝦著名之外，他對瓜果蔬菜的繪畫也相當傳神，人物，山水等。名揚海內外，和吳昌碩共享“南吳北齊”之譽，可以見得他的繪畫得到了世人們的普遍認可。
[collection introduction]: Qi Baishi is a master of modern Chinese painting. In his early years, he was a carpenter and later mainly sold paintings. In the history of Chinese painting, Qi Baishi is a great painter that must be mentioned. His "ink shrimp" only vividly and effectively painted the expression of shrimp with the change of ink intensity, which can be said to be a model of painting, and Qi Baishi's own achievements in the field of painting have been recognized by countless people. Qi Baishi is not only famous for painting shrimp, but also his paintings of melons, fruits and vegetables are very vivid, including figures, landscapes and so on. Famous at home and abroad and sharing the reputation of "Southern Wu and Northern Qi" with Wu Changshuo, it can be seen that his paintings have been widely recognized by people all over the world.
齊白石的畫畫題材接近人們的生活，寫實畫意的手法讓人們更加能夠欣賞他的作品，樸實的同時富有趣味性。他名下的弟子很多，李苦禪，王雪濤，梅蘭芳，布云子等都受到過他的指導，所以給后來的文化創作發展，培養了新鮮的血液。本幅作品便為其大弟子布云子之作——
Qi Baishi's painting theme is close to people's life. The technique of realistic painting makes people more able to appreciate his works, which is simple and interesting at the same time. Many disciples under his name, including Li kuchan, Wang Xuetao, Mei Lanfang and bu Yunzi, have been guided by him, so they have cultivated fresh blood for the later development of cultural creation. This painting is the work of his eldest disciple Bu Yunzi——
步云子1953年生，字天童，號步云子，山東人。善國畫。現為國際美術家聯合會理事、香港珠江畫院副院長、中國神州書畫院顧問、北京藝匯家(國際)手工村文化創意產業園顧問、中國國畫院副院長、中國機關美協會員、中華鐵道書畫院副院長、中國美術家聯誼會主席、一級美術師《人民日報》海外版、《中國書畫報》、《都市發展報》、《學習月刊》、《科技日報》、《書畫家報》、《大眾日報》、《華東信息日報》、《大眾書畫報》、《中國鄉鎮企業報》、《中華書畫報》、《山東工人報》、《武威日報》、《西部魂》雜志等均有作品發表或事跡報道。09年獲中華慈善總會頒發的“慈善愛心書畫家”榮譽證書。作品流傳港、澳、臺、新加坡、韓國、日本、馬來西亞、菲律賓、泰國等二十多個國家和地區。
Bu Yunzi, born in 1953, is a native of Shandong Province. Good at traditional Chinese painting. He is now the director of the international artists' Federation, the vice president of Hong Kong Pearl River Painting Academy, the consultant of China Shenzhou painting and Calligraphy Academy, the consultant of Beijing yihuijia (International) handicraft village cultural and Creative Industry Park, the vice president of the Chinese Academy of traditional Chinese painting, a member of the Chinese organ Art Association, the vice president of the China Railway painting and Calligraphy Academy, the chairman of the Chinese Artists Association, the overseas edition of the first-class artist people's daily, China painting and calligraphy daily, urban development daily, learning monthly Science and technology daily, calligrapher and painter daily, Dazhong daily, East China Information Daily, Dazhong calligraphy and painting daily, China Township enterprise daily, China calligraphy and painting daily, Shandong workers daily, Wuwei daily and Western soul magazine have published works or reported deeds. In 2009, he won the honorary certificate of "charity loving calligrapher and painter" issued by China Charity Federation. The works have spread to more than 20 countries and regions such as Hong Kong, Macao, Taiwan, Singapore, South Korea, Japan, Malaysia, the Philippines and Thailand.
此幅《祥龍獻瑞蝦趣圖》長4平尺用筆或輕或重，用色或淡或重，深入淺出，大小有序，動靜結合。其筆下的蝦極富趣味性和生命力，其完美的形狀、跳躍的姿勢以及充滿靈性的構思，都使藝術造型的形、質、動三個要素臻于完美。不僅完成了齊白石老人創作過程臻達形神、栩栩如生的準則，更在此基礎上加工提煉，精進不休，使畫作真美合渾然天成，不僅形似更是神似，著實提現了今日齊派畫藝的成熟。布云子先生深得畫蝦要領，將蝦的進退，游的疾緩，甚至將斗毆跳躍等等情態盡收筆端。他畫蝦的頭部胸部不僅能很好的表現出蝦殼般的感覺，對蝦的曲直、彈跳等表現的更加生活，而且用淡墨擲筆，繪成軀體，浸潤入色，更顯蝦體晶瑩剔透之感，以濃墨豎點為睛，橫寫為腦，落墨成金，筆筆傳神，細筆寫須、爪、大螯，剛柔并濟，凝練傳神，顯示了畫家高妙的書法功力，可謂畫蝦高人!此幅作品流傳至今品相保留完好，具有極高的收藏價值和升值空間!
This painting of auspicious dragon offering auspicious shrimp is 4 square feet long. It is light or heavy with pen, light or heavy with color, easy to understand, orderly in size and dynamic and static combination. The shrimp in his pen is very interesting and vitality. Its perfect shape, jumping posture and spiritual conception make the three elements of artistic modeling perfect. Qi Baishi not only completed the creation process of the old man Qi Baishi and reached the standard of form, spirit and lifelike, but also processed and refined on this basis, making the paintings true and beautiful, natural, not only similar in shape but also similar in spirit, which really shows the maturity of today's Qi school painting. Mr. Bu Yunzi is good at drawing the essentials of shrimp, including the advance and retreat of shrimp, slow swimming, and even fighting and jumping. His painting of the head and chest of shrimp can not only well show the feeling of shrimp shell, but also show the more life of shrimp in its straightness and bouncing. In addition, he uses light ink to throw a pen to draw the body, infiltrate the color, and show the feeling of crystal clear shrimp body. With thick ink vertical point as the eye, horizontal writing as the brain, falling ink into gold, the pen and pen are vivid. With fine pen, he writes whiskers, claws and big pincers, combining hardness and softness, concise and vivid, showing the artist's excellent calligraphy skills. He can be described as an expert in painting shrimp! This work has been handed down to this day, and its appearance is well preserved. It has high collection value and appreciation space!
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