【藏品名稱】：中秋帖～印刷版
[collection name]: Mid Autumn Festival post ~ printed version
【藏品數(shù)量】：一張
[collection quantity]: one piece
【藏品簡介】：悠悠華夏五千載，璀璨文明品自高。中國文化起于漢字，上古倉頡“窮天地之變，仰視奎星圜曲之勢”而創(chuàng)文字。后世經(jīng)甲骨文、金文、篆書、隸書、草書、行書、楷書依次演進(jìn)，至?xí)x朝與隋唐，書法風(fēng)行于世，由經(jīng)王羲之、王獻(xiàn)之、歐陽詢、顏真卿、柳公權(quán)、趙孟頫、米芾等書家各展其長，遂豎立起一座又一座的書法人文豐碑。
[introduction to the collection]: five thousand years in China, bright and civilized products are high. Chinese culture originated from Chinese characters, which was created by Cang Jie in ancient times by "looking up at the trend of Kui Xing's round song in the face of the change of the poor world". Later generations, through the evolution of oracle bone inscriptions, gold inscriptions, seal characters, official script, cursive script, running script and regular script, calligraphy became popular in the Jin Dynasty and Sui and Tang Dynasties. Calligraphers such as Wang Xizhi, Wang Xianzhi, Ouyang Xun, Yan Zhenqing, Liu Gongquan, Zhao Mengfu and mi Fu showed their strengths respectively, so one calligraphy cultural monument after another was erected.
此作品是《中秋帖》，又名《十二月帖》，是王羲之第七子王獻(xiàn)之所創(chuàng)作的草書作品。紙本手卷，寬69長98。其中王獻(xiàn)之是王羲之第七子，書法受其父影響，且又有創(chuàng)新，他將王體行書的筆法進(jìn)一步加以升華和提煉。此帖已接近草書，縱逸豪放，用筆行云流水，連帶互映關(guān)系，將字體處理得完美至極。《書斷》中評說《中秋帖》：“字之體勢，一筆而成，偶有不連，而脈不斷，及其連者，氣候通其隔行”。而張懷瓘（生卒年不詳），揚(yáng)州海陵（今江蘇泰州市）人，唐代書法家、書學(xué)理論家。李志敏評價(jià)：“張懷瓘以道家思想為主旨，張懷瓘談玄說微之精要處，孫過庭未能到”。開元年間，拜翰林院供奉，遷右率府兵曹參軍。對自己書法十分自負(fù)，自稱“正楷、行書可比虞世南、褚遂良，草書欲獨(dú)步于數(shù)百年間”。南宋學(xué)者陳思所著《書小史》稱其“善正、行、草書”。沒有手跡存世。著有《書議》《書斷》《書估》《畫斷》《評書藥石論》《六體書論》《論用筆十法》《玉堂禁經(jīng)》《文字論》等，為書學(xué)理論重要著作。
This work is a cursive work created by Wang Xianzhi, the seventh son of Wang Xizhi. Paper hand roll, 69 wide and 98 long. Among them, Wang Xianzhi is the seventh son of Wang Xizhi. His calligraphy is influenced by his father and innovative. He further sublimates and refines the writing method of Wang Ti Xingshu. This post is close to cursive script. It is free and unrestrained. It runs through the clouds and water with a pen and reflects each other. It handles the font perfectly. "Shuduan" commented on the "mid autumn post": "the posture of words is formed in one stroke, occasionally not connected, but the pulse is continuous, and if they are connected, the climate passes through their alternate lines". Zhang huaixuan (unknown year of birth and death), born in Hailing, Yangzhou (now Taizhou, Jiangsu), is a calligrapher and calligrapher theorist in the Tang Dynasty. Li Zhimin commented: "Zhang Huaixiang took Taoism as the main theme, Zhang Huaixiang talked about the essence of metaphysics, and sun Guoting failed to arrive.". During the Kaiyuan period, he worshipped the Imperial Academy and moved to the right to lead the government soldiers Cao to join the army. He is very conceited about his calligraphy and claims that "regular script and running script are comparable to Yu Shinan and Chu suiliang, and cursive script wants to walk alone for hundreds of years". The cursive history of the Song Dynasty is called "the cursive history of the Song Dynasty". No handwriting exists. He is the author of Shuyi, shuduan, Shugu, Huaduan, the theory of medicinal stone for book review, the theory of six body calligraphy, the ten methods of writing, the forbidden Sutra of Yutang, and the theory of characters. He is an important work of calligraphy theory.
《中秋帖》原為五行三十二字，后被割去二行，現(xiàn)僅存三行二十二字，所以實(shí)際意義上是“殘品”，不過雖為“殘品”，但其書法運(yùn)行流利，連斷往復(fù)，仍然不能掩蓋其神韻獨(dú)超、天姿特秀之勢。
《中秋帖》現(xiàn)存原文如下：
中秋不復(fù)不得相還為即甚省如何然勝人何慶等大軍?！吨星锾沸胁菹嚯s，風(fēng)格古厚，字距布排雖然緊密，然而行間透氣，雖嚴(yán)整但書寫著自由，氣韻貫通，猶如江河滾流，氣吞萬里。與王羲之書法的含蓄、流美風(fēng)格相比，此《中秋帖》神氣外露，放縱豪情中彰顯出天然去雕飾的時(shí)代風(fēng)貌。
"Mid autumn calligraphy" was originally five lines and thirty-two characters, and then two lines were cut off. Now there are only three lines and twenty-two characters, so it is actually a "remnant". However, although it is a "remnant", its calligraphy runs smoothly and repeatedly, which still can not hide its unique charm and special beauty.The existing original text of the mid autumn post is as follows:When the Mid Autumn Festival is over, we can't return it to each other, that is, we need to save how to win people, he Qing and other armies. "Mid autumn calligraphy" is a mixture of cursive lines, ancient and thick style. Although the spacing of words and cloth are closely arranged, the lines are breathable. Although they are strict and neat, they are free to write, and the charm is connected. It is like a river rolling and swallowing thousands of miles. Compared with the implicit and beautiful style of Wang Xizhi's calligraphy, this mid autumn calligraphy has an exposed air and shows the natural style of the times in its indulgence and pride.
