【藏品名稱】：趙孟頫《狩獵圖》
[collection name]: hunting painting by Zhao Mengfu
【藏品類別】：書畫
[collection type]: calligraphy and painting
【藏品規格】：長：4.95m，寬：0.46m
[collection Specification]: length: 4.95M, width: 0.46M
【藏品簡介】：趙孟頫[fǔ]（1254年10月20日[1]－1322年7月30日），字子昂，漢族，號松雪道人，又號水晶宮道人（一說水精宮道人）、鷗波，中年曾署孟俯。吳興（今浙江省湖州市）人，原籍婺州蘭溪。南宋晚期至元朝初期官員、書法家、畫家、詩人，宋太祖趙匡胤十一世孫、秦王趙德芳嫡派子孫。
[collection introduction]: Zhao Mengfu [f ǔ] (October 20, 1254 [1] - July 30, 1322), Zi'ang, Han nationality, Taoist Songxue, Taoist Crystal Palace (Taoist Shuijing Palace), Ou Bo, middle-aged Zeng shumeng Fu, Wu Xing (now Huzhou City, Zhejiang Province) He was born in Lanxi, Wuzhou. He was an official, calligrapher, painter and poet from the late Southern Song Dynasty to the early Yuan Dynasty. He was the 11th grandson of Zhao Kuangyin, the emperor of the Song Dynasty, and the direct descendant of Zhao Defang, the king of the Qin Dynasty.
趙孟頫于南宋末年曾任真州司戶參軍。宋亡后隱居不仕。至元二十三年（1286年），趙孟頫經行臺侍御史程鉅夫舉薦，趕赴大都，受元世祖賞識，授兵部郎中。此后歷任集賢直學士、濟南路總管府事、江浙等處儒學提舉、翰林侍讀學士等職，累官翰林學士承旨、榮祿大夫。自世祖至武宗、仁宗、英宗四朝皆加禮敬。晚年逐漸隱退，延祐六年（1319年）借病乞歸。至治二年（1322年），趙孟頫逝世，年六十九。獲贈江浙中書省平章政事、魏國公，謚號“文敏”，故稱“趙文敏”。著有《松雪齋文集》等。
Zhao Mengfu joined the army as a secretary of Zhenzhou at the end of the Southern Song Dynasty. After the death of the Song Dynasty, he lived in seclusion. In the 23rd year of the Zhiyuan Dynasty (1286), Zhao Mengfu, recommended by Cheng Jufu, the governor of Taiwan, rushed to Dadu. He was appreciated by the emperor Shizu of the Yuan Dynasty and was awarded the doctor of the military department. Since then, he has successively held the posts of Jixian straight bachelor, Jinan road chief official, Confucianism promotion in Jiangsu and Zhejiang, Imperial College attendant, etc. He is a tired official, Imperial College Bachelor and doctor Ronglu. From Shizu to Wuzong, Renzong and Yingzong, the four dynasties all added courtesy and respect. He retired gradually in his old age and begged to return home by illness in the sixth year of Yanyou (1319). In 1322, Zhao Mengfu died at 69. He was presented with Pingzhang political affairs of Jiangsu and Zhejiang Zhongshu province and the Duke of Wei. His posthumous title is "Wen Min", so he is called "Zhao Wen Min". He is the author of songxuezhai anthology and so on.
趙孟頫博學多才，能詩善文，通經濟之學，工書法，精繪藝，擅金石，通律呂，解鑒賞。在繪畫上，他開創元代新畫風，被稱為“元人冠冕”。其繪畫取材廣泛，技法全面，山水、人物、花鳥無不擅長。其書取法鐘繇、“二王”、李邕、趙構等，于篆、隸、真、行、草諸體皆擅，尤以楷書、行書著稱；其書風遒媚、秀逸，結體嚴整、筆法圓熟，創“趙體”書，與歐陽詢、顏真卿、柳公權并稱“楷書四大家”。此外，趙孟頫倡導師法古人，強調“書畫同源“。其繪畫、書法和畫學思想對后代影響深遠。
Zhao Mengfu is erudite and versatile. He is good at poetry, literature, economics, calligraphy and fine painting. He is good at gold and stone, law and LV, and appreciation. In painting, he created a new style of painting in the Yuan Dynasty, known as the "crown of Yuan people". His paintings are based on a wide range of materials and comprehensive techniques. He is good at landscapes, figures, flowers and birds. His calligraphy is based on Zhong Yao, er Wang, Li Yong, Zhao Gou, etc. He is good at seal, Li, Zhen, Xing and Cao, especially regular script and running script; His style of writing is elegant, elegant, neat and well written, creating a "Zhao style" book, which is called "four masters of regular script" together with Ouyang Xun, Yan Zhenqing and Liu Gongquan. In addition, Zhao Mengfu advocated to learn from the ancients, emphasizing that "calligraphy and painting are of the same origin". His painting, calligraphy and painting thoughts have a far-reaching impact on future generations.
此《狩獵圖》，縱4.95米，橫0.46米，絹本設色，鏡心，為趙孟頫作，此圖張幅甚大，再現了皇家規模盛大的狩獵活動盛況。此圖不僅具有相當高的藝術水準，更是重要的歷史文獻。圖中線條繁密精細，所繪人馬皆剽悍雄健，駿馬的鬃毛，獵人的穿戴亦絲絲不茍。人物的服飾為典型的清代滿族人裝束，又不同于正式官服官帽，而是出行狩獵的便裝，充滿著生活氣息。畫面中心在畫面右下近景，作者取用精工描繪的手法凸顯主人公的身份，他身著藍衣，端坐于馬上，正揚鞭示下，其身后緊隨有眾多武士視線隨之而動。有武士臉上作喜悅開懷之狀，明顯可見主人公在談及狩獵有賞之語。
This painting of hunting is 4.95M in vertical direction and 0.46M in horizontal direction. It is painted on silk and has a mirror heart. It is made by Zhao Mengfu. This painting is very large and reproduces the grand hunting activities of the royal family. This picture not only has a very high artistic level, but also an important historical document. The lines in the picture are dense and fine. The people and horses painted are strong and vigorous. The manes of horses and the clothes of hunters are also meticulous. The costumes of the characters are typical Manchu costumes in the Qing Dynasty, which are different from official uniforms and hats, but casual clothes for hunting, full of life. The center of the picture is in the close-up view at the lower right of the picture. The author highlights the identity of the protagonist by Seiko depiction. He is dressed in blue, sitting on a horse, waving a whip, followed by many warriors. A warrior's face looks happy, which clearly shows that the protagonist is talking about hunting and reward.
遠處人馬徐行，有描繪眾武士騎于飛奔的馬上追射、捕殺鹿的情景。駿馬步履輕快，騎馬者附身向前，他的眼睛緊緊盯著在馬首前方，左手拉住韁繩并握彎弓，右手持馬鞭并利箭一支。有不少描繪也饒有趣味，沒有必要再動用手中的弓箭，而是想活捉，諸如此類的場景都突出了狩獵隊伍的浩大聲勢。
Mountains rise and fall in the distance, and people and horses walk slowly. There are scenes of warriors chasing and killing deer on galloping horses. The white horse walked briskly, and the rider leaned forward. His eyes were firmly fixed on the deer running in front of the horse's head. He held the reins in his left hand and a bow in his hand, and a whip and a sharp arrow in his right hand. There are many interesting descriptions, such as samurai running with hounds. What's more, foreign gunmen are aiming at their prey and preparing to shoot. Some hunters have half laid down their bows and seem to have won. There is no need to use their bows and arrows, but want to catch them alive. Such scenes highlight the great momentum of the hunting team.
畫中的絕大部分馬匹的尾巴都系扎起來，應當都是“御馬廄”中的馬匹。作者對于馬匹、獵犬和馴鹿等動物描繪皆加入了西洋畫法。他以細勁有力的線條勾勒出形，腿、蹄、鬃、尾處略施淡彩，畫法工細嚴謹，生動傳神，以淡漠渲染表現馬的神情筆意，尤見縱放靈秀。此作馬匹的造型都偏于俊秀，體型清健，頸部修長。駿馬的鬃毛梳理得十分整齊，表現出一副皇家氣派。整體品相完好，具有極高的收藏價值和升值空間！深受廣大收藏愛好家青睞！
Most of the horses in the painting have their tails tied up. They should be horses in the "Royal stables". The author adds Western painting to the depiction of animals such as horses, hounds and reindeer. He outlines the shape with thin and powerful lines, with light colors on the legs, hoofs, manes and tails. His painting method is meticulous, rigorous, vivid and vivid. He uses indifferent rendering to show the horse's expression and brushwork, especially the vertical and beautiful. The horses in this work tend to be handsome, with a healthy body and a slender neck. The horse's mane is neatly combed, showing a royal style.
將近二十年的時間，拍賣市場中頻有趙孟頫重要作品出現且均拍得高價。據不完全統計，目前為止，趙孟頫作品拍賣成交價在一千萬元以上的拍品有17件(不包括此件《般若波羅蜜多心經》)，在此之前高價拍品為大德五年(1301年)作行書《洛神賦》，2010年在中國嘉德以8008萬元成交。另有《灤菊圖》在2008年香港蘇富比秋拍中以5442萬港幣成交;《秋江待別圖》鏡心2013年在廣州嘉泰春拍中以5025.5萬元成交;行書《仲長公理樂志論》冊頁2011年在廣州華辰春拍以2070萬元成交;《書札六帖卷》手卷2016年在廣州匡時秋拍中以1725萬元成交。尤其在經濟增長進入了發達國家行列后，藝術品的價格立刻會扶搖直上，平均增長速度大大超過經濟平均增長的速度，可謂一畫難求！
For nearly 20 years, Zhao Mengfu's important works appeared in the auction market and were sold at high prices. According to incomplete statistics, so far, there are 17 auctions of Zhao Mengfu's works with a transaction price of more than 10 million yuan (excluding the Prajna Paramita Heart Sutra). Before that, the high price auction was Luoshen Fu, a running script written in the fifth year of Dade (1301), which was sold in Jiade, China, for 8 million yuan in 2010. In addition, "Luan Ju Tu" was sold at HK $54.42 million in the autumn auction of Sotheby's in Hong Kong in 2008; Jing Xin's farewell to the autumn river was sold for 50.255 million yuan in Guangzhou Jiatai spring auction in 2013; The album of running script zhong chang's axiom and music records was shot in huachenchun, Guangzhou in 2011, with a transaction of 20.7 million yuan; The volume of "six volumes of letters" was sold for 17.25 million yuan in Guangzhou Kuangshi autumn auction in 2016. Especially after the economic growth has entered the ranks of developed countries, the price of works of art will immediately soar, and the average growth rate will greatly exceed the average economic growth rate.
有意者請聯系嘉德復興文化發展（深圳）有限公司
If you are interested, please contact Jiade Fuxing cultural development (Shenzhen) Co., Ltd
