藏族的戴上藏飾去朝圣，更加顯的莊嚴恭敬，也顯得人比較有生命力。
在藏族，男女老少都喜愛裝飾自己。在這個佛教盛行的地域，首飾品已經不再是簡單的裝飾，已經成為藏族人生活中的一部分。無論是在日常生活、節日中還是去朝拜，人們都會"渾身披掛"各種裝飾品。(頭上戴的巴珠、簪子、發卡;發辮的銀幣;耳朵上的大環;項間戴的項鏈、托架、嘎烏;腰上系的圖紋腰帶，懸掛的火鐮盒子、藏刀、腰扣、鼻煙壺;手上戴的各類戒指手鐲等)。
Tibetan wear Tibetan ornaments to pilgrimage, more solemn and respectful, also appears to have more vitality.
In Tibetan, men, women and young love to decorate themselves.In this area of popular Buddhism, jewelry is no longer a simple decoration, and has become a part of Tibetan life.Whether in daily life, festivals or pilgrimage, people will be "covered" all kinds of decorations.(Barbead, hairpin, hair card on head; silver coin in braids; large ring on ears; necklace, bracket, quack; figure belt on waist, hanging fire sickle box, hidden knife, waist buckle, snuff pot; ring bracelets, etc.).
藏飾泛指具有藏民特色的飾品，一般以天然寶石、動物骨骼、藏銀、藏銅手工制作。
藏飾的材質、圖案多被賦予吉祥的寓意，帶有濃烈的藏傳佛教的色彩。
西藏傳統首飾的表現形式，取決于藏民族的思想觀念、社會形態，以及傳統的生產生活方式，尤其是傳統的游牧生活，需要將全家，甚至幾代人所積累的財產轉化為珠寶首飾滿身披掛，從而四處搬遷去尋找水草豐盛之地，既安全又方便。所以藏民族所穿戴披掛的不僅是服裝飾件，而且是一筆巨大的財產，顯示的不僅是美，而且象征著豪華與富有。
Tibetan ornaments refers to the ornaments with Tibetan characteristics, generally made of natural gems, animal bones, silver and copper.
The materials and patterns of Tibetan ornaments are mostly given an auspicious meaning, with a strong color of Tibetan Buddhism.
Tibet form of traditional jewelry, depends on the Tibetan national ideology, social form, and the traditional way of production and life, especially the traditional nomadic life, need to be the whole family, even generations accumulated property into jewelry, so as to move around to look for abundant water, both safe and convenient.Therefore, the Tibetan people wear not only costumes, but also a huge property, showing not only beauty, but also a symbol of luxury and wealth.
藏族人民十分重視藝術性與文化性，并十分善于將生活中的動物、植物以及理想中的吉祥物衍變為圖紋在首飾中出現。更為突出的是宗教文化給予圖紋的強烈影響，以及藏民族對首飾掛件所賦予的宗教觀念。如宗教文化中"六字真言"、"十項自在"、"雙鹿法輪"、"大鵬鳥"、"吉祥八寶"、"萬字符號"和眾多的宗教文字、符號被用于藏飾中。藏傳佛教推崇的數字"九"已成為珠寶圖紋的最吉祥數字。
The Tibetan people attach great importance to their artistic and cultural nature, and are very good at changing their life animals, plants and ideal mascots into patterns in jewelry.What is more prominent is the strong influence of religious culture on the pattern, as well as the religious concept given by the Tibetan people on the jewelry pendant.For example, in religious culture, "six words true words", "ten comfortable", "Deer Falun", "Dapeng" bird "," auspicious eight treasures "," 10,000 words symbols " and numerous religious words and symbols are used in Tibetan ornaments.The number "nine" respected by Tibetan Buddhism has become the most auspicious figure of jewelry patterns.
