【藏品名稱】：張大千款觀音像
[collection name]: thousands of Guanyin statues of Zhang Da
【藏品類別】：書畫
[collection type]: calligraphy and painting
【藏品簡介】：我國近代有一位非常著名的畫家，他就是張大千，張大千在近代中國畫壇的歷史地位，甚至在世界畫壇的歷史地位，都可以說是非常高的，甚至光從他那么多名號中都可以看出他的藝術成就到底有多高，張大千和齊白石一直并稱為南張北齊，西方國家甚至稱張大千為東方之筆，【張大千】（1899——1983）具有世界影響的中國畫大師，中國近現代著名書畫大師﹑美術教育家﹑美術理論家﹑書法家﹑文學家﹑收藏家、鑒賞家、美食家﹑旅行家。他以其深厚的文化學養以及充滿傳奇色彩的人生經歷成為海內外知名的文化名人。張大千是20世紀中國畫壇最為傳奇的國畫大師，無論是繪畫、書法、篆刻、詩詞都無所不通。早期專心研習古人書畫，特別在山水畫，觀音像方面卓有成就,后旅居海外，畫風工寫結合，重彩、水墨融為一體，尤其是潑墨與潑彩，開創了新的藝術風格。
[collection introduction]: there was a very famous painter in modern China, Zhang Daqian. Zhang Daqian's historical position in modern Chinese painting and even in the world painting can be said to be very high. Even from his many names, we can see how high his artistic achievements are. Zhang Daqian and Qi Baishi have always been called south Zhang and North Qi, Western countries even call Zhang Daqian the pen of the East. Zhang Daqian (1899-1983) is a world-famous master of Chinese painting, a famous master of calligraphy and painting, art educator, art theorist, calligrapher, writer, collector, connoisseur, gourmet and traveler in modern China. He has become a well-known cultural celebrity at home and abroad with his profound cultural upbringing and legendary life experience. Zhang Daqian is the most legendary master of traditional Chinese painting in the 20th century. He knows everything about painting, calligraphy, seal cutting and poetry. In the early stage, he concentrated on studying ancient calligraphy and painting, especially in landscape painting and Guanyin statue. Later, he lived abroad, combined painting style with work and writing, and integrated heavy color and ink, especially splash ink and splash color, creating a new artistic style.
自1941年至1943年，歷時32個月，張大千對敦煌壁畫進行臨幕，共完成壁畫臨摹作品共276幅。敦煌歸來后，其繪畫藝術全面升華至臻化境。此后的十余年里，張大千畫了不少人物精品，其中最為突出者為菩薩造像作品。此《臨敦煌莫高窟唐人菩薩像》作于1944年，系張大千臨敦煌壁畫人物作品中代表作。畫中觀音像是典型的唐人審美產物，所謂“豐肉微骨”，最能反映盛唐仕女風貌和其時歷史氣息。而于艷麗設色中見其莊嚴寶相，卻是張大千苦心經營之果。
From 1941 to 1943, it took 32 months for Zhang Daqian to make a temporary curtain on Dunhuang murals, and a total of 276 mural copies were completed. After the return of Dunhuang, its painting art was fully sublimated to a perfect state. In the following ten years, Zhang Daqian painted many fine figures, the most prominent of which was the statue of Bodhisattva. This "statue of Tang Bodhisattva near Dunhuang Mogao Grottoes" was made in 1944. It is a representative work of Zhang Daqian's works of figures in Dunhuang murals. The Guanyin image in the painting is a typical aesthetic product of the Tang people. The so-called "abundant meat and micro bone" can best reflect the style of ladies in the prosperous Tang Dynasty and the historical atmosphere at that time. However, seeing his Zhuang Yan Baoxiang in the gorgeous color setting is the fruit of Zhang Daqian's painstaking management.
此幅《觀音造像》為大千人物造像轉形期，早年古典娟秀的面相，漸加了風姿韻味的豐腴意態，表現于面貌和肢體動作上。而衣紋之處理及勇于用色，亦開展了大千仕女畫的另一高峰，農歷九月十九為觀音誕，大千誠心于此日為觀音造像，并特意落款敬題，足見他對作品的看重，大千曾作百日和尚，對佛學素有研習。施線細謹，設色淡雅，人物為羸弱清高之態，該幅畫作菩薩開相端莊安詳；造型華貴高古，體態豐盈婀娜，比例恰當，法像莊嚴，運用白描法，線條勁健有力，剛中帶柔，富有彈性，筆墨交待極為清晰，毫不含糊，格調清雅，盡具盛唐遺風，表現出觀音大士神態安閑妙法蓮花之象。故而，該作為張大千臨佛像繪畫中的經典之作，極為難得，具有極高的收藏價值和升值空間！
This "Guanyin statue" is the transformation period of thousands of figures. In the early years, the classical and beautiful face gradually added the plump expression of charm and charm, which is reflected in the face and body movements. The treatment of clothing patterns and the courage to use color also launched another peak of Daqian lady painting. September 19 of the lunar calendar is Guanyin birthday. Daqian sincerely made a statue of Guanyin on this day and specially signed a title to respect the title, which shows that he attaches great importance to his works. Daqian was a hundred day monk and has always studied Buddhism. The lines are carefully laid, the colors are elegant, and the characters are weak and lofty. The Bodhisattva in this painting is dignified and serene; The style is luxurious and ancient, the body is plump and graceful, the proportion is appropriate, and the Dharma image is solemn. Using the line drawing method, the lines are strong and powerful, rigid and soft, elastic, the pen and ink account is very clear and unambiguous, the style is elegant, and has the legacy of the prosperous Tang Dynasty, showing the relaxed and wonderful Dharma lotus image of senior Guanyin. Therefore, as a classic of Zhang Daqian's Buddhist painting, it is extremely rare and has high collection value and appreciation space!
