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提升國際傳播能力建設也就是在國際上以中國特色社會主義話語體系講述中國故事、傳播中國聲音、展示中國形象,并在中國—時代—世界的多維視域中做立體式的話語表達與文化傳播。推動中國特色社會主義文化國際傳播,可為世界人民謀和平、謀發展、謀幸福提供源源不斷的精神動力,為全世界貢獻中國智慧、提出中國方案。國際傳播能力建設是新時代中國特色社會主義思想的重要組成部分,是意義重大、影響深遠的系統工程。為了提升新時代文化國際傳播能力,我們亟須聚焦時代要求、彰顯中國特色、拓展傳播載體、展現世界意義,更好地使中國特色社會主義文化走向世界、融入世界,并引領世界在新時代的新征程上闊步向前。

To improve the construction of international communication capacity is to tell Chinese stories, spread Chinese voice and display Chinese image in the international discourse system of socialism with Chinese characteristics, and do three-dimensional discourse expression and cultural communication in the multi-dimensional perspective of China, the times and the world. Promoting the international dissemination of socialist culture with Chinese characteristics can provide a steady stream of spiritual power for the people of the world to seek peace, development and happiness, contribute Chinese wisdom and put forward Chinese plans for the world. The construction of international communication capacity is an important part of the thought of socialism with Chinese characteristics in the new era. It is a systematic project of great significance and far-reaching influence. In order to improve the international communication ability of culture in the new era, it is urgent for us to on the requirements of the times, highlight Chinese characteristics, expand communication carriers and show world significance, so as to better make the socialist culture with Chinese characteristics go to the world and integrate into the world, and lead the world to stride forward on the new journey of the new era.

王孝誠,字一山,齋號亦然舍。中國工藝美術大師、國畫家、 世界華人藝術家協會理事、世界文化藝術研究中心研究員、中國民間藝術家協會內畫藝術委員會副主任、中國工藝美術學會會員、山東書法家協會會員、山東工藝美術協會內畫專業委員會主任,山東工藝美院兼職教授、青島大學美術學院兼職教授。

Wang Xiaocheng, the word Yishan, Zhai is also a house. Master of Chinese arts and crafts, Chinese painter, director of World Chinese Artists Association, researcher of world culture and art research center, deputy director of interior painting art committee of China Folk Artists Association, member of China Arts and Crafts Society, member of Shandong Calligrapher Association, director of interior painting professional committee of Shandong Arts and crafts Association, part-time professor of Shandong Academy of Arts and crafts Adjunct professor, School of fine arts, Qingdao University.

開元豪,四尺斗方

1945年生于博山,1958年經考試進入博山美術琉璃廠內畫組跟張文堂、薛京萬老藝人學習內畫。1975年調干就學,畢業于浙江美術學院。

1961年改革百年相傳的內畫竹畫筆為內畫狼毫筆, 為中國內畫發展作出了巨大貢獻。1971年首創《水滸一百單八將》特細內畫畫面, 在廣交會引起轟動。

Born in Boshan in 1945, he entered the inner painting group of Boshan art Liulichang after examination in 1958 and studied inner painting with old artists Zhang Wentang and Xue jingwan. He was transferred to school in 1975 and graduated from Zhejiang Academy of fine arts.

The bamboo brush for interior painting, which has been handed down for a hundred years since the reform in 1961, is a wolf hair brush for interior painting, which has made great contributions to the development of Chinese interior painting. In 1971, he first created the super fine interior painting of "one hundred single Eight Generals of the Water Margin", which caused a sensation in the Canton Fair.

好雨知時節,潤物細無聲,四尺斗方

在浙美求學期間深得吳弗之、陸抑非、王伯敏等先生的賞識。國畫作品多次獲省市優秀創作獎。所創作的《和諧歸》、《醉梅林》獲首屆世界華人藝術展佳作獎和第六界世界華人藝術大展國際優秀獎。曾與他人合作舉辦八人書畫展、黃山寫生展和個人中國畫作品展。1991年赴日舉辦個人藝術作品展。

作品與業績曾被《中國藝術界名人錄》、《中國工藝美術名人藝術大辭典》、《中華翰墨名家作品博覽》、《世界華人藝術精品典藏》、《中國書畫藝術作品集》、《中國當代書畫家翰墨精品集》、《走近當代大師》等收錄。

人民日報出版社曾編輯出版個人國畫集。2004和2005年所創作的內畫作品《蘭亭契吟圖》和《賞花大觀園》禪聯第五屆、第六屆中國工藝美術大師作品及工藝美術精品博覽會金獎。內畫作品《想望》被中國國家博物館收藏,成為建國以來館藏內畫第一人。2007和2008年第八屆、第九屆中國工藝美術大師作品及中國工藝美術精品博覽會評委、第六屆中國工藝美術大師評委。

畫家的最高境界是什么?當然就是著名畫家王孝誠的師法自然的修養境界。他畫松柳成趣雅,畫山水制奇韻,一支畫筆構骨而立質,沒骨成精彩,在長年的丹青藝術修煉進程中,王孝誠已經得自然之涵養,達到了筆墨心通,一氣呵成精彩的丹青水準。王孝誠的丹青視野非常廣泛,于自然之境隨擷一物,皆可入畫框而成定格精品。其中又極善畫多枝植物和肥葉塘荷,也極善文人山水構繪。他用堅實的工藝美術功底,合成自己豐富的寫生積淀,繪制丹青,藝術美與裝飾美通成一體,自成一派,打上了非常個性化的藝術標簽,有新派開宗的丹青造詣。

During his study in zhemei, he was deeply appreciated by Mr. Wu Fuzhi, Lu Yifei, Wang Bomin, etc. Chinese painting works have won provincial and municipal excellent creation awards for many times. His "return to harmony" and "drunk Merlin" won the excellent work award of the first World Chinese art exhibition and the international excellence award of the sixth World Chinese art exhibition. He has cooperated with others to hold eight person calligraphy and painting exhibition, Huangshan sketch exhibition and personal Chinese painting exhibition. In 1991, he went to Japan to hold a personal art exhibition.

His works and achievements have been included in the list of celebrities in Chinese art circles, the dictionary of Chinese arts and crafts celebrities, the exhibition of works of Chinese calligraphy masters, the collection of World Chinese art works, the collection of Chinese calligraphy and painting works, the collection of calligraphy and painting works of Chinese contemporary calligraphers and painters, approaching contemporary masters, etc.

People's Daily Publishing House has edited and published his own collection of traditional Chinese paintings. The gold medal of the 5th and 6th China Arts and Crafts Master works and arts and crafts boutique Expo of the Zen Federation of the inner painting works "Orchid Pavilion Qiyin picture" and "flower appreciation Grand View Garden" created in 2004 and 2005. The interior painting "wish" was collected by the National Museum of China and became the first person in the collection of interior painting since the founding of the people's Republic of China. Judges of the 8th and 9th China Arts and crafts masters' works and China Arts and crafts boutique Expo in 2007 and 2008, and judges of the 6th China Arts and crafts masters.

What is the highest state of a painter? Of course, it is the cultivation realm of learning from nature by the famous painter Wang Xiaocheng. His paintings of pines and willows become interesting and elegant, and his paintings of mountains and rivers make strange rhymes. A brush constructs bones and stands quality, and no bones become wonderful. In the long process of painting art cultivation, Wang Xiaocheng has been naturally cultivated, reaching the level of pen and ink heart communication and wonderful painting at one go. Wang Xiaocheng's painting has a wide range of vision. He can capture one object in the natural environment, which can be put into the picture frame to form a freeze frame boutique. Among them, he is also very good at painting MULTI BRANCHED plants and fat leaf pond lotus, as well as literati landscape painting. With a solid foundation in Arts and crafts, he synthesized his rich accumulation of sketching and painted Danqing. The artistic beauty and decorative beauty are integrated into one, forming a school of his own. He has a very personalized artistic label and has the attainments of Danqing, the founder of the new school.

 

民族魂,四尺豎整幅

王孝誠繪畫,善施精至繁筆,意境舒闊,筆法卻相當致密。看繪畫品質,首看筆法之工,大師齊白石、李可染、關山月,雖然皆是寫意大師,但是寫意的另一面卻是精工巨匠。特別是齊白石工筆小蟬,謂之絕技。王孝誠山水和植繪作品,亦顯繁筆精工,造型精確,質成活性,他的丹青筆法一是不自欺,二是不欺人,三是不欺世,一路傳承大師明示,趨成大師新功,可謂是朝起而學,暮研不止,筆耕無輟,筆技如癡。 

王孝誠植物繪品,不取一枝一葉,不畏繁雜,取大而全,有整體構制,成大統境界,所以可以通過他的一幅作品整觀春秋,而不是一枝一葉的單薄與乏味。別人制一幅畫,眨眼可成,虛功太多的原因。王孝誠繪一幅作品,數月精工,實功歷歷,一目了然,所以他的繪畫作品通常是枝、葉、干,天、地、氣的所有,不是單音符,而是合奏曲。情動人,景宜人,仰而一觀,十分悅目,相當動心。他的植繪作品,皆可成畫譜之功。照王孝誠植繪作品修丹青,事半功倍,佳績可成。功高為師,造詣可敬。 

他的山水,不酬酢無俗質,在師傳統復古韻的前提下,又絕不獨落前技巢臼,山水創作時能破舊范出新奇,是丹青緊隨時代,破求得新意的典范。他畫山水,不閉門造車,而是親歷山水,有收盡奇峰打草稿的寫生積淀,所以山水之姿,在他的畫面里仍舊是自然真味。 

山水之功,源成自然,再加上他善用皴筆點染,遠點近皴,巧妙顧映,萬般調整,一幅山水,必得意象神采,借助純熟的技法,抒發豪邁情懷就如順水順風駕輕舟,快意到達,極致入神。 

同樣,依扎實的工藝思謀,他的山水作品也盡得精工質成。落墨行筆,如踏薄冰,小心謹慎,不讓一處有疏忽,不留一處有漏洞。大膽驅墨向前,細心收拾隨后,敢于造險再平險,一絲不茍,精益求精,造就了他的山水近看可觀筆墨,遠賞涌現氣勢的高端品味,獨有結實大氣,層次分明,張力十足,墨萬化的山水質韻,令人回味無窮,久觀不厭。 

師法自然意境精彩,丹青技熟實力一派。王孝誠繪畫,立意清新,筆法精致,墨隨時代,技無影畫有言,點、線、面、水、墨、彩,六樣簡單卻被王孝誠調度成千變萬化,深刻體現了他作為一名畫家的技熟力度。大家必依實力,王孝誠績鑄實力,修成大家風范,令人贊嘆。

著名書畫評論家 劉振華 2018年6月15日

Wang Xiaocheng is good at painting. He is good at using fine and complex strokes. His artistic conception is broad, but his strokes are quite dense. Looking at the quality of painting, the first thing to look at is the craftsmanship of brushwork. Although Qi Baishi, Li Keran and Guan Shanyue are all freehand masters, the other side of freehand brushwork is a master of Seiko. In particular, Qi Baishi's meticulous small cicada is called a unique skill. Wang Xiaocheng's landscape and plant painting works also show numerous and exquisite strokes, accurate modeling and active quality. His Danqing brushwork is not self deceptive, not deceptive, and not deceptive to the world. He inherits the master's express all the way and tends to become the master's new skills. It can be said that he learns from the morning, studies more and more in the evening, does not stop writing, and his brushwork is crazy.

Wang Xiaocheng's plant paintings do not take one branch and one leaf, are not afraid of complexity, take large and complete, have an overall structure, and form a unified realm. Therefore, we can view the spring and Autumn period through one of his works, rather than the thin and boring of one branch and one leaf. If someone makes a painting, it can be done in the blink of an eye. There are too many reasons for virtual work. Wang Xiaocheng painted a work, which was exquisite for several months, and his actual achievements were clear at a glance. Therefore, his paintings are usually all branches, leaves, stems, heaven, earth and Qi, not a single note, but an ensemble. The feeling is moving and the scenery is pleasant. Looking up, it is very pleasing to the eyes and very moving. All his planting and painting works can be made into painting scores. According to Wang Xiaocheng's painting works, you can get twice the result with half the effort. He is a teacher with high achievements and respectable attainments.

His landscape is not friendly and vulgar. On the premise of traditional retro rhyme, he never falls behind the technical nest mortar alone. His landscape creation can be worn and novel. It is a model for Danqing to follow the times and seek new ideas. He did not paint landscapes behind closed doors, but experienced them personally. He had a sketch accumulation of collecting all the strange peaks and drafts. Therefore, the posture of mountains and rivers was still natural in his picture.

The skill of mountains and rivers comes from nature. In addition, he is good at using Cun pen to dye, far and near Cun, skillfully take care of reflection and adjust in all ways. A picture of mountains and rivers must have an image and look. With the help of skilled techniques, he expresses his heroic feelings, just like riding a boat with the water and the wind, reaching it happily and reaching the ultimate ecstasy.

Similarly, his landscape works are also refined with solid craftsmanship. Ink strokes, such as stepping on thin ice, should be careful not to let one place have negligence and leave no loopholes. He boldly drives the ink forward, carefully cleans up and then dares to make risks and then flatten the risks. He is meticulous and keeps improving, which has created his landscape. He can see considerable pen and ink near and appreciate the high-end taste of emerging momentum far away. He has a unique strong atmosphere, clear layers and full tension. The landscape quality charm of ink is memorable and never tire of looking at it for a long time.

Learn from nature, have wonderful artistic conception, be familiar with Danqing technology, and have great strength. Wang Xiaocheng's painting has a fresh intention and exquisite brushwork. The ink has no shadow with the times. There are words in painting. Six simple points, lines, surfaces, water, ink and colors are regulated by Wang Xiaocheng, which deeply reflects his technical proficiency as a painter. We must build strength according to the achievements of Wang Xiaocheng, and cultivate a great family style, which is amazing.

Famous painting and calligraphy critic Liu Zhenhua June 15, 2018

筆墨染香,八尺豎整幅

秋,四尺豎整幅

飛向蘭天,四尺橫整幅

綠陰,八尺豎整幅

 

  冰寒溢香,四尺豎整幅

 

月光下,四尺豎整幅

 

不似春光勝似春光,四尺豎整幅

 

通途,四尺豎整幅

 

指點江山圖、四尺豎整幅

 

聽雨聲,四尺斗方

 

高山仰止圖,四尺豎整幅

 

昏昏天際雪橫飛,

難壓梅花香人類。

八尺豎整幅

 

根植華夏,香滿五洲。四尺豎整幅

 

草書,毛主席句、四尺豎條幅

 

草書,毛主席句、四尺豎條幅

 

行草,毛主席詞二首

 

書法,構建命運共同體,四尺豎整幅

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