南北朝時期的石刻藝術在中國藝術歷史上一直是獨樹一幟的地位，其地位的保持肯定是靠此時期石刻藝術的獨特魅力和非凡成就，其中最大的一個魅力莫過于外來文化的影響了。隨著東漢以來的佛教東傳，我國古代的石刻藝術受到了佛教的影響，故無論是石像、石窟，都和以前的造型理念有所差異。
The stone carving art in the northern and Southern Dynasties has always been a unique position in Chinese art history. Its status must be maintained by the unique charm and extraordinary achievements of stone carving art in this period, of which the greatest charm is the influence of foreign culture. With the spread of Buddhism to the East since the Eastern Han Dynasty, China's ancient stone carving art has been influenced by Buddhism. Therefore, both stone statues and grottoes are different from the previous modeling ideas.
南朝天祿石雕，高22公分。其狀身若虎，頭類獅，頭頂一獨角下垂，嘴大牙銳，下頜一束卷須，身雙翼，昂首怒 目，前左蹄抓一怪物，圓形的長尾 撐著地面，大有一躍而騰之勢。《后漢書 ·靈帝紀》天祿注 “鄧州南陽縣北有兩石獸，鐫 共膊，一曰天祿，一曰辟邪，據此天祿、辟邪并獸名”。又，孟康注 “一角者或為天祿， 兩角者或為辟邪。” 用虎豹等動物的形象制鎮，有避邪惡的用意，漢代陵墓前常立石虎，是為了驅除地 下 的魑魅魍魎。應劭 《風俗通義》記載 “網象畏虎”。漢人還創造出了名叫 “天祿、辟 邪”的神獸，漢銅鏡銘：“距虛辟邪除群兇”。《急救篇》說：“射魅辟邪除群兇。”它所能避除的就不單是網象了，故其造型比虎豹更為雄肆。
Tianlu stone carving of the Southern Dynasty, 22 cm high. Its body is like a tiger. It has a head like a lion. It has a drooping single angle on the top of its head, a big mouth and sharp teeth, a bunch of tendrils on the lower jaw, its wings, raised its head and angry eyes, grabbed a monster with its front left hoof, and its long round tail supports the ground, which has the potential to jump and soar. In the book of the later Han Dynasty, Emperor Lingdi Ji, Tianlu notes that "there are two stone beasts in the north of Nanyang County, Dengzhou, engraved with the same shoulder, one is Tianlu and the other is to ward off evil spirits. According to this, Tianlu and ward off evil spirits are combined into animal names". In addition, Meng Kang noted that "one horn may be Tianlu, and two horns may be used to ward off evil." the town is made in the image of animals such as tigers and leopards to avoid evil. Stone tigers are often erected in front of tombs in the Han Dynasty to drive away demons and monsters underground. Ying Shao's general meaning of customs records that "net elephants fear tigers". The Han people also created a divine beast called "Tianlu, ward off evil spirits". The bronze mirror of the Han Dynasty said: "keep away from the deficiency, ward off evil spirits and eliminate evil spirits". "First aid" says: "shoot evil spirits to ward off evil spirits and eliminate evil spirits." it can avoid not only net elephants, so its shape is more male than tigers and leopards.
此石刻有豐富的藝術想象力和簡潔明快的藝術手法，雕刻工匠著力刻劃天祿的頭部和矯健的身軀，加之撐地的圓形長尾， 個支點，雕托在石板上，顯得更加穩重有力，形象雖屬虛構，而細節逼真，富有生命力。
This stone carving has rich artistic imagination and simple and lively artistic techniques. Carving craftsmen focus on carving Tianlu's head and vigorous body. In addition, the round long tail supporting the ground and a fulcrum are carved on the stone slab, which is more stable and powerful. Although the image is fictional, the details are realistic and full of vitality.
中國古代石雕是一個特殊的門類，從最初的產生到80年代初石雕被重視之前，每個時期的產物都有自己特定的風格，并且不會被后人復制。因為對于古人來說石雕永遠是裝載內心信仰的圣物。
Ancient Chinese stone carving is a special category. From the initial emergence to the early 1980s, before stone carving was valued, the products of each period have their own specific style and will not be copied by future generations. Because for the ancients, stone carvings are always sacred objects loaded with inner beliefs.
審視古代石雕藝術不能用片面的時代喜好去審視美丑。因為不同時代的先民在不同的文化體系和生產工具下，產生了具有時代特征和民族特色的作品。隨著文化的傳播和交融題材也開始愈加豐富，多元化。這是客觀存在的，我們要用綜合性的眼光去審視歷史遺留。
When examining ancient stone carving art, we can't examine beauty and ugliness with one-sided preferences of the times. Because the ancestors of different times produced works with era characteristics and national characteristics under different cultural systems and production tools. With the spread and blending of culture, themes began to become more rich and diversified. This is an objective existence. We should examine the legacy of history from a comprehensive perspective.
我們現在的時代是石雕藝術的末法時代，我們能夠做到的就是用現代的審美去展示與陳列古代石雕遺留。我們能做到完美的陳設就是我們這代人對古代先民最大的尊敬。
Our present era is the end of stone carving art. What we can do is to show and display the legacy of ancient stone carving with modern aesthetics. The perfect display we can make is the greatest respect of our generation for our ancient ancestors.
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