【藏品名稱】：子冶款三足石瓢紫砂壺
[collection name]: ziye style three legged stone ladle purple sand pot
【藏品規(guī)格】：高7.5厘米 ，底11厘米
[collection Specification]: 7.5cm high and 11cm bottom
【藏品簡介】：石瓢最早稱為“石銚”，“銚”在《辭海》中釋為“吊子，一種有柄，有流的小烹器”。“銚”從金屬器皿變?yōu)樘掌鳎钤缫娪诒彼未髮W(xué)士蘇軾《試院煎茶》詩：“且學(xué)公家作名欽，磚爐石銚行相隨”。蘇東坡把金屬“銚”改為石“銚”，這“銚”也即后人所稱的“東坡提梁”壺，可謂最早的紫砂“石銚”壺。最終改成石瓢，應(yīng)從顧景舟時期說起，顧老引用古文“弱水三千，僅飲一瓢”，“石銚”應(yīng)稱“石瓢”。陳曼生與朱石梅分別在其參與的石銚壺銘文: "煮白石，泛綠云，一瓢細(xì)酌邀桐君"、"梅花一瓢，東閣招邀"。
[introduction to the collection]: the stone ladle was first called "Shiyao", and "Yao" is interpreted as "hanging son, a small cooking utensil with handle and flow" in Cihai“ "Yao" changed from metal ware to pottery, which was first seen in the poem "fried tea in the trial court" by Su Shi, a great scholar of the Northern Song Dynasty: "and the academic public made a famous Qin, followed by brick furnace and stone Yao". Su Dongpo changed the metal "Yao" to the stone "Yao". This "Yao", also known as the "Dongpo lifting beam" pot, can be described as the earliest purple sand "Shi Yao" pot. Finally, it should be changed into a stone ladle from Gu Jingzhou's period. Gu quoted the ancient saying "three thousand weak waters, only one ladle to drink", "stone Yao" should be called "stone ladle". Chen Mansheng and Zhu Shimei wrote inscriptions on the Shiyao pot they participated in: "boil white stone, green clouds, drink carefully and invite Tongjun", "plum blossom, invite Dongge".
由于歷代制作石瓢壺的名家非常多，于是在傳承的過程中便以具有代表意義的名家名字來作為紫砂壺款式名稱，如典型代表有楊彭年、陳曼生、瞿子冶、朱石梅、王東石、顧景舟等人。瓢的整體共性是：石瓢壺以三足立身，即底置三足、身碓形、蓋橋鈕。而在從古自今的創(chuàng)作演變中，藝師會以個人的審美角度改良創(chuàng)新，如石瓢有圈把、提梁之別；由當(dāng)代實力派藝師馬璟輝改創(chuàng)的納瓢等作品。在石瓢紫砂壺類最具代表的壺型之一即：子冶石瓢（瞿應(yīng)紹，字子冶，號月壺，晚號瞿甫，又署老冶、壺公冶父，室名“毓秀堂”，官至浙江玉環(huán)同知，清中期書畫家。最善畫竹，蘭、柳亦工，兼能書法篆刻）繼曼生之后，又一位與紫砂壺藝術(shù)密切結(jié)合的文人，他將書法繪畫與紫砂壺結(jié)合起來，開創(chuàng)了屬于自己的文人風(fēng)貌，人稱“瞿壺”。
Because there are many famous masters making stone ladle pots in the past dynasties, they are inheritedIn the process, the famous names with representative significance are used as the style names of purple clay pots, such as Yang Pengnian, Chen Mansheng, Qu ziye, Zhu Shimei, Wang Dongshi, Gu Jingzhou, etc. The overall commonness of the ladle is that the stone ladle pot stands on three feet, that is, the bottom is equipped with three feet, the body is shaped like a pestle, and the bridge button is covered. In the evolution of creation from ancient times to today, artists will improve and innovate from a personal aesthetic point of view, such as the circle handle and lifting beam of stone ladle; Napai and other works created by Ma Jinghui, an artist of contemporary strength school. One of the most representative types of stone ladle purple clay pots is ziye stone ladle (Qu yingshao, Zi ye, No. Yue pot, No. Qu Fu in the evening). It is also named Laoye and Hugong Yefu. Its room name is "Yuxiu hall". It is known to Yuhuan, Zhejiang Province. It is a calligrapher and painter in the middle of the Qing Dynasty. He is good at painting bamboo, orchid and Liu Yigong, and can also calligraphy and seal cutting) after Mansheng, another scholar closely combined with the art of purple clay pot. He combined calligraphy and painting with purple clay pot and created his own literati style, known as "Qu pot".
紫砂器型豐富多樣，有高有矮、有瘦有胖，造型不一，千姿百態(tài)，它用自身豐富的塑造感帶給我們極為強(qiáng)烈的體驗感受。尤其是那些經(jīng)過時光考驗，經(jīng)過歷史長河的洗禮的經(jīng)典器型，其中的滋味又是更加濃厚的一番。在我們的石瓢上，經(jīng)常出現(xiàn)的就是竹的題材，這件子治石瓢壺以三棋足為底，穩(wěn)重韻雅，而自上而下的經(jīng)典三角坡度，又盡顯骨感與肉感。看似彎折的曲線，卻又盡顯勁道剛勁的力道。謙謙公子的形象，但是又不失烈士的高潔傲骨。整體線條纖細(xì)雅致，靈巧清趣，不為世俗沾染，不嘩眾取寵，就那么矗立在風(fēng)雪春夏之中，竿如長槍，葉如利箭，頂天立地，灑利之感油然而生。正是這種高潔傲骨，卻是我們最為欣賞與向往的，所以借壺自寓，以表達(dá)對此高潔的情操的贊美與向往。整體品相保留極好，為子治款紫砂壺之上品，具有極高的收藏價值和升值空間！
Purple sand ware is rich and diverse, ranging from high to low, thin to fat, with different shapes and various shapes. It brings us a very strong experience with its rich sense of shaping. Especially those classic utensils that have passed the test of time and the baptism of history, the taste is even stronger. On our stone ladle, the theme of bamboo often appears. This Zizhi stone ladle pot is based on three chess feet, which is stable and elegant, and the classic triangular slope from top to bottom shows the sense of bone and flesh. It looks like a curved curve, but it shows its strength. The image of a modest childe, but without losing the noble and arrogant character of a martyr. The whole line is slender and elegant, dexterous and interesting. It is not contaminated by the secular world or flattering the public. It stands in the wind, snow, spring and summer. The pole is like a long gun, and the leaf is like a sharp arrow. It stands upright and has a sense of profit. It is this noble and lofty character that we most appreciate and yearn for, so we use the pot to express our praise and yearning for this noble sentiment. The overall appearance is excellent. It is the top grade of Zizhi purple clay pot, with high collection value and appreciation space!
