元代瓷器是中國陶瓷發展當中的重大轉折點，在陶瓷裝飾歷史上有著劃時代的意義。器形多樣，裝飾手法繁多，釉彩各異，燒制技術是革命性的創造，開創明清和現代瓷器的新格局，以至于影響到世界陶瓷的發展。在元代瓷器當中，尤其能把青花和釉里紅、繪畫和貼塑集于一身。
Yuan Dynasty porcelain is a major turning point in the development of Chinese ceramics, which is of epoch-making significance in the history of ceramic decoration. The firing technology is a revolutionary creation, creating a new pattern of Ming and Qing Dynasties and modern porcelain, so as to affect the development of ceramics in the world. In the Yuan Dynasty porcelain, blue and white, underglaze red, painting and pasting can be integrated.
歷來元青花、釉里紅瓷器以其獨特的藝術魅力讓人傾倒，這主要取決于元代青花、釉里紅的燒制成功開創了以鈷、銅著色劑為釉下彩繪瓷器的先河。
Blue and white porcelain and underglaze red porcelain of the Yuan Dynasty have always attracted people with their unique artistic charm, which mainly depends on the successful firing of blue and white porcelain and underglaze red in the Yuan Dynasty, creating a precedent for underglaze painted porcelain with cobalt and copper colorants.
青花釉里紅瓷，釉下彩瓷的一種。在青花間用銅紅加繪紋飾。以色彩絢美著稱。始于元代。由于燒成難度大，青花釉里紅器，被視為古瓷珍品。
Blue and white underglaze red porcelain is a kind of underglaze colored porcelain. The blue and white room is decorated with copper red. It is famous for its gorgeous colors. It began in the Yuan Dynasty. Due to the difficulty of firing, blue and white underglaze red ware is regarded as a treasure of ancient porcelain.
此梅瓶豐肩、通體青花釉里紅紋飾。瓶身繪青花蓮瓣紋、卷草紋、各一周。近口沿處繪青花纏枝花紋、卷草紋各一周。肩部繪下垂如意、內繪青花水波紋托白蓮，繪制四季花卉與嬰兒四態，在罐足脛上繪一圈仰蓮瓣紋。瓶腹上為八個八瓣式開光，每個間隔開光里用貼塑手法裝飾洞石花草紋，青花、釉里紅互為襯托，紅、藍交相輝映。造型豐滿渾厚，紋飾層次鮮明，綜合了繪、鏤、塑、模印、貼等多種技法。青花、釉里紅在作品中互為襯托，立體感十足，以青花填繪枝葉，以釉里紅繪其牡丹、花瓣，釉面瑩潤,寶光十足。青花發色深沉濃翠（濃重之處有鐵斑顯見為使用進口鈷料之特征），紅、藍交相輝映,整體形成一種氣度雍容而又花團錦簇的藝術效果。讓我們不得不驚嘆元代瓷藝大師們高超的工藝水準和藝術想象。
This plum vase has a rich shoulder and is decorated with blue and white underglaze red patterns. The bottle body is painted with blue and white lotus petal pattern and roll grass pattern, one week each. Near the mouth edge, blue and white intertwined patterns and rolling grass patterns are painted for one week respectively. The shoulder is painted with drooping Ruyi, the inside is painted with blue and white water waves, holding white lotus, four seasons flowers and four states of babies, and a circle of upward lotus petal pattern is painted on the shin of the tank foot. On the belly of the bottle are eight eight petal opening lights. In each interval opening light, the cave stone flowers and grass patterns are decorated by pasting plastic techniques. Blue and white and underglaze red set off each other, and red and blue complement each other. The shape is plump and thick, and the decorative level is distinct. It integrates a variety of techniques such as painting, engraving, molding, printing, pasting and so on. Blue and white and underglaze red set off each other in the works, with a full three-dimensional sense. The branches and leaves are filled with blue and white, and the peonies and petals are painted with underglaze red. The glaze is bright and lustrous. The blue and white hair color is deep and thick green (there are iron spots in the thick part, which is obviously characterized by the use of imported cobalt material). Red and blue complement each other, forming an elegant and colorful artistic effect as a whole. We have to marvel at the superb craftsmanship and artistic imagination of the porcelain masters of the Yuan Dynasty.
從工藝的角度，這件器物的難度遠比鬼谷子下山大得多。彩繪貼塑、鏤空雕刻，融合了那個時代最先進最復雜的各種陶瓷手工藝，釉里紅的使用又使之前的努力面臨極大的燒成風險。說他是一件劃時代的杰作是絲毫也不夸張的。
From the point of view of craft, this artifact is much more difficult than Guiguzi going down the mountain. Color painting, plastic pasting and hollow carving combined the most advanced and complex ceramic handicrafts of that era. The use of underglaze red faced great firing risk. It is no exaggeration to say that he is an epoch-making masterpiece.
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