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  【藏品名稱】:青山鬼谷子下山罐

  [collection name]: qingshanguiguzi downhill pot

  【藏品類別】:瓷器

  [collection type]: porcelain

  【藏品簡介】:元青花瓷(又稱元青花),即元代生產(chǎn)的青花瓷器。青花瓷生產(chǎn)于唐代,興盛于元代。成熟的青花瓷出現(xiàn)在元代的景德鎮(zhèn),紋飾最大特點是構圖豐滿,層次多而不亂。元青花瓷大改傳統(tǒng)瓷器含蓄內(nèi)斂風格,以鮮明的視覺效果,給人以簡明的快感。以其大氣豪邁氣概和藝術原創(chuàng)精神,將青花繪畫藝術推向頂峰,確立了后世青花瓷的繁榮與長久不衰。元青花鬼谷子下山圖罐,元代青花瓷器,主體紋飾為"鬼谷子下山圖",描述了孫臏的師傅鬼谷子在齊國使節(jié)蘇代的再三請求下,答應下山搭救被燕國陷陣的齊國名將孫臏和獨孤陳的故事。

  [collection introduction]: Yuan blue and white porcelain (also known as Yuan blue and white), that is, blue and white porcelain produced in the Yuan Dynasty. Blue and white porcelain was produced in the Tang Dynasty and flourished in the Yuan Dynasty. Mature blue and white porcelain appeared in Jingdezhen of the Yuan Dynasty. The biggest feature of the decoration is that the composition is plump and the layers are multi-layered without disorder. Yuan blue and white porcelain greatly changed the implicit and restrained style of traditional porcelain, giving people a concise pleasure with distinctive visual effects. With its heroic spirit and original artistic spirit, it pushed the blue and white painting art to the peak and established the prosperity and long-term prosperity of blue and white porcelain in future generations. The blue and white painting pot of Guiguzi going down the mountain in the Yuan Dynasty and the blue and white porcelain of the Yuan Dynasty are decorated with "Guiguzi going down the mountain", which describes the story of Sun Bin's master, Guiguzi, who promised to go down the mountain to rescue the famous general of Qi sun bin and Dugu Chen trapped by the state of Yan at the repeated request of the state envoy of Qi Su Dai.

  

 

  同類型鬼谷子大罐于2005年7月12日倫敦佳士得舉行的"中國陶瓷、工藝精品及外銷工藝品"拍賣會上,以1400萬英鎊拍出,加傭金后為1568.8萬英鎊,折合人民幣約2.3億,創(chuàng)下了當時中國藝術品在世界上的最高拍賣紀錄。素底寬圈足,直口短頸,唇口稍厚,溜肩圓腹,肩以下漸廣,至腹部下漸收,至底微撇。使用進口鈷料繪出青花紋飾,共分四層,一層頸部飾水波紋,二層肩部飾纏枝牡丹,三層腹部為"鬼谷子下山"主題紋飾,四層下部為變形蓮瓣紋內(nèi)繪琛寶,俗稱"八大碼"。鬼谷子端坐在車中,身體微微前傾,神態(tài)自若,超凡如仙,表現(xiàn)出他運籌帷幄之中、決勝千里之外的神態(tài)。車前兩個步卒手持長矛開道,一位青年將軍英姿勃發(fā),縱馬而行,手擎戰(zhàn)旗,上書"鬼谷"二字,蘇代騎馬殿后。一行人與山色樹石構成了一幅壯觀而又優(yōu)美的山水人物畫卷。整個青花紋飾呈色濃艷,畫面飽滿,疏密有致,主次分明,渾然一體。人物刻畫流暢自然,神韻十足,山石皴染酣暢淋漓,筆筆精到,十分完美,正如孫瀛洲先生所說的:"元代瓷器'精者頗精'"。像"鬼谷子下山"圖罐這樣繪有人物故事的元青花罐,所知傳世者僅有十余件。即:東京出光美術館藏"昭君出塞"罐(高28.4cm)、裴格瑟斯基金會藏"三顧茅廬"罐(高27.6cm)、安宅美術館舊藏"周亞夫屯細柳營"罐(高27.7cm)、美國波士頓館藏"尉遲恭救主"罐(高27.8cm)、亞洲一私人收藏家藏的"西廂記焚香"罐(高28cm)、萬野美術館藏"百花亭"罐(高26.7cm)、南京市博物館收藏的蕭何月下追韓信紋梅瓶、外加臺灣王定乾先生拍得的"元青花錦香亭圖罐"和英國著名古董商埃斯肯納茲先生拍得的"鬼谷子下山"罐。

  At the auction of "Chinese ceramics, exquisite crafts and export handicrafts" held by Christie's in London on July 12, 2005, the same type of Guiguzi can was sold for £ 14 million. After adding Commission, it was £ 15.688 million, equivalent to about 230 million yuan, setting the highest auction record of Chinese art in the world at that time. The plain base is wide, the ring foot is straight, the mouth is short, the mouth is slightly thick, the shoulder is smooth, the abdomen is round, the shoulder is gradually wider below the shoulder, the abdomen is gradually retracted, and the bottom is slightly skimmed. Blue and white patterns are drawn with imported cobalt material, which is divided into four layers. The neck of the first layer is decorated with water ripple, the shoulder of the second layer is decorated with tangled peony, the abdomen of the third layer is decorated with the theme of "Guiguzi going down the mountain", and the lower part of the fourth layer is painted with deformed lotus petal pattern, which is commonly known as "eight yards". Guiguzi sat in the car with his body leaning forward slightly. He looked as if he were an immortal, showing that he was planning strategies and winning thousands of miles away. Two footmen in front of the car opened the road with spears. A young general was brave and vigorous. He rode on a horse, holding a war flag and writing the word "ghost Valley", which was behind the riding Hall of the Soviet Dynasty. A group of people and mountain trees and stones constitute a spectacular and beautiful landscape figure painting. The whole blue and white patterns are colorful, the picture is full, dense, clear primary and secondary, and integrated. The characterization is smooth and natural, full of charm, the mountains and rocks are deeply stained, and the pen is exquisite and perfect. As Mr. Sun Yingzhou said, "the porcelain of the Yuan Dynasty is' very fine '". There are only more than ten yuan blue and white pots with character stories, such as "ghost millet down the mountain". That is, the "Zhaojun goes out of the fortress" jar in Tokyo's Chuguang art collection (28.4cm high), the "Sangu Maolu" jar in Pegasus Foundation (27.6cm high), the "Zhou yafutun xiliuying" jar in anzha Art Museum (27.7cm high), the "Yuchi Gong savior" jar in Boston (27.8cm high), the "incense burning in the West Chamber" jar in a private collector in Asia (28cm high), the "baihuating" jar in Wanye art collection (26.7cm high) The plum vase of Xiao He chasing Han Xin under the moon collected by Nanjing Museum, plus the "Yuan blue and white brocade incense Pavilion picture pot" photographed by Mr. Wang Dingqian of Taiwan and the "ghost millet down the mountain" pot photographed by Mr. Eskenazi, a famous British antique dealer.

  

 

  元青花鬼谷子下山圖罐的前收藏者是一位香港人,其曾祖父19世紀在法國經(jīng)商時期在一位法國商人手上購下此罐。這只青花罐在這個家族中已經(jīng)流傳了4代,幾經(jīng)輾轉與國內(nèi)知名財經(jīng)大咖黃先生結緣,上世紀90年代起,黃先生專攻東方藝術,醉心,藏中國御窯瓷器、古代書畫、古典家具,其收藏主要從世界頂級古董商之手購藏與家族傳承。此件青花鬼谷子下山罐可謂寥若晨星,御窯遺珍,官窯中的官窯,值得方家關注。我們征集的拍品是非常豐富的,在拍品的把關上也是在高精尖的基礎上更加精益求精。所以在征集上也更加注重拍品的豐富性,特殊性,稀缺性,以及真實性。此件瓷器富有對稱美感,精細華貴,實屬珍貴。最終呈現(xiàn)給買家的也是來源清晰并且傳承有序的。從你這件藏品圖案可以傳遞出古人,閑雅好古,煙火氣息十足,富有美感的一個生活方式,這些藝術品經(jīng)過時間的沉淀,在當下也是百萬千萬億萬精神享受的奢侈品。代表至高無上的權利象征。不單單是時光賦予他的價值,當時年代也是走在時代最前沿的經(jīng)典之作。這才經(jīng)得起時間的淘沙與檢驗。找出拍品的文化價值,挖掘拍品的文化屬性。增加拍品的附加值,這些藝術品一定是隨著他的稀缺性隨著他的工藝的精美度,他所承載的那段歷史光輝,他一定具有很好的市場表現(xiàn)的。

  The former collector of Yuan blue and white Guiguzi downhill pot was a Hong Kong man. His great grandfather bought the pot from a French businessman during his business in France in the 19th century. This blue and white pot has been handed down for four generations in this family. After several rounds, it has become acquainted with Mr. Huang, a well-known financial and economic expert in China. Since the 1990s, Mr. Huang has specialized in Oriental Art and is obsessed with Chinese imperial kiln porcelain, ancient calligraphy and painting and classical furniture. His collection is mainly purchased from the world's top antique dealers and inherited by the family. This blue and white ghost millet downhill pot is as rare as the morning star. It is a treasure left by the imperial kiln. It is the official kiln in the official kiln, which deserves the attention of the Fang family. The auction products we collected are very rich, and we strive for perfection on the basis of excellence. Therefore, in the collection, we also pay more attention to the richness, particularity, scarcity and authenticity of the auction. This porcelain is full of symmetrical beauty, fine and luxurious, which is really precious. Finally, the source presented to the buyer is clear and orderly. The design of your collection can convey a lifestyle of the ancients, elegant and ancient, full of fireworks and aesthetic feeling. These works of art are also a luxury for millions of spiritual enjoyment after the precipitation of time. A symbol of supreme power. It was not only the value given to him by time, but also a classic at the forefront of the times. This can stand the sand washing and test of time. Find out the cultural value of the auction and excavate the cultural attribute of the auction. To increase the added value of the auction, these works of art must have a good market performance with his scarcity, the exquisite workmanship and the historical glory he carries.

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