【藏品名稱】：明代青花碗
[collection name]: Ming Dynasty blue and white bowl
【藏品類別】：瓷器
[collection type]: porcelain
【藏品簡介】： 瓷器脫胎于原始陶器，它的出現是中國古代先民在燒制白陶瓷和印紋硬陶器的過程中逐步探索發展而來。原始瓷作為陶器向瓷器過度時期的重要產物，發展到后來的白瓷、青瓷和彩瓷，瓷文化源遠流長而歷久彌新。中國藝術品市場起伏數十年，隨著近些年來國家對文化產業的大力扶持，我國人均消費力水平不斷提高，越來越多的人開始關注到兼具了藝術鑒賞價值和收藏投資價值的藝術品市場。從另一方面而言，隨著社會的文明進步，人們的精神文化需求不斷擴大，藝術品市場發展前景一片大好。
[collection introduction]: porcelain was born out of primitive pottery. Its emergence came from the gradual exploration and development of ancient Chinese ancestors in the process of firing white ceramics and printed hard pottery. As an important product of the transition from pottery to porcelain, primitive porcelain developed into later white porcelain, celadon and color porcelain, and the porcelain culture has a long history. China's art market has fluctuated for decades. With the strong support of the state for the cultural industry in recent years and the continuous improvement of China's per capita consumption level, more and more people begin to pay attention to the art market with both art appreciation value and collection investment value. On the other hand, with the progress of social civilization, people's spiritual and cultural needs are expanding, and the development prospect of the art market is very good.
瓷器是中國珍品，乃至世界都享譽盛名。作為古代勞動人民智慧的結晶，瓷器自古以來便廣受人們追捧。特別是后來在我國瓷雜藝術品市場上占據了主導地位的傳世青花，是繼青瓷、黑瓷、青白瓷和彩瓷之后，被公認的瓷器藝術一朵奇葩，備受皇室貴族和達官顯貴喜愛，具有很高的藝術價值。成熟的青花出現在元代，發展至明代已堪成熟，據成書于清代的《陶雅》記載： “ 雍乾兩朝之青花， 蓋遠不逮康窯。然則青花一類， 康青雖不及明青之濃美者， 亦可以獨步本朝矣” 。可見明代青花之美，流芳百世而不絕于耳。
Porcelain is a treasure of China and even the world. As the crystallization of the wisdom of the ancient working people, porcelain has been widely sought after since ancient times. In particular, the handed down blue and white porcelain, which later occupied a dominant position in China's porcelain miscellaneous art market, is recognized as a wonderful work of porcelain art after celadon, black porcelain, blue and white porcelain and color porcelain. It is loved by royalty, nobles and dignitaries, and has high artistic value. Mature blue and white flowers appeared in the Yuan Dynasty and matured in the Ming Dynasty. According to Tao ya, written in the Qing Dynasty, "the blue and white flowers of the Yong and Qian dynasties are far from catching the Kang kiln. However, blue and white, although Kangqing is not as beautiful as Mingqing, it can also walk alone in this dynasty ". It can be seen that the beauty of blue and white in the Ming Dynasty is lasting for centuries.
此藏品釉質肥厚而滋潤，青白釉色鮮艷明亮，是明代瓷器釉質的典型風格。里外皆施釉，外圈紋飾繁復而層次清晰，碗內只有圈紋青花，在碗的外壁有三圈梵文真言，中心有一大梵文字。它們是佛家常用的象征吉祥。給人簡潔明快的視覺享受，具有較高的藝術品鑒價值和收藏價值。底部圈足較厚，敦實而質樸，并無過多累贅，代表了古代制瓷匠人的精湛工藝。
The glaze of this collection is rich and moist, and the blue and white glaze is bright and bright. It is a typical style of porcelain glaze in the Ming Dynasty. Glaze is applied inside and outside. The patterns on the outer ring are complex and clear. There are only blue and white circles in the bowl. There are three circles of Sanskrit mantras on the outer wall of the bowl and a large Sanskrit character in the center. They are commonly used as symbols of auspiciousness in Buddhism. It gives people simple and lively visual enjoyment, and has high art appreciation value and collection value. The bottom ring foot is thick, solid and simple, without too much burden, representing the exquisite workmanship of ancient porcelain craftsmen.
