粉彩瓷又叫“軟彩瓷”，是康熙晚期受琺瑯彩瓷影響和啟發(fā)而出現(xiàn)的釉上彩瓷新品種，素有“始于康熙，精于雍正，盛于乾隆”之說(shuō)，迄今已有300多年歷史。近年來(lái)，雍正粉彩瓷的市場(chǎng)行情一直居高不下，其中雍正官窯瓷器中的粉彩瓷有多件成交價(jià)格超過(guò)千萬(wàn)元。
Powder-colored porcelain, also known as "soft colored porcelain", is a new variety of enamel colored porcelain that emerged in the late Kangxi period under the influence and inspiration of enamel colored porcelain. It has a history of more than 300 years and is known as "originated from Kangxi, skillful at Yongzheng, and flourished in Qianlong". In recent years, the market of Yongzheng powder enamel has been high, among which many pieces of the porcelain of Yongzheng imperial kiln have been sold for more than 10 million yuan.
粉彩瓷之所以為藏家青睞，主要憑借其獨(dú)有的“玻璃白”。所謂“玻璃白”是指不透明的白色乳濁劑，其制作工藝是在燒成的白瓷上勾勒出紋飾圖案的輪廓，在輪廓內(nèi)先用含有氧化硅、氧化砷和氧化鉛的“玻璃白”打底，然后按所需顏色在上面繪畫渲染，再次入窯烘燒而成。利用其乳濁作用，可以讓所繪人物、花鳥、山水等畫面粉潤(rùn)柔和、生動(dòng)逼真、帶有立體感較強(qiáng)的國(guó)畫風(fēng)格。
Powdery porcelain is favored by collectors mainly because of its unique "white glass". The so-called "vitreous white" refers to the opaque white opacifying agent. The production process is to outline the outline of the decorative pattern on the fired white porcelain. In the outline, "vitreous white" containing silicon oxide, arsenic oxide and lead oxide is used as the base, and then the painting is rendered in the required color, and then the product is baked in the kiln again. Using its turbidities, can make the painted figures, flowers and birds, landscape painting flour soft, vivid, with a strong sense of three-dimensional style of Chinese painting.
《陶雅》中贊曰：“粉彩以雍正朝最美，前無(wú)古人，后無(wú)來(lái)者，鮮艷奪目。”雍正粉彩瓷的呈色豐富多變，色澤明亮柔麗，彩料濃淡自然，粉質(zhì)感強(qiáng)，鮮嫩璀璨，清雅秀美。在一件器物上用色達(dá)20余種，同一種顏色又有濃淡深淺及陰陽(yáng)向背之分，并且以油料調(diào)色，講究彩料的層次變化，畫面粉潤(rùn)柔和，突出畫面的陰陽(yáng)濃淡，富有立體感。
"Tao Ya" in the praise: "pastel yongzheng dynasty to the most beautiful, no one before, after no one, brilliant. Yongzheng powder porcelain is rich and changeable in color, bright and soft in color, natural in color, strong in powder texture, bright and tender, elegant and beautiful. More than 20 kinds of colors are used on a utensil. The same color is divided into shades of shade and Yin and Yang. Moreover, the colors are adjusted with oil materials to pay attention to the gradation changes of color materials, so as to make the flour smooth, highlight the shade of Yin and Yang and make the picture full of three-dimensional sense.
據(jù)行家介紹，雍正粉彩的造型極為豐富，一改康熙時(shí)期古拙厚重的風(fēng)格。大型器規(guī)整不變形，小型器各部位處理嚴(yán)謹(jǐn)?shù)卯?dāng)，反映當(dāng)時(shí)制作技巧的高超。其青花款識(shí)六字二行者為專人書寫，字體工整有力，青花色調(diào)純正。六字三行者書寫草率，而青花花押款、齋堂款則比較稀少。
According to the expert introduction, the modelling of Yong Zheng paisuo is very rich, change the style of gu Zhuo massiness in Kangxi period. The large apparatus is regular and does not deform, and the small apparatus parts are carefully and properly handled, reflecting the superb skill of making at that time. Its blue and white leisurely six characters two people for the person to write, the font is neat and powerful, blue and white tone pure. Six character three person write carelessly, and blue and white flower pledges, Zhai Tang money is more rare.
這件“大清雍正年制”款黃地粉彩香爐，底款“大清雍正年制”，香爐內(nèi)壁上湖藍(lán)色，爐身黃地繪有纏枝花卉紋，繪畫精美，筆跡流暢，胎質(zhì)潔凈細(xì)密，釉面堅(jiān)致滑亮，紋飾清晰瑰麗，色調(diào)濃淡得宜為清代官窯作品，圈底“大清雍正年制”六字為藍(lán)色粉彩書寫。
This yellow ground pastel censer made in the Yongzheng year of the Qing Dynasty has a bottom of "made in the Yongzheng year of the Qing Dynasty". The inner wall of the censer is lake blue, and the body of the censer is yellow painted with tangled flower patterns. The painting is exquisite, the handwriting is smooth, the tire quality is clean and fine, the glaze is firm, smooth and bright, the patterns are clear and magnificent, and the tone is appropriate. It is an official kiln work of the Qing Dynasty. The six words "made in the Yongzheng year of the Qing Dynasty" at the bottom of the circle are written in blue pastel.
這只粉彩香爐突出了雍正瓷的總體風(fēng)格輕巧俊秀，典雅精致，構(gòu)思別致，線條柔和圓潤(rùn)，胎體選料極精，壁薄體輕。小件器皿線條柔和含蓄、輕巧俊秀，實(shí)用而美觀。
This pastel censer highlights the overall style of Yongzheng porcelain. It is light, handsome, elegant and exquisite, with unique ideas, soft and round lines, extremely fine carcass materials, thin wall and light body. Small utensils have soft and implicit lines, light and handsome, practical and beautiful.
此器形規(guī)整，做工精細(xì)，削足考究，繪畫繁縟，色彩絢爛，各種色彩與金彩交相輝映，金光閃爍，富麗堂皇。花朵姹紫嫣紅，競(jìng)相開放，花葉肥碩翻卷，錯(cuò)落有致，極富動(dòng)感。在繪圖上采用渲染、點(diǎn)染等技法體現(xiàn)畫面的立體感，以突出花朵的層次及花葉的不同形態(tài)。
It has a regular shape, fine workmanship, exquisite workmanship, elaborate painting, gorgeous colors, all kinds of colors and gold colors, shining gold, gorgeous. The flowers are very colorful and open, and the leaves are full of vigor and vitality. The painting uses rendering, dyeing and other techniques to reflect the three-dimensional sense of the picture, so as to highlight the different levels of flowers and leaves of different forms.
此香爐繪畫精湛、施彩艷麗、胎釉緊密，是粉彩瓷的典范。縱觀近幾年藝術(shù)市場(chǎng)，明清宮廷制品一直是被眾藏家看好，其華麗的造型，精湛的工藝以及明清時(shí)期皇帝追求極致的藝術(shù)品位，使得此類藝術(shù)品成為市場(chǎng)中炙手可熱的收藏佳品。
This incense burner has exquisite painting, gorgeous color application and tight fetal glaze. It is a model of pastel porcelain. Throughout the art market in recent years, the court products of the Ming and Qing dynasties have always been favored by collectors. Their gorgeous modeling, exquisite workmanship and the emperor's pursuit of the ultimate artistic taste in the Ming and Qing dynasties have made such works of art a hot collection in the market.
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