近兩年，在“清三代”瓷器相繼拍出天價后，市場開始尋找新的突破口，很多收藏愛好者將目光落在了時代相去不遠的民國瓷器上，瞬間顛覆了“越老價值越大”的市場說法。
In the past two years, after the "three dynasties of Qing Dynasty" porcelain was sold at high prices one after another, the market began to look for a new breakthrough. Many collectors set their eyes on the porcelain of the Republic of China, which is not far away from the times, and instantly overturned the market saying that "the older the age, the greater the value".
從這種轉變來看，藏家變得更理性，不再鐘情“五大名窯”，追逐元明青花，退而求其次，將收藏行為鎖定距今只有百年的文化領域中，避其熱點，開始投資冷門。
From this change, collectors became more rational, no longer in love with the "five famous kilns", chasing blue and white of the yuan and Ming Dynasties, and taking second place. They locked their collection behavior in the cultural field only a hundred years ago, avoided the hot spots and began to invest in the cold.
研究近代史不難發現，民國時期極具有時代特色，這注定了存市藏品飽含文化內涵，為未來定下了收藏有潛力的基調。
It is not difficult to find that the period of the Republic of China has the characteristics of the times, which means that the market collections are full of cultural connotation and set the tone of potential collection for the future.
民國時期指的是1911年至1949年這一時期，當時社會動蕩，內憂外患，戰亂不斷，致使中國瓷業蕭條衰落，正因此，一批為官制瓷的匠人流入民間，點燃了之后的民瓷復興之火。
The period of the Republic of China refers to the period from 1911 to 1949. At that time, social unrest, domestic and foreign troubles, and constant wars led to the depression and decline of China's porcelain industry. Therefore, a group of craftsmen who made official porcelain entered the folk and ignited the fire of the revival of folk porcelain.
新粉彩瓷、淺絳彩瓷便是這一期間創燒的獨具特色的新瓷。拿新粉彩瓷來說，與傳統粉彩相比，無論是在造型、線條上，還是在光澤、色彩上，都吸收了近代畫的營養，作品色彩濃艷，更符合大眾的欣賞水平。
New powder color porcelain and light crimson color porcelain are the unique new porcelain created during this period. Take the new pastel porcelain as an example. Compared with the traditional pastel porcelain, the new pastel porcelain has absorbed the nutrition of modern painting in terms of shape, line, luster and color. The color of the new pastel porcelain is rich and colorful, which is more in line with the appreciation level of the public.
與新粉彩瓷不同，淺絳彩瓷更可謂民國瓷器的典范。在當時染料不足的情況下，以“珠山八友”為代表的一批畫家，為瓷作畫，水墨勾勒，淡赭石渲染，低溫燒制，使其瓷上紋飾近似于淺絳畫。特殊的歷史背景創造了這一獨特的時代產物，為后來留下了一批文化遺產。
Different from the new powder colored porcelain, the light crimson colored porcelain is a model of the porcelain of the Republic of China. In the absence of dyes at that time, a group of painters represented by "eight friends of Zhushan" painted porcelain with ink, light ochre and low-temperature firing, which made the decorative patterns on porcelain similar to those of light magenta. The special historical background created this unique product of the times and left behind a number of cultural heritages.
更值一提的是，民國時期也有御用瓷。1916年袁世凱稱帝后，燒制了一批以水彩和粉彩為主的御用瓷器，常打有“居仁堂”款和“洪憲年制”款，工藝水準完全達到清王朝官窯的水平，業內稱之為“瓷業衰退中的奇葩”。
What's more, there were Royal Porcelain in the period of the Republic of China. After Yuan Shikai became emperor in 1916, he fired a batch of Royal porcelains mainly in watercolor and pastel, which were often marked with "Ju Ren Tang" and "Hong Xian Nian system". The craftsmanship level completely reached the level of official kilns of the Qing Dynasty, which was called "a wonderful flower in the decline of porcelain industry" in the industry.
民國瓷器日漸升溫是近些年的事兒，尤其是淺絳彩瓷和民國新粉彩瓷，都是業內外眾多投資者關注的對象。
In recent years, the porcelain of the Republic of China is becoming more and more popular, especially the light crimson color porcelain and the new powder color porcelain of the Republic of China, which are the focus of many investors both inside and outside the industry.
對于民國瓷身價的快速上漲，瓷器收藏專家任學明深有體會。他表示，由于民國瓷器興起晚，早些年一些品相好、做工精美的瓷器只有千元左右，罕見的珍品也沒超過萬元。而如今，價格已不知翻漲了多少倍。
Ren Xueming, an expert in porcelain collection, has a deep understanding of the rapid rise in the value of porcelain in the Republic of China. He said that due to the late rise of porcelain in the Republic of China, in the early years, some porcelain with good taste and exquisite workmanship was only about 1000 yuan, and rare treasures were no more than 10000 yuan. Now, the price has gone up many times.
民國瓷的文物等級和經濟價值雖說都不算高，但卻具有特殊的歷史價值、文化價值。隨著時間推移，民國瓷的投資價值可能會越來越高。
Although the level of cultural relics and economic value of porcelain in the Republic of China are not high, they have special historical and cultural value. As time goes on, the investment value of porcelain of the Republic of China may be higher and higher.
從民國時期開始，陶瓷創作者開始在作品上署名，因此創作者的思想體現得更加濃烈，作品個人色彩更為鮮明。不僅畫片題材易于被接受，人物清晰的神態、淡雅的色澤也更接近現代人的審美觀念，加之民國時期不穩定的社會環境大大影響了手工藝品的發展，所以精品瓷器多出于民國初期，且數量不多。
From the period of the Republic of China, ceramic creators began to sign their names on their works, so their thoughts were more intense and their works were more distinctive. Not only is the subject matter easy to be accepted, but the clear look and elegant color of the characters are closer to the aesthetic concept of modern people. In addition, the unstable social environment during the period of the Republic of China greatly affected the development of handicrafts. Therefore, most of the fine porcelain came from the early period of the Republic of China, and the quantity is small.
價值處于低谷，這是藏友們普遍認可的觀點。有資深收藏家回憶，最早文物商店最便宜的就是淺絳彩瓷，三五百一件，能買很多。隨后淺絳瓷也開始逐漸升溫，每件漲至千元或數千元，價格一直上漲至今，基本每年都有20%的漲幅。
The value is at a low point, which is generally accepted by Tibetan friends. Some senior collectors recall that the cheapest thing in the earliest cultural relic store was the light magenta colored porcelain, 351 pieces, which can buy a lot. Afterwards, the light crimson porcelain began to heat up gradually, and the price of each piece rose to 1000 yuan or several thousand yuan. The price has been rising up to now, with a 20% increase every year.
民國瓷器之所以被看好，是因為無論從燒造技術上，還是圖案設計、繪畫技法上，都不亞于清晚期的官窯瓷器。另外，民國瓷器一些精品大多仿清三代官窯瓷器，不少流至海外，很多博物館都把這些瓷器看作清三代的官窯，加之民國瓷器距今也有百年歷史，不少完全可以和清三代官窯瓷媲美，這也無意中抬高了民國瓷的檔次和身價。
The reason why the porcelain of the Republic of China is favored is that it is not inferior to the official porcelain of the late Qing Dynasty in terms of firing technology, pattern design and painting techniques. In addition, most of the porcelain products of the Republic of China are imitated from the official kilns of the three dynasties of the Qing Dynasty, and many of them have gone abroad. Many museums regard these porcelains as official kilns of the three dynasties of the Qing Dynasty. In addition, the porcelain of the Republic of China has a history of 100 years, and many of them can compete with the official kilns of the three dynasties of the Qing Dynasty, which unintentionally raises the grade and value of the porcelain of the Republic of China.
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