中國的書畫收藏歷史悠久，書畫作為一種陶冶情操的精神文化產物，可以極大的提高投資者的藝術修養和欣賞能力，具有很高的收藏與鑒賞價值。隨著藝術品市場的興起，中國的書畫市場一片繁榮，未來行情看好，收藏前景非常可觀。
Chinese calligraphy and painting collection has a long history. As a spiritual and cultural product of edifying sentiment, calligraphy and painting can greatly improve the artistic cultivation and appreciation ability of investors, which has high collection and appreciation value. With the rise of the art market, China's calligraphy and painting market is booming, the future market is good, and the collection prospect is very considerable.
《大明盛世圖》，款識“翁同龢”。大明盛世圖是影響中國畫壇六百年的一幅絕佳長卷，書畫卷共有五部分組成，是古代書畫中的絕品佳作，價值不菲。真跡《大明盛世圖》目前價位在6000萬以上！此作品由光緒皇帝的老師翁同龢臨摹而成，落款光緒九年翁同龢題字！
"The grand Ming Dynasty" is a great time picture, and it is known as "wengtongyi". The grand Ming Dynasty picture is a great long volume which has influenced the Chinese painting world for 600 years. It has five parts. It is a wonderful and excellent work in ancient calligraphy and painting, and it is of great value. The real story "the grand Ming Dynasty" is now priced at more than 60million! This work is copied by Weng Tongyi, the teacher of Emperor Guangxu. It was written by Weng Tongyi in the ninth year of Guangxu!
翁同龢（1830-1904），字叔平，號松禪，別署均齋、瓶笙、瓶廬居士、并眉居士等，別號天放閑人，晚號瓶庵居士，江蘇常熟人，中國近代史上著名政治家、書法藝術家。體仁閣大學士翁心存第三子，咸豐六年（1856年）狀元，歷任戶部、工部尚書、軍機大臣兼各國事務衙門大臣。先后擔任清同治、光緒兩代帝師。卒后追謚文恭。
Weng Tonghe (1830-1904), named Shuping and songchan, was a famous statesman and calligrapher in modern Chinese history. Weng, the third son of Ti Ren Ge University, was the number one scholar in the sixth year of Xianfeng (1856). He successively served as the Secretary of the Ministry of household, Minister of the Ministry of industry, Minister of military aircraft and Minister of state affairs. He successively served as the imperial teacher of Tongzhi and Guangxu in the Qing Dynasty. After his death, he was named Wengong.
畫題篆書大字，大明盛世，壬戌袁江。作品完成于明英宗正統七年，公元1442年。其時，戴進五十四歲。明宣宗一家人，御使南京秦淮河九年以后，太子朱祁鎮已經登基明英宗皇帝七年。
The picture title, seal script, big characters, Ming Dynasty, renxu, Yuanjiang. The work was completed in 1442 ad in the seventh year of Zhengtong reign of Yingzong in Ming Dynasty. At that time, Dai Jin was 54 years old. Nine years after Xuanzong's family and imperial envoy to Qinhuai River in Nanjing, Prince Zhu Qizhen has been emperor Yingzong of Ming Dynasty for seven years.
這幅畫的主要內容是：公元1433年，以南京夫子廟為中心的明朝秦淮風光。畫卷上明代夫子廟、大成殿、天下文樞、文德橋、貢院等景觀歷歷在目；其筆法精奇細密，畫面上五百二十多位明代人物，皇帝、皇后、太子、皇子等以及明朝其他皇族，社會各界軍民百姓，人物栩栩如生，秦淮河畔熙熙攘攘熱熱鬧鬧，好一幅大明太平盛世圖。
The main content of the painting is: in 1433, the scenery of Qin Huai in Ming Dynasty, centered on the Confucius Temple in Nanjing. The paintings are recorded in the Ming Dynasty, such as Confucius Temple, Dacheng temple, world literary pivot, wendeqiao, Gongyuan and other landscapes; Its fine and delicate writing skills, more than 520 Ming Dynasty characters, emperors, Queens, princes, Prince, and other Ming Dynasty emperors, all walks of life, people and military people, vivid characters, Qinhuai River bustling and bustling, a great Ming Dynasty Taiping grand picture.
畫上方有行書介紹作者及此畫的畫鏡，行書與畫卷同始終。運筆松勁有度，字體如龍飛騰，似鳳飛舞，仿若行云流水一般，極具觀賞性。卷尾有清朝翁同龢光緒九年行書評。其當時任工部尚書充軍機大臣。行書評價如下：余閱此圖實為少見之珍品明代戴進之筆師出馬遠其筆法精細絕非一般畫工所比喻宜以選入神品。由此可見，其評價非常之高，實為畫中精品之作。
There is a running script on the top of the painting to introduce the author and the painting mirror of the painting. The strokes are loose and vigorous. The characters are like dragons flying, like phoenix flying, like flowing clouds and flowing water. They are very ornamental. At the end of the volume is a Book Review of Weng Tonghe's trip in the ninth year of Guangxu in the Qing Dynasty. At that time, he was Minister of the Ministry of industry. The evaluation of running script is as follows: Yu Yue's painting is a rare treasure. Dai Jin's brush master of Ming Dynasty came to Ma Yuan. His fine brushwork is not the analogy of ordinary painters, so it should be selected as a masterpiece. Thus, it can be seen that his evaluation is very high, which is actually a masterpiece of the painting.
隨著收藏熱的升溫發酵，中國的書畫市場一片繁榮，不僅帶動了國內書畫收藏市場的氛圍，而且對于社會文化的進步和發展有著重要的推動作用，市場行情看漲，發展空間巨大！此幅《大明盛世圖》繪畫精美，工筆細膩，姿態真切生動，渾厚樸實，畫意鮮明，意境深長，具有相當不錯的收藏價值，未來的投資前景和升值潛力都非常巨大。
With the warming up and fermentation of the collection fever, China's calligraphy and painting market is booming, which not only drives the atmosphere of the domestic calligraphy and painting collection market, but also plays an important role in promoting the progress and development of social culture. The market is bullish, and the development space is huge! This picture of the flourishing age of the Ming Dynasty is exquisitely painted, exquisite, vivid, simple, vivid and profound. It has quite good collection value, and has great investment prospects and appreciation potential in the future.
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