【藏品名稱】：民國蘇繡刺繡擺件
Collection name: Suzhou embroidery ornaments of the Republic of China
【藏品數(shù)量】：一件
[collection quantity]: one piece
【藏品簡介】：蘇繡為蘇州刺繡的簡稱，是中國四大名繡之一，以其表現(xiàn)手法細膩，逼真而聞名。蘇繡的發(fā)源地在蘇州吳縣一帶，現(xiàn)已遍布很多地區(qū)。蘇繡具有圖案秀麗、構(gòu)思巧妙、繡工細致、針法活潑、色彩清雅的獨特風格。蘇繡是蘇州地區(qū)刺繡產(chǎn)品的總稱，以蘇州鎮(zhèn)湖刺繡最為有名。蘇繡即蘇州刺繡，其發(fā)源地在蘇州吳縣一帶，現(xiàn)已遍衍江蘇省的無錫、常州、揚州、宿遷、東臺等地。
[introduction to collection]: Suzhou embroidery is the abbreviation of Suzhou embroidery. It is one of the four famous embroidery in China. It is famous for its exquisite and lifelike expression. Suzhou embroidery originated in Wu County of Suzhou, and now it has spread over many areas. Suzhou embroidery has a unique style of beautiful pattern, ingenious design, meticulous embroidery, lively needling and elegant color. Suzhou embroidery is the general name of embroidery products in Suzhou area, and Zhenhu embroidery in Suzhou is the most famous. Suzhou embroidery is Suzhou embroidery. It originated in Wu County of Suzhou, and has spread to Wuxi, Changzhou, Yangzhou, Suqian, Dongtai and other places in Jiangsu Province.
繡工簡單，顏色單調(diào)，只用套針和斜纏針兩種針法，但作者運用套針一批套一批的特點，將黃、橘、黑綠、褐白、等色巧妙地融入繡線的絲理中，似清代畫家華喦兼工帶寫的“小寫意”金魚。金魚身上繡出的斑點和尾部，即融進率意瀟灑的水墨技巧，似干濕筆并用，這種繡法既有細節(jié)描寫，又不失筆墨的簡逸，是華喦捕捉自然生物中的天趣所創(chuàng)造出的生動多姿形象的模式，勾勒、沒骨、設(shè)色、水墨兼而并用。此繡畫是為民國時期的織繡精品。
The embroidery is simple and monotonous in color. Only two kinds of stitches are used, i.e. the nested needle and the slant wound needle. However, the author uses the characteristics of the nested needle batch by batch to skillfully integrate the yellow, orange, black green, brown white and other colors into the silk texture of the embroidery thread, which is like the "little freehand" goldfish written by the Qing Dynasty painter Hua ho. The spots and tail embroidered on the body of goldfish, that is, the natural and unrestrained technique of ink and wash, is like the combination of dry and wet pen. This kind of embroidery method not only describes the details, but also does not lose the simplicity of ink and wash. It is a vivid and colorful model created by Hua ho to capture the natural interest of natural creatures. It is a combination of sketch, boneless, color and ink and wash. This embroidery is a fine work of weaving and embroidery in the period of the Republic of China.
民國刺繡，存世量極少，因晚清政府腐敗帶來的國家百姓生活困苦還未得到改善，隨即又面臨國民新政府的上臺，新政府政治上缺乏收拾爛攤子的能力，空虛的國庫更是沒有能力迅速的帶領(lǐng)百姓從困苦的邊緣解脫。龐大國家的經(jīng)過這么多年的國外列強欺凌和內(nèi)部軍閥的混戰(zhàn)，再加上國民政府的四大家族瘋狂斂財，百姓的生活確實的處于水深火熱之中，藝人們也都在顛沛流離中疲于解決生存問題，根本無暇顧及業(yè)余的生活和藝術(shù)創(chuàng)作的追求。因此，民國刺繡的發(fā)展幾乎停頓，流傳至今所見繡品基本與日常生活息息相關(guān)，從藝術(shù)和觀賞角度出發(fā)的刺繡藝術(shù)精品非常罕見，而做為刺繡收藏的作品更是難得
Embroidery in the Republic of China has a very small number of people in the world. Because of the government corruption in the late Qing Dynasty, people's life has not been improved, and then they are faced with the new national government. The new government lacks the ability to clean up the mess politically, and the empty Treasury has no ability to quickly lead people out of the edge of hardship. After so many years of bullying by foreign powers and scuffle among internal warlords in a huge country, coupled with the four families of the national government's crazy money collection, people's life is really in dire straits, and artists are also tired of solving the problem of survival in the wandering, and have no time to consider the pursuit of amateur life and artistic creation. As a result, the development of embroidery in the Republic of China almost stopped, and the embroidery that has been handed down to the present is closely related to daily life. From the perspective of art and appreciation, the fine works of embroidery art are very rare, and the works collected as embroidery are even more rare
