【藏品名稱】：蘆雁
[collection name]: Luyan
【藏品類別】：字畫
Collection category: calligraphy and painting
【藏品簡(jiǎn)介】：邊壽民初名維祺，字頤公，又字漸僧、墨仙，號(hào)葦間居士，江蘇山陽(yáng)人（今淮安區(qū)），晚號(hào)葦間老民、綽翁、綽綽老人，清代著名畫家。曾考中秀才，善畫花鳥、蔬果和山水，尤以畫蘆雁馳名江淮，有“邊蘆雁”之稱。其潑墨蘆雁，蒼渾生動(dòng)，樸古奇逸，極盡飛鳴、食宿、游泳之態(tài)。潑墨中微帶淡赭，大筆揮灑，渾厚中饒有風(fēng)骨。又善以淡墨干皴擦小品，更為佳妙。因他畫蘆雁，稱其所居名“葦間書屋”。邊壽民擅詩(shī)詞，然散佚未刊，詩(shī)名為畫名所掩。過壽民精中國(guó)書法，他的書法，遠(yuǎn)紹鐘繇，古勁渾樸，使畫面增輝。
[introduction to the collection]: Bian Shoumin was named Weiqi at the beginning, Yigong at the beginning, jianseng at the beginning, Moxian at the beginning, Weijian Jushi at the beginning, Shanyang people in Jiangsu Province (today's Huai'an District), Weijian Laomin, chuaoweng, Chuochao Laoren at the end, and was a famous painter in the Qing Dynasty. He was once a scholar in the middle school. He was good at painting flowers and birds, fruits and vegetables, and landscapes. He was especially famous for painting Luyan in Jianghuai, known as "bianluyan". Its splash ink Luyan, canghun vivid, simple ancient Qiyi, extremely flying sound, accommodation, swimming state. Splashing ink in the light ochre, a large amount of brandish, rich in style. It is also good at rubbing skits with light ink. Because he painted Luyan, he called his residence "Weijian library". Bian Shoumin was good at poetry, but he lost it and didn't publish it. Guo Shoumin is very good at Chinese calligraphy. His calligraphy is far away from Zhongyao, and his ancient strength is simple, which makes the picture more brilliant.
他想像飛雁南歸，只道南方溫暖，
"那知冰雪滿江南"，為之傷感不安；
他揣度亂葦寒沙，顯得凄情，
"猶恐雁嫌秋冷落，胭脂滴滴點(diǎn)芙蓉"，
煞費(fèi)一片苦心。
筆者曾見兩幅蘆雁冊(cè)頁(yè)，留下深刻難忘的印象，
一幅寫蘆邊水際，雙雁緊緊依傍，
筆致疏簡(jiǎn)秀逸，情態(tài)親切動(dòng)人。
He imagined flying geese returning to the south, only to warm the south,"The south of the Yangtze River is full of ice and snow", which is sad and uneasy;He guessed that the cold sand and the reeds were in disorder, which made him sad,"I'm afraid that the wild geese will be left out in the cold in autumn, and my Rouge will drip hibiscus.",It took a lot of effort.I once saw two Luyan albums, which left a deep and unforgettable impression,One picture shows the two geese close to each other in the water beside the reed,The style is simple and elegant, and the mood is cordial and moving.
此圖是邊壽民畫蘆雁的代表作。圖上繪蘆葦叢邊二雁，悠閑寧?kù)o，姿態(tài)生動(dòng)自然。
用筆洗練嫻熟，墨色深淺把握自如，反映了畫家長(zhǎng)期與雁朝夕相對(duì)，觀察入微，從而達(dá)到了“自與心會(huì)，畫與神契”的意境。生動(dòng)地描繪了秋雁溫情互喚的小景。全幅為縱式構(gòu)圖，作者巧妙地在近景處繪一株高大的蘆葦，以其縱向的造型加強(qiáng)了上下兩只秋雁間的聯(lián)系，成為有機(jī)地連貫畫面物象的一條主線。蘆、雁以潑墨寫意繪成，
準(zhǔn)確而生動(dòng)的筆墨顯現(xiàn)出作者較強(qiáng)的寫生能力。
This picture is Bian Shoumin's representative work of drawing Luyan. The picture shows two wild geese beside the reeds, leisurely and quiet, with vivid and natural posture.The skillful use of brush wash and the mastery of ink color reflect the artist's long-term contrast with wild geese and meticulous observation, thus achieving the artistic conception of "self and heart, painting and spirit". It vividly depicts the scene of autumn geese calling each other. The whole picture is a vertical composition. The author skillfully draws a tall reed in the close range. With its vertical shape, the connection between the upper and lower autumn geese is strengthened, which becomes a main line to organically connect the images of the picture. Lu and Yan are freehand painted with splashing ink,Accurate and vivid brushwork shows the author's strong ability of sketching from life.
