雍正時期，斗彩瓷器址突出的成就是將青花與粉彩合繪千一身。使彩瓷進一步得到了發展，在此基礎上不斷提高制瓷工藝和繪畫技巧，造型與裝飾也有了許多新的開拓和創新，使斗彩瓷器更加繁榮興旺。
In Yongzheng period, the outstanding achievement of doucai porcelain site was the combination of blue and white and pastel. On this basis, the techniques of porcelain making and painting were continuously improved, and there were many new developments and innovations in modeling and decoration, which made the doucai porcelain more prosperous.
清代雍正《檔案》中多次記載了雍正官窯為成化斗彩蓋嫩補配峭蓋的事情，這些補配的罐蓋與原器無論是色彩還是形狀都十分接近。雍正斗彩仿成化斗彩雞缸杯、天字罐、洞石花蝶罐等有些幾乎可以亂真。
In Yongzheng's archives of the Qing Dynasty, it is recorded many times that Yongzheng's official kilns made up the delicate and steep covers for Chenghua doucai. The color and shape of these complementary covers are very close to the original ones. Some of Yongzheng's doucai imitations, such as doucai Jigang cup, Tianzi jar, Dongshi Huadie jar, can almost be confused.
此藏品敞口，弧壁，圈足。內外壁施白釉，外壁飾纏枝花卉紋，底足內青花篆書「大清雍正年制」六字款識。該品以綠彩填涂翠葉，淡雅柔麗，填彩準確；礬紅繪花瓣。爭妍斗嫣，各有媚態，交相輝映，予人春意無限之感。
This collection is open, arc wall, circle foot. The inner and outer walls are white glazed, the outer walls are decorated with flower patterns of twigs, and the inner bottom is blue and white seal script with six characters of "year system of Emperor Yongzheng of the Qing Dynasty". The product is green color filled with green leaves, elegant and soft, accurate color filling; The petals are painted in alum red. Each of them has its own flattery, which gives people an infinite sense of spring.
該杯其繪畫流暢，舒展自如，枝葉的繪畫以柔美的曲線為主，布滿整個空間，頗見韻律之美，花葉密雜，設色細分陰陽濃淡，富具立體感，紋飾新穎，色彩淡雅，諸色逸麗柔和，襯以溫潤細薄的胎釉，更見非凡麗質。
The painting of the cup is smooth and easy to spread. The painting of branches and leaves is mainly composed of soft and beautiful curves, covering the whole space. The beauty of rhythm is quite obvious. The flowers and leaves are densely mixed, and the colors are subdivided. The shade of yin and Yang is rich in three-dimensional sense. The decorative patterns are novel, the colors are light and elegant, the colors are elegant and soft, and the warm and thin fetal glaze is lined, which shows the extraordinary beauty.
雍正斗彩瓷器無論從造型設計。還是紋飾布局、色彩搭配以及填彩工藝，均進人了一個嶄新的階段。此時的斗彩繼續沿 用了填彩的裝飾方法，與從前的裝飾所不同的是，青花線內所峨彩料，填彩準確，工整細膩，不越邊線，亦無端填，在有限的青花框內，將彩料進行渲染和烘托，改變了明代雙線平涂的局限，使紋飾更加清逸秀麗。
Yongzheng doucai porcelain, no matter from the modeling design. Or the pattern layout, color matching and color filling technology have entered a new stage. At this time, the decoration method of color filling continued to be used. Different from the previous decoration method, the color filling materials in the blue and white line were accurate, neat and exquisite. They did not cross the border and filled without reason. In the Limited blue and white frame, the color materials were rendered and set off, which changed the limitation of the double line flat painting in the Ming Dynasty and made the decoration more elegant and beautiful.
雍正時期的陶瓷逸麗清秀，富有裝飾性，《陶雅》：質地白雪一絕也，薄如卵幕二絕也，畫中花有露光，蟲有茸毛三絕也，題字細如蠅頭，極為精美四絕也。
The ceramics of Yongzheng period are elegant, delicate and full of decoration. Taoya: the texture is as white as snow, as thin as egg curtain, as well as the flowers are exposed, the insects are hairy, and the inscriptions are as fine as the heads of flies.
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