唐代經(jīng)濟(jì)發(fā)展，國力強(qiáng)盛，開拓西域，暢通絲綢之路，玉器制作在秦漢的基礎(chǔ)上得到發(fā)展，出現(xiàn)了新的高峰。玉器與當(dāng)時其他工藝品一樣，滲透著一種青春活力，不論器物大小均具有很高的藝術(shù)水平，出土與傳世的玉器皆能證明。
In the Tang Dynasty, the economy developed, the national strength was strong, the western regions were opened up, and the silk road was unblocked. Jade making developed on the basis of the Qin and Han Dynasties, and a new peak appeared. Like other handicrafts at that time, jades were permeated with a kind of youthful vitality. Regardless of the size of the objects, they all had a high artistic level, which can be proved by the unearthed and handed down jades.
我們知道古代的玉飛天就是我們所說的仕女題材的起源，那飄逸的衣衫、柔和細(xì)膩的皮膚，無一不在雕工的妙刀下淋漓盡顯；被和田玉這種溫潤白皙的寶玉展現(xiàn)得獨(dú)一無二。唐代玉佩飾品豪華尊貴，是等級身份的標(biāo)志。
We know that the ancient jade flying sky is the origin of what we call the theme of ladies. The elegant clothes and soft and delicate skin are all incisively and vividly displayed under the wonderful knife of sculptors; He Tianyu, a kind of warm and white jade, is unique. The jade ornaments of Tang Dynasty are luxurious and noble, which is the symbol of rank and status.
此件唐代高古玉和田白玉圓雕仕女立像，高14.6cm，寬4cm，重量293克。玉質(zhì)溫潤細(xì)膩，有綹及褐色沁，唐代以豐腴為美，何為豐腴？就是要胖得有韻味，胖的比例勻稱，還體現(xiàn)了富態(tài)有福之貌。唐朝相較于我國古代其他朝代，相對來說民風(fēng)更為開放，女性地位很高，而且大街上容許袒胸露背的裝扮出現(xiàn)。他們崇尚的女性體態(tài)美是額寬、臉圓、體胖，也就是說，要“豐肥濃麗”。其特征在此件玉雕立像上展現(xiàn)的淋漓盡致。人物雕刻精美細(xì)致，衣著隨人體動態(tài)褶皺自然，整體搭配合理，刀工硬朗流暢，觀人物形象可以想象那一幅善歌善舞、吹拉彈奏各種樂器的歡快場面；近于完美。是一件很好的收藏品。
This round statue of a lady carved on Gaogu jade and tianbai jade of Tang Dynasty is 14.6cm high, 4cm wide and 293g in weight. The jade is warm and delicate, with grain and brown. In the Tang Dynasty, plumpness is the beauty. What is plumpness? That is to say, we should be fat with charm, the proportion of fat is well proportioned, and it also reflects the appearance of wealth and happiness. Compared with other dynasties in ancient China, the Tang Dynasty was more open-minded in folk customs. Women had a high status, and bare chests were allowed in the streets. They advocate the beauty of women's body is wide forehead, round face, fat body, that is to say, to be "rich and rich". Its features are vividly displayed on this jade statue. The figures are exquisitely carved, the clothes are naturally folded with the human body, the overall collocation is reasonable, and the knife work is strong and smooth. Looking at the figures, you can imagine the joyful scene of being good at singing and dancing, playing various musical instruments; Almost perfect. It's a good collection.
人物形象是古代玉器的一個重要題材。 古往今來的藝術(shù)品中，表現(xiàn)人類本身的作品不計其數(shù)，古代玉人是這些藝術(shù)品中出現(xiàn)最早的品類之一，因其數(shù)量稀少、內(nèi)涵豐富而倍受文博界、收藏界關(guān)注。
Character image is an important theme of ancient jade. Among the works of art from ancient times to modern times, there are countless works showing human beings themselves. Ancient jade man is one of the earliest categories of these works of art. Because of its rare quantity and rich connotation, it has attracted the attention of the cultural and Museum circles and the collection circles.
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