紫砂壺的原產(chǎn)地在江蘇宜興，故又名宜興紫砂壺，是中國(guó)特有的集詩(shī)詞、繪畫、雕刻、手工制造于一體的陶土工藝品。紫砂壺因?yàn)橛辛怂囆g(shù)性和實(shí)用性的完美結(jié)合，才能如此美輪美奐，外加紫砂壺泡茶的好處和茶禪一味的文化涵養(yǎng)，這就令紫砂高貴不俗的雅韻得到釋放，并顯得愈加超凡脫俗。
The origin of Zisha pot is in Yixing, Jiangsu Province, so it is also known as Yixing Zisha pot. It is a unique Chinese clay handicraft integrating poetry, painting, sculpture and manual manufacturing. Because of the perfect combination of artistry and practicability, the purple sand pot can be so beautiful. In addition, the benefits of making tea and the cultural conservation of tea and Zen, which makes the noble and elegant charm of purple sand released and even more extraordinary.
明弘治年間的小書僮“供春”，揣摩古老銀杏樹(shù)干上的癭結(jié)，捏塑成壺形，后人將“供春樹(shù)癭壺”衍傳成最早的紫砂壺。這位小書僮對(duì)大自然的藝術(shù)感悟，成形于胸，摶泥為壺，成就了紫砂陶最初的工藝形態(tài)，在“方匪一式，圓不一相”紫砂壺的光貨、花貨、筋瓤貨、塑器四大器型中，樹(shù)癭之形，記錄了大自然的風(fēng)采，紫砂陶藝也有了自己最早的藝術(shù)模式。
In the Hongzhi period of the Ming Dynasty, the little boy "offered to spring", figured out the gall knot on the trunk of the Ancient Ginkgo biloba, kneaded and shaped it into a pot shape, and later generations passed on "the gall pot of the tree" to the earliest purple sand pot. The little Caddy's artistic perception of nature, shaped in the chest and kneaded clay as a pot, has achieved the initial technological form of Zisha pottery. Among the four major types of "fangbangzhi, yuanyixiang" Zisha pot, the shape of tree gall records the charm of nature, and Zisha pottery has its own earliest artistic mode.
后人總結(jié)這種成型模式，把自然界、動(dòng)植物界的自然形態(tài)，用浮雕、半浮雕等造型裝飾設(shè)計(jì)成仿生象形的茶壺，稱之味“花貨”。它是用提煉取舍、變形、夸張的藝術(shù)手段，表現(xiàn)自然形態(tài)中富有美學(xué)價(jià)值的部分，并符合功能合理、視覺(jué)美觀和使用安全的使用原則或者在幾何形體上運(yùn)用雕鏤捏塑，將自然形態(tài)變化為造型的部件，如嘴、鋬。總之，幾乎所有與民生關(guān)聯(lián)的動(dòng)植物，如梅、竹、柏、桃、蓮、青蛙、蝴蝶、松鼠、蟬等，都在紫砂藝人的造型視野之內(nèi)，成為紫砂藝人的美好想象和幸福憧憬的題材。
Later generations summed up this forming mode, and designed the natural forms of nature, animals and plants into a bionic pictograph teapot with relief, semi relief and other shapes, which is called "Flower goods". It is an artistic means of refining and choosing, deformation and exaggeration to show the aesthetic value of the natural form, and conform to the use principle of reasonable function, visual beauty and safe use, or use carving and pinching on the geometric form to change the natural form into the modeling parts, such as the mouth and the shape. In a word, almost all the animals and plants related to people's livelihood, such as plum, bamboo, cypress, peach, lotus, frog, butterfly, squirrel, cicada, etc., are in the modeling vision of Zisha artists, and become the theme of their beautiful imagination and happiness vision.
歷史上擅長(zhǎng)制花貨壺的人很多，有陳鳴遠(yuǎn)、俞國(guó)良、邵大亨、馮桂林等，當(dāng)代也有裴石民、朱可心、蔣蓉、周桂珍、謝曼倫諸名人。風(fēng)格各異，與其他紫砂壺類相比，喜歡花貨壺的消費(fèi)者比較多。花貨壺的設(shè)計(jì)與構(gòu)思，與生活實(shí)際息息相關(guān)，實(shí)際上這種活動(dòng)是生活中對(duì)美的情趣的審慎選擇和接收，抒發(fā)著創(chuàng)作者平靜的心態(tài)和追求的濃郁鄉(xiāng)情，也是對(duì)自然界相當(dāng)一部分動(dòng)植物寓意的借鑒和情感的延伸，往往一件作品更起著以物蘊(yùn)志的作用。
In history, there are many people who are good at making huahuohu, including Chen Mingyuan, Yu Guoliang, Shao Daheng, Feng Guilin, etc., and there are also celebrities such as Pei Shimin, Zhu Kexin, Jiang Rong, Zhou Guizhen and Xie manlun. There are different styles. Compared with other teapots, there are more consumers who like flowery teapots. The design and conception of huahuohu are closely related to the reality of life. In fact, this activity is the prudent choice and reception of the beauty in life, expressing the creator's calm mind and strong local feelings in pursuit, as well as the reference and emotional extension of a considerable part of animal and plant meanings in nature. Often, a work plays a more important role in the meaning of things.
此件竹節(jié)紫砂壺，造型古拙、姿容挺秀，線條明承暗合，轉(zhuǎn)折適度，蓋面、壺身上下一氣，利落自然。鈕蓋塑形別致，鮮活巧妙、生意盎然。此壺壺形、色、工各方面均獨(dú)樹(shù)一幟。其形注重意，其色重真，其工細(xì)兼精，造形藝術(shù)突出。整器布局巧妙，別出心載，同時(shí)也表現(xiàn)出了作者藝術(shù)扎實(shí)的功力和嚴(yán)謹(jǐn)?shù)闹谱黠L(fēng)格兩大特色。借著陶都窯火的藝術(shù)鑄成永恒，文人情懷躍然而出，存世珍罕，有著難以言喻的收藏價(jià)值與市場(chǎng)價(jià)值。
This slubby purple clay pot has an unsophisticated and elegant shape. The lines are clear and coincident. The turning point is moderate. The top and bottom of the pot are neat and natural. The shape of the button cover is unique, fresh and ingenious, and full of business. This pot is unique in shape, color and workmanship. Its shape pays attention to the meaning, its color pays attention to the truth, its work is meticulous and refined, and its shaping art is outstanding. The layout of the whole instrument is ingenious, showing the author's solid artistic skills and rigorous production style. Through the art of pottery kiln fire to cast eternity, literati's feelings spring out, which is rare in the world, and has indescribable collection value and market value.
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