粉彩瓷又叫軟彩瓷，景德鎮(zhèn)窯四大傳統(tǒng)名瓷之一，漢族傳統(tǒng)制瓷工藝中的珍品，是以粉彩為主要裝飾手法的瓷器品種。追溯中國(guó)瓷器史，早在清康熙年間，粉彩作為瓷器釉上彩繪藝術(shù)已開(kāi)始了萌芽;到雍正時(shí)期，已趨成熟，無(wú)論在造型、怡釉和彩繪方面，粉彩瓷均得到了空前的發(fā)展，并形成粉彩裝飾的獨(dú)特風(fēng)格，《陶雅》中稱(chēng)贊“粉彩以雍正朝最美，前無(wú)古人，后無(wú)來(lái)者，鮮艷奪目”。
Pastel porcelain, also known as soft colored porcelain, is one of the four famous traditional porcelains in Jingdezhen kiln. It is a treasure in the traditional porcelain making process of the Han nationality. It is a kind of porcelain with pastel as the main decoration method. Tracing back to the history of Chinese porcelain, as early as the reign of Emperor Kangxi of the Qing Dynasty, pastel as the art of porcelain overglaze painting began to sprout; By the Yongzheng period, it had become mature. In terms of modeling, glaze and painting, pastel porcelain had been developed unprecedentedly, and formed a unique style of pastel decoration. Taoya praised that "Pastel porcelain was the most beautiful in Yongzheng Dynasty, unprecedented and dazzling.".
乾隆時(shí)期粉彩已非常興盛。到了晚清，粉彩瓷又得到了一定的新發(fā)展，除了白地粉彩器外，所見(jiàn)有各種色地開(kāi)光粉彩，而且往往和描金工藝結(jié)合，其主要器型有瓶、罐、花盆、盤(pán)、碗、燈籠尊、蓋碗等。
During the reign of Emperor Qianlong, famille rose in popularity. In the late Qing Dynasty, the pastel porcelain got a certain new development. In addition to the white pastel ware, there were all kinds of bright pastel ware, which were often combined with the gold depiction technology. The main types of pastel ware were bottles, pots, flowerpots, plates, bowls, lantern statues, covered bowls and so on.
粉彩是一種釉上彩繪經(jīng)低溫?zé)傻牟世L方法。粉彩瓷裝飾畫(huà)法上的洗染，吸取了各姊妹藝術(shù)中的營(yíng)養(yǎng)，采取了點(diǎn)染與套色的手法，使所要描繪的對(duì)象，無(wú)論人物，山水，花卉，鳥(niǎo)蟲(chóng)都顯得質(zhì)感強(qiáng)，明暗清晰，層次分明。
Pastel painting is a kind of painting method that underglaze painting is fired at low temperature. The washing and dyeing of the decorative painting method of Famille Rose Porcelain absorbs the nutrition of the sisters' art, and adopts the technique of spot dyeing and coloring, so that the objects to be depicted, no matter the characters, landscapes, flowers, birds and insects, appear to have strong texture, clear light and shade, and distinct layers.
此件晚清時(shí)期粉彩罐。通體施白釉，釉面溫潤(rùn)細(xì)膩，以粉彩裝飾。是清末民初瓷器款識(shí)的一種，既充分表現(xiàn)古代匠人敬仰精品的工匠精神，又把古瓷粉彩技術(shù)發(fā)揮的淋漓盡致。此晚清時(shí)期粉彩罐，畫(huà)面采用了中國(guó)畫(huà)的工筆重彩，開(kāi)光處白度極高，加上釉色勻凈，潔潤(rùn)如玉，為整個(gè)圖案的裝飾提供了基礎(chǔ)！此罐造型典雅，色澤亮堂柔麗，彩料濃淡天然，粉質(zhì)感強(qiáng)，清雅秀美，畫(huà)面柔美，是一件典型的晚清粉彩瓷器作品。
This is a pastel can in the late Qing Dynasty. The glaze is warm and delicate, decorated with pastel. It is a kind of porcelain style recognition in the late Qing Dynasty and the early Republic of China. It not only fully shows the craftsman spirit of the ancient craftsmen, but also gives full play to the ancient porcelain pastel technology. In the late Qing Dynasty, the painting of the pastel pot adopts the meticulous and heavy color of Chinese painting. The brightness of the opening part is very high, and the glaze color is even and clean, which provides the basis for the decoration of the whole pattern! The pot is elegant in shape, bright in color, natural in color, strong in powder texture, elegant and beautiful in appearance. It is a typical work of pastel porcelain in the late Qing Dynasty.
企業(yè)聯(lián)系電話:400-681-6118
