“斗彩”是在宣德青花五彩的基礎(chǔ)上發(fā)展而來，巔峰于明成化時(shí)期。而“斗彩”這個(gè)詞直至乾隆時(shí)才出現(xiàn)，《南窯筆記》中寫道：“關(guān)于坯上用青料畫花鳥半體，復(fù)入彩料，湊其全體，名曰斗彩。”在此之前明清瓷書中多用“白地青花間裝五色”的說法。
"Doucai" was developed on the basis of Xuande blue and white multicolor, peaking in the Chenghua period of Ming Dynasty. However, the word "doucai" didn't appear until Qianlong's time. In the notes of Nanyao, it is written that "doucai refers to painting the half body of flowers and birds with green materials on the body, and then adding the color materials to make up the whole body." Before that, the Ming and Qing porcelain books used the saying of "white ground blue and white room with five colors".
“斗彩”是在坯體上，先用青花描繪圖案輪廓，施透明釉，高溫?zé)珊螅僭谟陨弦愿鞣N彩料填繪，經(jīng)低溫彩爐烘烤，最后成型。釉下緊貼胎體幽艷濃麗的青花，透過潔白的釉面所閃耀的迷人光彩，與釉上絢麗燦爛的彩繪遙相輝映、爭(zhēng)奇斗妍，非常漂亮。由于彩繪方式分釉上、釉下彩兩部分，有拼逗之意，故稱為“斗彩”或“逗彩”。
"Doucai" is on the green body, first with blue and white to draw the outline of the pattern, apply transparent glaze, after high temperature firing, and then on the glaze with a variety of color materials, after low temperature oven baking, finally forming. The underglaze blue and white, which is close to the matrix, is very beautiful. It shines through the pure white glaze, and is reflected with the brilliant painting on the glaze. Because the color painting method is divided into two parts: overglaze and underglaze color, which means to make fun of each other, it is called "doucai" or "doucai".
“成化斗彩”設(shè)色豐富，彩料昂貴，采用不同礦料配比，提煉出多種極具時(shí)代特點(diǎn)的彩料。皇家官窯不惜工本，不惜代價(jià)，精益求精。燒造了百世流芳的藝術(shù)名品，是成化朝制瓷匠師對(duì)我國陶瓷藝術(shù)的巨大貢獻(xiàn)。
"Chenghua doucai" is rich in colors and expensive in color materials. Various color materials with the characteristics of the times are extracted by using different proportion of mineral materials. The Royal kiln spared no cost and kept improving at all costs. It is the great contribution of Chenghua porcelain makers to China's ceramic art.
同時(shí)，在青花用料上，由于到成化朝蘇麻離青鈷料已近斷絕，因而改用“平等青”，該鈷料發(fā)色淺淡而呈灰蘭，色澤穩(wěn)定，輕淡柔和，給人一種淡雅恬靜之感！
At the same time, in the blue and white materials, due to the Chenghua Dynasty, Suma was almost cut off from the blue and cobalt materials, so it was changed to "equal blue". The cobalt material had light hair color and gray blue, stable color, light and soft, giving people a sense of elegance and tranquility!
此藏品為“大明成化斗彩花瓶一對(duì)”，以花卉紋飾為主題，內(nèi)外壁以斗彩青花裝飾，發(fā)色均潤(rùn)潔凈，用筆精細(xì)纖柔。底足款識(shí)為六字楷書雙方框“大明成化年制”。整體胎質(zhì)細(xì)膩，薄輕透體，施彩素雅、鮮麗兼而有之！器形的考究上，多一分則拙，減一分則陋。輕巧俊秀、雋永典雅！
This collection is "a pair of Daming Chenghua doucai vases", with flower patterns as the theme. The inner and outer walls are decorated with doucai blue and white. The hair color is clean and the pen is delicate. At the end of the book, it is written in regular script with six characters, and the two sides are framed with "the year system of Chenghua in the Ming Dynasty". The overall quality of the fetus is delicate, thin, light and transparent. The color is simple, elegant and fresh! In terms of shape, one more point is clumsy, and one less point is crude. Light and handsome, meaningful and elegant!
藏品既保持了青花幽靜雅致的特點(diǎn)，還增加了濃艷華麗的釉上彩色，釉下青花與釉上彩相互襯托，爭(zhēng)奇斗艷，形成絢麗多彩的新型彩瓷，成為彩瓷之冠！
The collection not only maintains the quiet and elegant characteristics of blue and white flowers, but also adds rich and gorgeous glaze color. The underglaze blue and white flowers and glaze colors are interlinked to each other, competing for wonder and beauty, forming a new colorful color porcelain, becoming the crown of color porcelain!
其無論胎質(zhì)、塑形、繪飾、窯燒，皆一絲不茍，臻埏埴之巔，誠希世之珍、亙古重寶。然斗彩奧妙并不止于斯。百載春秋，故為明清帝王、明鑒文士惜藏頌贊，早已超塵拔俗，堪稱中國瓷器傳奇，永垂不朽！
Regardless of its quality, shape, painting, kiln firing, are meticulous, reaching the top of the Cuan, sincere treasure of the world, eternal treasure. But there is more to the lottery than that. In the spring and Autumn period of one hundred years, it has been cherished and praised by the emperors and scholars of Ming and Qing Dynasties. It has long been a legend of Chinese porcelain and is immortal!
企業(yè)聯(lián)系電話:400-681-6118
