【藏品名稱(chēng)】：刀馬旦人物故事觀音瓶
[collection name]: Avalokitesvara vase with story of Dao Ma Dan
【藏品類(lèi)別】：瓷器
[collection type]: porcelain
【藏品數(shù)量】：一件
[collection quantity]: one piece
【藏品簡(jiǎn)介】：爾今收藏界有“明看成化，清看雍正”的說(shuō)法。其實(shí)早在古代瓷器收藏家之中就已經(jīng)流傳這樣一句話(huà)：“寧存成窯，不茍富貴。”明代沈德符《萬(wàn)歷野獲編》中則有：“窯器初貴成化，次則宣德。杯盞之屬，初不過(guò)數(shù)金，頃來(lái)京師，成窯酒杯，每對(duì)至博銀百金，為吐舌不能下。”明朝人程哲在《蓉槎蠡說(shuō)》一書(shū)中品評(píng)明代瓷器時(shí)推成窯瓷器為明代之冠。另在清初朱彝尊《曝書(shū)亭集》中也記載：“萬(wàn)歷器索金數(shù)兩，宣德、成化者倍蓰之……”由此可見(jiàn)，明清時(shí)期瓷器受人追捧程度可見(jiàn)一斑。瓶為陶瓷中的重器，也是廳堂主要陳設(shè)之一。瓶的式樣也因時(shí)代的不同而發(fā)生變化，由于瓶類(lèi)體積大于其他器物，因此在選擇裝飾題材上留有較多的空間，這給描繪人物故事提供了更好的機(jī)會(huì)。
[introduction to collections]: there is a saying in today's collection circles that "the Ming Dynasty is regarded as the Ming Dynasty and the Qing Dynasty as Yongzheng". In fact, as early as in the ancient porcelain collectors have spread such a saying: "rather save into kiln, not rich." In the Ming Dynasty, Shen De Fu's Wanli yehuo Bian said: "the kiln ware is expensive at the beginning, and the second is Xuande. The cup and cup belonged to a few gold coins at the beginning. When they came to the capital, they made wine cups. Each pair of them was rich in silver and hundred gold coins, so they could not spit out When Cheng Zhe of Ming Dynasty commented on Ming Dynasty porcelain in Rong Cha Li Shuo, he pushed Cheng kiln porcelain to be the top of Ming Dynasty. In the early Qing Dynasty, Zhu YIZUN also recorded in his book the collection of paoshuting: "the number of gold required for Wanli utensils is two, and those who publicize virtue and Chenghua are Bi Ruzhi..." Therefore, the popularity of porcelain in Ming and Qing dynasties can be seen. The bottle is an important part of ceramics and one of the main furnishings in the hall. The style of the bottle also changes with the times. Because the size of the bottle is larger than other utensils, there is more space for choosing the decorative theme, which provides a better opportunity to depict the story of the characters.
此藏品為刀馬旦人物故事瓶，敞口，外撇，長(zhǎng)束頸，瓶身器形沉穩(wěn)，端莊優(yōu)雅，新穎別致。此瓶周身人物故事場(chǎng)景圖，人物姿態(tài)各異，表情不一，情節(jié)豐富，內(nèi)容浩大，工筆細(xì)膩，形象逼真，紋飾布局合理，故事情節(jié)動(dòng)人，繁密卻不凌亂，整然有序，秞色淡雅柔和，予人以超逸脫俗之感，美感十足。具有很高的欣賞價(jià)值和收藏價(jià)值。
This collection is a story bottle of Dao Ma Dan characters, with open, external skimming, long neck, stable body, elegant and novel body. The picture of the story scene of the characters around the bottle is characterized by different characters' posture, different expression, rich plot, large content, exquisite meticulous work, vivid image, reasonable decoration layout, moving plot, dense but not disorderly, orderly and elegant color, which gives people a sense of being detached from the customs and has a full sense of beauty. It has high appreciation value and collection value.
此藏品為雙耳開(kāi)窗五彩刀馬旦賞瓶，釉色成鐵灰，柴窯典型，開(kāi)片自然，尤其開(kāi)窗五彩刀馬旦繪畫(huà)工藝精美絕倫，細(xì)致入微，生動(dòng)形象，實(shí)屬難得宮廷佳作，此工藝作品以實(shí)屬少見(jiàn)，珍藏佳品，忘有意者積極聯(lián)系。
This collection is a double ear window multicolored saber Ma Dan appreciation bottle. The glaze color is iron gray. The wood kiln is typical, and the opening is natural. In particular, the painting process of the window multicolored saber Ma Dan is exquisite, meticulous and vivid. It is really a rare work of the palace. This work is rare. It is a good collection, and those who forget to be interested should actively contact with it.
