汝窯是中國瓷器的巔峰，全球遺存的79件汝窯幾乎全為世界大博物館所藏，1992年紐約佳士得拍賣會上，一件美國藏家擁有的汝窯盤以154萬美元成交，被香港藏家購得，另外一件汝窯盤殘件在2006年紐約佳士得以6萬美元成交。2012年4月，在香港蘇富比舉行“中國瓷器及工藝品”拍賣會上，有900年歷史的“北宋汝窯天青釉葵花洗”以天價2.0786億港元成交，刷新宋瓷世界拍賣紀錄。
Ru kiln is the pinnacle of Chinese porcelain. Almost all of the 79 pieces of Ru kiln left in the world are collected by the world's major museums. At Christie's auction in new york in 1992, one piece of Ru kiln plate owned by American collectors was sold for US$ 1.54 million, which was purchased by Hong Kong collectors. Another piece of Ru kiln plate was sold for US$ 60,000 in Christie's in new york in 2006. In April 2012, at the auction of "Chinese Porcelain and Crafts" held in Sotheby's, Hong Kong, the 900-year-old "Sunflower Wash with Azure Glaze in Ru Kiln of Northern Song Dynasty" was sold at a sky-high price of HK$ 207.86 million, setting a new auction record for Song porcelain in the world.
它是中國工藝美術史上的巔峰之作，更是民族審美精神的最好詮釋。它在八百年的時間里，鉛華褪盡，和光同塵，它是高宗皇帝“汝近尤難得”的感嘆，是乾隆皇帝“仿汝不似汝”的惆悵。它，就是獨領風騷，雄居宋代五大名窯“汝、官、哥、鈞、定”之首的汝窯。宋、元、明、清以來，宮廷汝瓷用器，內庫所藏，視若珍寶、與商彝周鼎比貴。被歷代稱頌，有“名瓷之首”，“宋瓷之冠”美譽。
It is the pinnacle in the history of Chinese arts and crafts and the best interpretation of national aesthetic spirit. In 800 years, it has faded away and is as light as dust. It is the sigh of Emperor Gaozong that "you are especially rare" and the melancholy of Emperor Qianlong that "imitating you is not like you". It is the Ru kiln, which takes the lead and ranks first among the five famous kilns in Song Dynasty, namely Ru, Guan, Ge, Jun and Ding. Since the Song, Yuan, Ming and Qing Dynasties, the court Ru Ci used utensils, which were stored in the inner library and regarded as treasures, which were more expensive than the Shang Yi and Zhou Ding. Praised by all previous dynasties, it has the reputation of "the first of famous porcelain" and "the crown of Song porcelain".
汝瓷的出現，與皇帝宋徽宗密切相關。有人說，宋徽宗是中國歷史上最具藝術天賦的皇帝，他不僅書畫技藝精湛，在他當政的最后二十年里，以汝瓷為代表的青瓷工藝，也在他手中達到了頂峰。然而北宋滅亡后，汝瓷的工藝卻神秘失傳，八百多年來，沒有人知道它是在哪里燒造的，也沒有人知道，它是怎么被燒造出來的，人們只知道它是歷代皇帝和貴族眼中的無價之寶。
The appearance of Ru Ci is closely related to the emperor Song Huizong. Some people say that Song Huizong is the most talented emperor in Chinese history. He is not only superb in painting and calligraphy, but also reached the peak in his celadon craft represented by Ru Ci in the last twenty years of his administration. However, after the demise of the Northern Song Dynasty, Ru Ci's craft was mysteriously lost. For more than 800 years, no one knew where it was burned, and no one knew how it was burned. People only knew that it was priceless in the eyes of emperors and nobles.
作為一個藝術家，宋徽宗對汝瓷的材質、色彩、紋飾、肌理等方面都有極為苛刻的審美要求。在汝瓷底部常常能看到這樣的芝麻小點，是所謂的支釘痕。這是汝窯工匠為了追求完美無暇的質感，在燒制過程中用極細的釘針支撐器胎，以減少無法上釉的面積而設計的。
As an artist, Song Huizong has extremely demanding aesthetic requirements on the material, color, ornamentation and texture of Ru Ci. At the bottom of Ru Ci, you can often see such sesame seeds, which are called Zhi Ding marks. This is designed by Ru kiln craftsmen in pursuit of flawless texture, and in the firing process, they use extremely thin pins to support the carrier tire, so as to reduce the area that cannot be glazed.
天青的釉色瑩潤內斂，釉薄處透映出香灰色的胎體，器表的裂紋如蟹爪般細密交錯，星辰狀稀疏的氣泡浮于釉層上方，這些都是汝瓷最具代表性的特征。而關于汝瓷的釉色，歷史上還流傳著這樣的一個故事，傳說宋徽宗曾經做過一個夢，夢到大雨過后，遠處天空云破處，有一處神秘的天青色，格外令人著迷。醒來之后，他便寫下一句詩：“雨過天晴云破處”，拿工匠參考，讓他們燒制出類似顏色的瓷器。一時間，不知難倒了多少工匠，最后汝州的工匠技高一籌，燒出了令宋徽宗滿意的天青色，于是這種介乎藍和綠之間的天青色成了汝窯的代名詞。
Azurite glaze is green and restrained, the thin part of glaze reflects the fragrant gray carcass, the cracks on the surface are as fine and interlaced as crab claws, and the stars-like sparse bubbles float above the glaze layer, which are the most representative features of Ru Ci. As for the glaze color of Ru Ci, there is a story in history. It is said that Song Huizong once had a dream, dreaming that after the heavy rain, the distant sky was broken and there was a mysterious blue sky, which was particularly fascinating. After waking up, he wrote a poem: "After a rainy day, the clouds are ruined", and he took craftsmen as a reference and asked them to fire porcelain with similar colors. At that time, I don't know how many craftsmen were stumped. Finally, the craftsmen in Ruzhou were superior and burned out the azure blue that satisfied Song Huizong, so this azure blue between blue and green became synonymous with Ru kiln.
汝窯天青釉盤，撇口，折沿，曲壁，坦底，圈足外撇。通體內外施天青色釉，釉汁肥厚瑩潤，優雅的造型，簡單的線條襯托出脫俗的釉色，晶瑩如玉。釉面開細碎片紋，細膩含蓄，制作精美。盤底滿釉，因采用“裹足支燒”，因此外底留有五個芝麻大小的支釘燒造痕跡，露出灰白色的胎土，俗稱香灰胎。此器造型規整，胎質細膩，釉如凝脂，天青猶翠，開片優美，給人一種“雨過天晴云破處”的優雅質感，通器臻善，幾近完美，實為巧奪天工的非凡之作!
Ru kiln azure glaze plate, skimming, folding edge, curved wall, flat bottom, circle foot and outer skimming. The azure glaze is applied inside and outside the whole body, with thick glaze juice, elegant shape and simple lines to set off the refined glaze color, which is crystal clear as jade. The glaze is finely chipped, subtle and exquisitely made. The bottom of the plate is full of glaze. Because of the use of "foot-wrapping and burning", there are five sesame-sized Zhi Ding burning marks on the outsole, revealing gray-white tire soil, commonly known as fragrant gray tire. This device has regular shape, delicate fetal quality, glaze like coagulate fat, green sky and beautiful opening, which gives people an elegant texture of "after rain, clear clouds and broken places". It is almost perfect, and it is an extraordinary work with wonderful workmanship!
“天青色等煙雨，而我在等你”，現在，地球的上空或許已經無法看到這種美麗的色調了，但這些質如美玉的器皿，卻為我們再現了八百多年前大自然曾經的優雅。宋徽宗崇尚道教，追求自然、淡泊質樸的審美情趣也流露其間。
"The sky is blue and I'm waiting for you." Now, this beautiful color may no longer be seen over the earth, but these vessels, which are as beautiful as jade, reproduce for us the elegance of nature more than 800 years ago. Song Huizong advocates Taoism, pursues nature, and is indifferent to simplicity.
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