書法和瓷器都源于中國，也是古絲綢之路傳遞交流的重要內容。今天隨著中華民族的偉大復興，中國地位的提升，中國的文字和瓷器，必蔣迎來全球的親近和需求，中國的必將成為世界的，必將為在世界上講好中國故事，傳播好中國聲音，讓中國更好走向世界，讓世界更好了解中國，構建人類命運共同體，添磚加瓦作出貢獻！
Both calligraphy and porcelain originated in China, which is also an important part of the transmission and exchange of the ancient Silk Road. Today, with the great rejuvenation of the Chinese nation and the promotion of China's status, Chinese characters and porcelain will meet the global closeness and demand. China's will become the world's, and will contribute to telling Chinese stories and spreading Chinese voice in the world, making China better go to the world, making the world better understand China, and building a community of human destiny!
任玉嶺，原為國務院資深參事，全國政協第八屆委員、第九、第十屆常委， 國家教育咨詢委員會委員，中國書畫協會名譽主席，中華海峽兩岸書畫藝術家 協會主席。任玉嶺先生既是科學家、經濟學家、社會活動家，也是著名的書法家。他曾任中國星火計劃總工程師，廣西北海市副市長，中國味精技術公司董事長，中農資源上市公司監事長，1993年任全國第八屆政協委員，繼之被選為第九、第十屆全國政協常委，2002年被朱镕基總理聘任為國務院參事，并延續三屆之久。此間，又被政治局委員、副總理劉延東聘任為國家教育咨詢委員會委員，是中國書協會員，擔任中國書畫家協會副主席、中國書畫家協會名譽主席，中華海峽兩岸書畫藝術家協會主席。任玉嶺考察了32個國家，走遍中國1200多個縣市，被55種雜志聘為編委、主編，被15所大學聘為教授。翻譯科技書籍3冊100萬字，出版科技、經濟、詩詞與書法專著25冊之多。
Ren Yuling was formerly a senior counsellor of the State Council, member of the eighth, ninth and tenth Standing Committee of the CPPCC National Committee, member of the National Education Advisory Committee, honorary chairman of the Chinese painting and Calligraphy Association, and chairman of the cross strait painting and Calligraphy Artists Association. Ren Yuling is not only a scientist, economist, social activist, but also a famous calligrapher. He once served as the chief engineer of China Spark project, vice mayor of Beihai City, Guangxi Province, chairman of China monosodium glutamate Technology Co., Ltd., and chairman of the board of supervisors of China agricultural resources listed company. He was a member of the eighth CPPCC National Committee in 1993, and then elected to the standing Committee of the ninth and Tenth CPPCC National Committee. In 2002, he was appointed as a counsellor of the State Council by Premier Zhu Rongji, and lasted for three terms. During this period, Liu Yandong, member of the Political Bureau and vice premier, was appointed as a member of the National Education Advisory Committee. He is a member of the Chinese Calligraphy Association, vice chairman of the Chinese Calligraphers and Painters Association, honorary chairman of the Chinese Calligraphers and Painters Association, and chairman of the cross strait Artists Association. Ren Yuling visited 32 countries and more than 1200 counties and cities in China. He was employed as editorial board member and chief editor of 55 magazines and professor of 15 universities. Translated 3 volumes of scientific and technological books with 1 million words, and published 25 volumes of Monographs on science and technology, economy, poetry and calligraphy.
任玉嶺先生書畫創作起步甚晚，但因其童子功深厚和功外之功博大而強勁。所以他的書法一問世便非同凡響，連續五次獲得辛亥革命100周年、共和國60周年、共產黨90周年、文化部舉辦的百人書畫傳承人展覽及海峽兩岸交流展金獎，2018年又獲得了在哈薩克斯坦阿斯塔納舉辦的國際博覽會文化展覽金獎。共和國成立七十周年時，又被推薦出版了《共和國第一部書法大紅袍——近現代書法名家·任玉嶺》一書。他出版的《草書諸葛亮出師表》《狂草懷素自敘帖》都受到書法讀者的歡迎。他被譽為書法五大泰斗之一，書畫界領軍人物。全國政協兩會聯袂推出任玉嶺為《德藝雙馨藝術家》，互聯網中心用中英文雙語推出了《走向世界的華人藝術家任玉嶺》，同時有近200個網站向世界作了報道。
2020年人大政協兩會官網特別推薦任玉嶺先生為德藝雙馨藝術家。他的書法作品曾被多次拍賣，捐獻慈善事業。2016 年在廣東東莞一次拍賣中，任玉嶺先生的書法作品就拍出 120 萬元，除 10%留給任玉嶺先生購買紙筆外，其余 100 多萬在現場捐給了中國扶貧大王。為推動河南老家的鄉村振興，又特別捐款70萬元用于鄉村振興。這些年來，任玉嶺先生依據社會的需要和百姓對他的期待，先后捐出四個“任玉嶺收藏及作品展覽館”，均在 1000 平米以上，皆為永久性展覽館。任玉嶺先生用他的大愛無疆的精神感染和影響著一代又一代中華兒女，不忘初心，牢記使命！
Mr. Ren Yuling's calligraphy and painting creation started very late, but it is strong because of his profound childlike skills and his great external skills. As a result, his calligraphy was extraordinary as soon as it came out. For five consecutive times, he won the gold medal of the 100th anniversary of the revolution of 1911, the 60th anniversary of the people's Republic of China, the 90th anniversary of the Communist Party of China, the exhibition of inheritors of 100 people's calligraphy and painting held by the Ministry of culture, and the Cross Strait Exchange Exhibition. In 2018, he also won the gold medal of the international cultural exhibition held in Astana, Kazakhstan. On the 70th anniversary of the founding of the people's Republic of China, it was recommended to publish the first calligraphy Dahongpao of the people's Republic of China: Ren Yuling, a famous calligrapher in modern times. His "model of Zhuge Liang in cursive " and "self narration of wild grass huaisu" are welcomed by calligraphy readers. He is known as one of the five masters of calligraphy and a leader in the field of calligraphy and painting. The CPPCC National Committee and the CPPCC National Committee jointly launched Ren Yuling as the artist of virtue and art, and the Internet Center launched Ren Yuling, a Chinese artist going to the world, in both Chinese and English. At the same time, nearly 200 websites reported to the world.
In 2020, Mr. Ren Yuling will be specially recommended as a virtuous and artistic artist by the official websites of the two sessions of the National People's Congress and the Chinese people's Political Consultative Conference. His calligraphy works have been auctioned many times and donated to charity. In 2016, at an auction in Dongguan, Guangdong Province, Mr. Ren Yuling's calligraphy works sold for 1.2 million yuan. In addition to 10% for Mr. Ren Yuling to buy pen and paper, more than 1 million yuan was donated to China's poverty alleviation king on the spot. In order to promote the Rural Revitalization of his hometown, he specially donated 700000 yuan for Rural Revitalization. Over the years, Mr. Ren Yuling has donated four "Ren Yuling collection and works exhibition halls" according to the needs of the society and the expectations of the people, all of which are permanent exhibition halls with an area of more than 1000 square meters. Mr. Ren Yuling, with his boundless spirit of love, has influenced and influenced generations of Chinese people. He never forgets his original intention and keeps in mind his mission!
【下筆走龍蛇 氣勢奪山川】
任玉嶺的書法寬厚，尤以行草最工。他的行草書法以勢取法，率性落筆，灑脫自如，其行草磅礴大氣，氣勢開闊，收放自如，有筆走龍蛇之瀟灑，有風挾海濤之遒勁。行筆一氣呵成，絕不拖泥帶水，字里行間一氣貫注。字體遒勁如枯樹盤根，筆墨力透紙背，然又以不可思議的輕盈飄逸展現行云流水自然流暢。筆法上計白當黑，濃淡枯濕、頓挫徐疾、提按轉承圓熟精湛，毗無斧鑿痕跡。筆畫牽絲勾連、顧盼呼應，左旋右轉，令人目不暇接而心潮澎湃。字體上戒上密下疏，戒左密右疏，戒內密外疏，具中宮緊結，鮮活跳躍。字不字之間，跌撲縱躍，蒼勁多姿。布白參差錯落，飛動流暢，疏密、斜正、大學極富動態之美。運筆狂縱雄奇，環折跳蕩，風行雨慪，呼嘯奔騰。大有“飄風驟雨驚颯颯，落花飛雪何茫茫”的書景。不過，我認為，任玉嶺的行草風格不是用堆疊的語言可以準確描述的。如果親臨觀賞他的這些行草作品，雖不用任何言語解釋，但那種氣勢，那種壯美，那種橫掃萎靡的正氣，讓人豁然開朗，頓悟人生中天地之大觀。
[start with dragon and snake to capture mountains and rivers]
Ren Yuling's calligraphy is generous, especially in cursive. His cursive calligraphy is based on momentum. His cursive writing is free and easy. His cursive writing is majestic, broad-minded, and can be folded and released freely. Writing at one go, never procrastinate, between the lines of a gas. The font is as strong as a withered tree, and the ink power is through the back of the paper. However, it shows the natural flow of clouds and water with incredible lightness and elegance. On the stroke, white should be black, thick and light dry wet, setback and slow disease, lift and press, turn and inherit, mellow and exquisite, no trace of axe chisel. The strokes are linked by the thread, echoed by looking around, and rotated left and right, making people dizzying and excited. On the font, it is forbidden to be dense on the top and sparse on the bottom, to be dense on the left and sparse on the right, to be dense on the inside and sparse on the outside. Words do not words between the fall flutter jump, vigorous posture. The cloth is uneven and smooth, dense, slanting and upright, and the university is full of dynamic beauty. Yunbi crazy vertical majestic, ring fold jump, popular rain, roaring Pentium. There is a great "wind and rain startling Sa Sa Sa, falling flowers flying snow he boundless" Book scene. However, I don't think Ren Yuling's cursive style can be accurately described in stacked language. If you come to see his cursive works in person, you don't need any words to explain them, but the momentum, the magnificence, and the healthy spirit that sweeps away the dispirited will make you suddenly understand the Grand View of heaven and earth in life.
而書法藝術的高低，自古以來就不簡單以字形論斷。古人說： “神韻為上，形質次之。”是說書法最上乘的境界在韻上有一種自然的神氣。字體行質當然也重要，但比起神韻還是居于此等地位。任玉嶺的行草，讓我們領略了書法的一種開闊的胸襟，這種開闊如山高人為峰而遠觀滄海，又有如浩然正氣在乾坤間浩浩橫流。
任玉嶺之所以能有如此書法境界，是他仗義執言的性格、一心為國為民的胸襟以及廣博的學識、睿智的智慧完美熔鑄。而他人縱然有如椽大筆，卻難以有先生如此豐富的閱歷，如此睿智博學，如此憂國憂民的襟懷。因此，從某種意義上，書法也可以被認為是一種符號化了的人生閱歷。任玉嶺書法的高雅雄渾，給書界尋覓成功之經驗應有更新啟示。
——蘇玉華
Since ancient times, the level of calligraphy art has not been judged simply by the glyph. The ancients said: "charm is the first, form and quality is the second." It means that the best realm of calligraphy has a natural air in rhyme. Of course, the quality of font is also important, but it still occupies such a position compared with verve. Ren Yuling's cursive writing gives us a taste of the broad mind of calligraphy. It is as broad as a mountain, and people can see the sea from afar. It is also like the flow of righteousness between heaven and earth. The reason why Ren Yuling has such a calligraphy realm is the perfect combination of his character of speaking out, his mind of serving the country and the people, his extensive knowledge and wisdom. However, even if others have such a large amount of experience, it is difficult for them to have such rich experience, such wisdom and erudition, and such concern for the country and the people. Therefore, in a sense, calligraphy can also be regarded as a kind of symbolic life experience. Ren Yuling's calligraphy is elegant and powerful, which should give new inspiration to the calligrapher to seek successful experience.
——Su Yuhua
【淺析陶瓷藝術與書法藝術的結合】
陶瓷與書法都是中華民族的傳統藝術，陶瓷是泥與火的藝術，書法是筆含墨的藝術。藝術都是相通的，陶瓷與書法原本屬于獨立藝術，然而藝術間不乏契合。陶瓷同書法藝術的契合給欣賞者感覺無疑是錦上添花。對兩者成功的駕馭，在于對兩門藝術的解讀和深掘，而后達到綜合藝術的完美和統一。從其實質來講，有相通之處，兩者有著許多共同的文化內涵，有著和諧的審美情趣，兩者都是造型藝術。書法是以線條的流動來表現作者的情感心緒和品格修養。陶瓷造型通過各種線型和體面結合變化，空間的虛實、體量大小關系、輪廓的起伏等，構成陶瓷的造型美。
陶瓷和書法作為中華文化兩大國粹，千百年來深受人們熱愛。陶瓷制作工藝復雜，既要求有較高的藝術修養，又要精通燒制技術和造型能力，自古就有“土與火的藝術”之稱，難度較大，成功率低；書法在宣紙上用墨書寫，難度較小，成功率高。但紙質作品年代久遠極易破損、霉變，不易保存，而陶瓷一旦留存下來，雖經千萬年而色澤韻味依然。書法藝術與陶瓷藝術的完美結合達到了自然融合，互相映襯的效果，使其成為了中國固化的藝術！
陶瓷書法是立體的書法。陶瓷書法不是書法從紙張到陶瓷的簡單轉移，而是借助陶瓷工藝中特有的技法，來完美表現書法特有的韻味和意念，使書法在陶瓷上得到立體化、多維化體現。在這里，書法美化了陶瓷，使陶瓷增添了樸實與端莊，陶瓷裝點了書法，升華了書法的立體美感，使書法更加生動秀美。
任玉嶺先生提出了陶瓷書法新概念，隨著科學技術的進步，全球的信息交流更加方便、快捷。這給世界各地的陶瓷藝術設計提供了對藝術模式仿效的方便，其后果則可能導致藝術上的千篇一律。書法作為中華民族傳統的藝術形式，如果我們把書法的形、神、意更好地融合到現代陶瓷藝術當中去，彰顯其獨特的藝術魅力，定會形成更為鮮明的，具有強烈的民族文化意味的優秀陶瓷藝術作品。使書法藝術因陶瓷而固化，使陶瓷藝術因書法而放出異彩。
?[on the combination of ceramic art and calligraphy art]
Ceramics and calligraphy are both traditional arts of the Chinese nation. Ceramics is the art of clay and fire, and calligraphy is the art of pen and ink. Art is interlinked, ceramics and calligraphy originally belong to independent art, but there is no lack of agreement between art. The combination of ceramics and calligraphy is undoubtedly icing on the cake for the audience. The successful control of the two lies in the interpretation and deep excavation of the two arts, and then the perfection and unity of the comprehensive arts. In essence, they have something in common. They have many common cultural connotations and harmonious aesthetic taste. Both of them are plastic arts. Calligraphy is the flow of lines to express the author's emotional mood and character cultivation. Ceramic modeling through a variety of linear and decent combination of changes, the virtual and real space, volume size relationship, contour ups and downs, constitute the beauty of ceramic modeling.
As the two quintessence of Chinese culture, ceramics and calligraphy have been deeply loved by people for thousands of years. Ceramic production process is complex, which requires not only high artistic accomplishment, but also proficient in firing technology and modeling ability. Since ancient times, it has been known as "the art of earth and fire", which is more difficult and has a low success rate; calligraphy written in ink on rice paper is less difficult and has a high success rate. However, paper works are very easy to be damaged, moldy and not easy to be preserved for a long time. Once ceramics are preserved, their color and charm will remain even after thousands of years. The perfect combination of calligraphy art and ceramic art has achieved the effect of natural fusion and mutual contrast, making it a solidified art in China!
Ceramic calligraphy is a three-dimensional calligraphy. With the help of ceramics, calligraphy can be transformed from a simple and multi-dimensional technique to a perfect one. Here, calligraphy beautifies ceramics, adds simplicity and dignity to ceramics, decorates calligraphy, sublimates the three-dimensional beauty of calligraphy, and makes calligraphy more vivid and beautiful.
Mr. Ren Yuling put forward the new concept of ceramic calligraphy. With the progress of science and technology, the global information exchange is more convenient and fast. This provides convenience for ceramic art design all over the world to imitate the art mode, and its consequences may lead to the sameness of art. Calligraphy as a traditional art form of the Chinese nation, if we better integrate the form, spirit and meaning of calligraphy into modern ceramic art and show its unique artistic charm, it will form a more distinctive and excellent ceramic art work with strong national cultural significance. So that the art of calligraphy solidifies because of ceramics, and the art of ceramics shines out because of calligraphy.
