黃金版清明上河圖,此次由故宮宮苑首次發行的純金卷《清明上河圖》將真跡1：1比例體現在純黃金宣紙上，將故宮博物院隱居50年，掀起中國書面九百年追隨風潮的《清明上河圖》表現得淋漓盡致。黃金版清明上河圖,被書畫收藏家稱為“神品再創作”，世所罕見，這是自我國建國以來，故宮博物院鎮院之寶首次面向普通老百姓公開亮相。
Gold version of Qingming Riverside Map, the pure gold volume Qingming Riverside Map, which was first released by the Palace Museum, reflects the original 1: 1 ratio on pure gold rice paper, showing the Qingming Riverside Map, which has lived in seclusion in the Palace Museum for 50 years and set off the trend of Chinese writing for 900 years. The golden version of the Qingming Riverside Map is called "the re-creation of sacred products" by painting and calligraphy collectors, which is rare in the world. This is the first time since the founding of our country that the treasure of the Palace Museum has been publicly unveiled to ordinary people.
中華第一神品《清明上河圖》，由故宮博物院典藏，故宮專造。長卷999黃金宣紙精制，采用納米技術，世界首創。名貴紫檀木雕刻木盒，皇家錦緞錦盒。
The first sacred product of China, Qingming Riverside Map, is collected by the Palace Museum and specially made by the Palace Museum. Long roll 999 gold rice paper is refined, adopting nanotechnology, which is the first in the world. Rare rosewood carved wooden box, royal brocade brocade box.
《清明上河圖》是中國十大傳世名畫之一，名頌千古的珍寶，中國古代山水畫的頂峰，傳世最著名的風俗畫超長卷，屬一級國寶畫作，原作現藏于北京故宮博物院，具有很高的歷史價值和藝術水平。《清明上河圖》畫卷，是北宋風俗畫作品，作者張擇端。原畫縱24.8厘米,橫528.7厘米。該畫描繪了清明時節，北宋京城汴梁以及汴河兩岸的繁華景象和自然風光。作品以長卷的形式，采用散點透視的構圖法，將繁雜的景物納入統一而富于變化的畫面中。《清明上河圖》共繪了五百五十多個各色人物，牛、馬、騾、驢等牲畜五、六十匹，車、橋二十多輛，大小船只二十多艘。房屋、橋梁、城樓等也各有特色，體現了宋代建筑的特征。
Qingming Riverside Painting is one of the top ten famous paintings handed down from ancient times in China. It is the peak of ancient Chinese landscape painting and the most famous genre painting handed down from ancient times. It is a first-class national treasure painting. The original painting is now in the Palace Museum in Beijing, and has high historical value and artistic level. The picture scroll of Qingming Riverside is a genre painting of Northern Song Dynasty, written by Zhang Zeduan. The original painting is 24.8 cm in length and 528.7 cm in width. The painting depicts the prosperous scene and natural scenery of the capital capital Bianliang and the banks of the Bianhe River in the Northern Song Dynasty during the Qingming period. In the form of a long scroll, the composition method of scattered perspective is adopted, and the complicated scenery is brought into a unified and changeable picture. There are more than 550 figures of various colors, including cattle, horses, mules, donkeys and other livestock, more than 20 cars and bridges, and more than 20 large and small ships. Houses, bridges, towers, etc. also have their own characteristics, reflecting the characteristics of the Song Dynasty architecture.
《清明上河圖》描繪的是清明時節北宋都城汴京（今河南開封）東角子門內外和汴河兩岸的繁華熱鬧景象。全畫可分為三段：首段寫市郊景色，茅檐低伏，阡陌縱橫，其間人物往來。中段以“上土橋”為中心，另畫汴河及兩岸風光。中間那座規模宏敞、狀如飛虹的木結構橋梁，概稱“虹橋”，正名“上土橋”，為水陸交通的匯合點。橋上車馬來往如梭，商販密集，行人熙攘。橋下一艘漕船正放倒桅桿欲穿過橋孔，梢工們的緊張工作吸引了許多群眾圍觀。后段描寫的是市區街道，城內商店鱗次櫛比，大店門首還扎結著彩樓歡門，小店鋪只是一個敞棚。此外還有公廨寺觀等。街上行人摩肩接踵，車馬轎駝絡繹不絕。行人中有紳士、官吏、仆役、販夫、走卒、車轎夫、作坊工人、說書藝人、理發匠、醫生、看相算命者、貴家婦女、行腳僧人、頑皮兒童，甚至還有乞丐。他們的身份不同，衣冠各異，同在街上，而忙閑不一，苦樂不均。城中交通運載工具，有轎子、駝隊、牛、馬、驢車、人力車等。 車輛有串車、太平車、平頭車等諸種，再現了汴京城街市的繁榮景象。高大的城門樓名東角子門，位于汴京內城東南。全卷畫面內容豐富生動，集中概括地再現了十二世紀北宋全盛時期都城汴京的生活面貌。此畫用筆兼工帶寫，設色淡雅，不同一般的界畫，即所謂“別成家數”。構圖采用鳥瞰式全景法，真實而又集中概括地描繪了當時汴京東南城角這一典型的區域。作者用傳統的手卷形式，采取“散點透視法”組織畫面。畫面長而不冗，繁而不亂，嚴密緊湊，如一氣呵成。畫中所攝取的景物，大至寂靜的原野，浩瀚的河流，高聳的城郭；小到舟車里的人物，攤販上的陳設貨物，市招上的文字，絲毫不失。在多達500余人物的畫面中，穿插著各種情節，組織得有條不紊，同時又具有情趣。
The Qingming Riverside Map depicts the bustling scene inside and outside the East Corner Gate of Bianjing (now Kaifeng, Henan Province), the capital of the Northern Song Dynasty, and on both sides of the Bianhe River during the Qingming period. The whole painting can be divided into three sections: the first section describes the suburban scenery, with low eaves and criss-crossing buildings, during which people come and go. In the middle section, "Shangtu Bridge" is the center, and the Bianhe River and the scenery on both sides of the river are also drawn. The wooden bridge in the middle, which is large in scale and looks like a flying rainbow, is generally called "Hongqiao", and its correct name is "Shangtu Bridge", which is the meeting point of land and water transportation. The bridge is full of cars and horses, with dense traders and bustling pedestrians. Under the bridge, a tank boat is putting down its mast and trying to pass through the bridge hole. The intense work of the boatmen has attracted many people to watch. The latter section describes the urban streets, with rows of shops in the city. The big shops are tied with colorful doors, while the small shops are just an open shed. In addition, there are public temples and so on. Pedestrians are jostling each other in the street, and there are endless streams of horses, chariots and camels. Pedestrians include gentlemen, officials, servants, peddlers, pawns, car bearers, workshop workers, storytellers, hairdressers, doctors, fortune tellers, your women, foot monks, naughty children and even beggars. Their identities are different, their clothes are different, they are in the street, but they are busy and idle, and their joys and sorrows are uneven. There are sedan chairs, camel teams, cattle, horses, donkey carts, rickshaws and so on. There are many kinds of vehicles, such as string cars, Taiping cars, flat-headed cars, etc., which represent the prosperity of Bianjingcheng Market. The tall gate building, named Dongjiaozimen, is located in the southeast of Bianjing inner city. The whole picture is rich and vivid, which represents the life of Bianjing, the capital city in the heyday of the Northern Song Dynasty in the 12th century. This painting is written with pen and part-time, with elegant colors, which is different from ordinary boundary paintings, that is, the so-called "don't be married". The composition adopts the bird's-eye panoramic method, which truly and concentratedly depicts the typical area of the southeast corner of Bianjing at that time. The author uses the traditional hand-rolled form and adopts "scatter perspective" to organize the picture. The picture is long but not redundant, complicated but not chaotic, and tight and compact, such as in one go. The scenery taken in the painting is as large as the silent Yuan Ye, the vast river and the towering city; As small as the characters in the boat, the display goods on the vendors, and the words on the market, there is no loss at all. In the pictures of more than 500 characters, there are various plots interspersed, which are well organized and interesting at the same time.
《清明上河圖》是中國繪畫史上的一座不朽豐碑，被后世尊為“中華第一神品”！它有著無以倫比的藝術價值和無法估量的文物價值，歷代收藏家心馳神往、帝王權貴強取豪奪。又因其一直傳藏于深宮內府，世人只聞名難見其物，用純度為999的黃金宣紙為材料，采用特殊工藝印刷而成的黃金珍藏版《清明上河圖》以現代的全新的角度詮釋了“中華第一神品”的無窮魅力。黃金珍藏版《清明上河圖》成為越值收藏品、保值增值的六大理由：
The Qingming Riverside Picture is an immortal monument in the history of Chinese painting, and is honored as "the first divine product of China" by later generations. It has incomparable artistic value and incalculable cultural relic value, which has been fascinated by collectors of all ages and seized by imperial dignitaries. And because it has been spread and hidden in the deep palace, the world is only famous and hard to see. The gold collector's edition "Riverside Scene at Qingming Festival", which is printed with gold rice paper with purity of 999, interprets the infinite charm of "the first divine product of China" from a modern and brand-new angle. The gold collector's edition "Qingming Riverside Map" has become the six reasons for the value-added collectibles and the preservation and appreciation of value:
1、中華第一神品《清明上河圖》，由故宮博物院典藏，故宮專造。
2、前故宮博物院副院長譚斌題序，董正賀著筆。
3、八米長卷999黃金宣紙精制，采用納米技術，世界首創。
4、工藝獨特，直接印在黃金宣紙上，一次印刷而成。
5、名貴紫檀木雕刻木盒，皇家錦緞錦盒。
6、國家權威機構公證珍藏。
1. The first sacred product of China, Qingming Riverside Map, is collected by the Palace Museum and specially made by the Palace Museum. 2. Preface of Tan Bin, former vice president of the Palace Museum, written by Dong Zhenghe. 3. Eight-meter long roll of 999 gold rice paper is refined, adopting nanotechnology, which is the first in the world. 4. Unique process, printed directly on gold rice paper, printed once. 5, precious rosewood carved wooden box, royal brocade brocade box. 6, the national authority notarized collection.
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