粉彩是乾隆朝瓷器中所占此重較大的品種之一，在雍正瓷的基礎上又有新的突破。乾隆粉彩中的一部分繼承了雍正時期在肥潤的白釉上繪疏朗艷麗紋飾的特點，如常見的折枝花卉盤、碗、小瓶、面盆、人物筆筒和大件器物鹿頭尊等。鹿頭尊是乾隆時常見品種。其口直，口以下漸大，垂腹收底，圈足。尊的上半部飾兩個摟雕的夔鳳耳、蟠螭耳或鹿頭耳，因器型像倒過來的牛頭或鹿頭而得名。鹿頭尊多在白地上繪青山綠水、樹木，山水間及叢林里有很多頭梅花鹿或奔跑或立，或回首或低頭，顏色鮮亮，層次清晰，布局疏密有致。這類瓷也有叫百鹿尊的。乾隆朝的這一品種流傳下來的巳經很少了，大多是光緒朝仿的，層次不清，顏色暗談。
Famille rose is one of the most important porcelains in Qianlong Dynasty. It has a new breakthrough on the basis of Yongzheng porcelain. Some of the Qianlong pastels inherited the characteristics of bright and bright patterns painted on the rich white glaze during the Yongzheng period, such as the common broken branch flower plates, bowls, small bottles, basins, character pen holders and large utensils such as deer head Zun. Lutouzun was a common variety in Qianlong period. Its mouth is straight, the mouth is gradually enlarged below the mouth, hang abdomen to collect bottom, circle foot. The upper part of the statue is decorated with two carved ears of Kui Feng, Pan Gu or Lu tou. It is named for its shape like the head of an inverted ox or deer. The deer head Zun mostly painted green mountains, green water and trees on the white ground. There are many sika deer running or standing, looking back or bowing in the mountains and forests. The color is bright, the layers are clear, and the layout is dense. This kind of porcelain is also called Bailu Zun. There are few scriptures handed down from Qianlong Dynasty. Most of them were imitated by Guangxu Dynasty. The layers are not clear and the colors are dark.
乾隆朝除了白地繪份彩外，還有色地粉彩或色地開光中繪粉彩等品種。乾隆朝粉彩的創新品種是在黃、綠、紅、粉、藍等色地上用極細的工具軋出纏枝忍冬或纏枝蔓草等延綿不斷的紋飾，且多和開光一起使用，人稱軋道開光。這一工藝的出現，將粉彩推上了更加富麗繁縟的頂峰，一直延續到民國。另外，乾隆朝還有部分在粉彩瓷器的內壁及底足內施綠彩，俗稱"綠里綠底"，一直流行到清末、民國。乾隆朝的"綠里綠底"極淺淡，迎光側看釉面有極細小的皺紋，像微風吹過平靜的湖面而形成的細波。綠彩附著在白釉上非常緊密，幾乎沒有爆釉現象。乾隆朝粉彩的常見紋飾有山水、嬰戲、九桃、瓜蝶、百鹿、花鳥、仕女、百花 (亦稱 "百花不露地") 、八仙、云蝠、福壽、纏枝花、皮球花、花蝶等。除了常見的器型以外，新穎造型還有賁巴壺、交泰瓶、轉頸瓶。款識有青花、紅彩、金彩等種類。
In Qianlong Dynasty, in addition to the white part of the painting color, there were also varieties of Pastel Color on the color ground or pastel color painted in the color of Kaiguang. The innovative variety of famille rose in Qianlong Dynasty was to roll out the continuous decorative patterns of Lonicera japonicus or tendril with very fine tools on the yellow, green, red, pink, blue and other colors, and most of them were used together with Kaiguang, which was called rolling Kaiguang. The appearance of this craft pushed the famille rose to a more colorful peak and lasted until the Republic of China. In addition, in Qianlong Dynasty, green color was applied to the inner wall and bottom foot of famille rose porcelain, commonly known as "green inside and green bottom", which was popular until the end of Qing Dynasty and the Republic of China. In the Qianlong Dynasty, the "green inside and green bottom" was very light. From the side facing the light, there were very small wrinkles on the glaze surface, like the small waves formed by the breeze blowing through the calm lake. The green color adheres to the white glaze very closely, and there is almost no explosion phenomenon. The common patterns of famille rose in Qianlong Dynasty are landscape, infant play, nine peaches, melon butterfly, hundred deer, flowers and birds, ladies, flowers (also known as "flowers are not exposed"), eight immortals, cloud bats, Fushou, tangzhihua, ball flower, flower butterfly, etc. In addition to the common types of utensils, there are also some new shapes, such as jianba pot, Jiaotai bottle and revolving neck bottle. There are blue and white, red color, gold color and other types.
此對乾隆花卉粉彩瓶，畫工精細，，神態逼真，胎體堅實，修胚精良。整器胎體厚重，釉水瑩潤，畫工細膩，粉彩艷麗，惟妙惟肖。布局合理，氣勢恢宏，精工細致，筆法嫻熟，色彩鮮亮，陳設佳品。青花書“大清乾隆年制”六字楷書款。流傳至今，品相完美，實屬難得。
This pair of Ganlong flower pastel bottles is fine in painting, lifelike in expression, firm in carcass and excellent in embryo repair. The whole body is thick, the glaze is moist, the painter is delicate, and the pastel is gorgeous and vivid. Reasonable layout, magnificent momentum, meticulous workmanship, skillful brushwork, bright colors and good furnishings. Blue and white book "Qing Qianlong Year System" six-character regular script. Up to now, it is rare to have perfect appearance.
整器做工工藝一絲不茍，繪畫精細，色彩精細，色彩亮麗。雍榮華貴，氣度不凡，帶有濃重的乾隆風格，現已不多見，彌足珍貴，值得珍藏。
The whole machine is meticulous in workmanship, fine in painting, fine in color and bright in color. It is very precious and worthy of collection.
說起清朝的瓷器，不得不提的自然是康雍乾三代。不同于康熙朝瓷器的端莊，也與雍正朝瓷器的淡雅有異，乾隆朝瓷器則呈現出繁縟的面貌。在乾隆朝瓷器中，彩瓷占有極高的比例，琺瑯彩、粉彩等瓷器，都達到了藝術上的新高度。清代的歷史，發展到乾隆朝，可謂迎來了它空前絕后的巔峰。
Speaking of the porcelain of the Qing Dynasty, we have to mention the three dynasties of Kangyong Qianlong. Different from the modesty of Kangxi porcelain and the elegant porcelain of Yongzheng Dynasty, Qianlong porcelain presents a complicated appearance. Among the porcelains of Qianlong Dynasty, color porcelain occupies a very high proportion. Enamel and famille rose to a new height in art. The history of the Qing Dynasty, developed to the Qianlong Dynasty, can be said to usher in its unprecedented peak.
現在整個藝術品市場，清三代瓷器一直是拍賣場上的寵兒，尤其是清乾隆瓷器，一直占據著藝術品收藏品類的版面，市場行情一路走熱，無論是交易額還是價格都一路攀升。有數據顯示，很早之前清乾隆瓷器的價格標簽大概兩三年調整一次，而近兩三年，幾乎一年要調整兩到三次。另一組數據亦支持了這觀點，自06年以后，清乾隆瓷器的價格漲幅至少在50%-200%之間，粉彩瓷瓶，漲幅更是接近一倍。并且，目前市場粉彩瓷瓶更是越加稀少。
At present, the porcelain of the three dynasties of the Qing Dynasty has always been a favorite in the auction house, especially in the Qianlong period of the Qing Dynasty, which has always occupied the space of art collection categories. The market has been hot all the way, and both the transaction volume and the price have been rising. According to some data, the price tag of Qianlong porcelain in the Qing Dynasty was adjusted once every two or three years. However, in recent two or three years, it has been adjusted twice or three times a year. Another set of data also supports this view. Since 2006, the price of Qianlong porcelain has increased by at least 50% - 200%, and the price of famille rose nearly twice. And, at present, the famille rose porcelain bottle in the market is more and more rare.
企業聯系電話:400-681-6118
