粉彩是一種釉上彩裝飾瓷，因其彩料中含有鉛粉成分而得此名。粉彩瓷又叫軟彩瓷，景德鎮窯四大傳統名瓷之一，漢族傳統制瓷工藝中的珍品，是以粉彩為主要裝飾手法的瓷器品種。粉彩是一種釉上（在瓷胎上）彩繪經低溫燒成的彩繪方法。粉彩需兩次入窯才能燒造成功，首先在1300度以上的高溫下燒成瓷胎，在出窯的白瓷上再進行畫彩，隨后將其放入700～750度的窯內進行二次烘烤后才能制成粉彩成品。由于粉彩在制作時其焙燒溫度比五彩瓷略低，故粉彩要比五彩絢爛許多，色調以淡雅柔麗見長，在視覺上讓人感覺更加溫馨。
Pink is a kind of glazed decorative porcelain, which is named because it contains lead powder in its color. Pink porcelain is also called soft color porcelain, one of the four traditional famous porcelain in Jingdezhen Kiln, and the treasures in the traditional Chinese porcelain making process are porcelain varieties with pastel as the main decorative technique. Pink is a method of painting on glazes(on porcelain tires) painted at low temperatures. The pastels need to be burned twice in the kiln to be successful. First, the porcelain tires are burned at a high temperature of 1300 degrees or more, painted on the white porcelain of the kiln, and then placed in a kiln of 700 to 750 degrees. After baking, it can be made into a pastel product. Since the baking temperature of pastel is slightly lower than that of multicolored porcelain when it is made, pastel is much better than multicolored, and the hue is known for its elegant and soft color, which makes people feel more warm visually.
乾隆時期粉彩瓷器上描繪的圖案主題一般按照不同節氣和時令來描繪。在《清宮檔案》中曾有詳細記載：“如乾隆八年十二月初九日，太監傳旨，燒造年節用三羊開泰、上元節用五谷豐登、端陽節用艾葉靈符、七夕節用鵲橋仙渡、萬壽節用萬壽無疆、中秋節用丹桂飄香、九月九用重陽菊花之類、尋常賞花用萬花獻瑞，俱按時令花樣燒造。”從以上記載不難看出，宮廷粉彩的繪畫紋樣，決不是隨意涂抹，雖然表現為程式化構圖，但最終形成乾隆粉彩“有圖必有意，有意必吉祥”的特色，這一構圖風格一直延續至晚清。除此之外，粉彩中還常配有乾隆皇帝的御題詩，詩文有真、草、隸、篆及行書等不同書體，采用圖文并茂的形式，在其他瓷器品種中并不多見。
The motifs depicted on the pastel porcelain during the Qianlong period were generally depicted according to different solar terms and seasons. There are detailed records in the "Qing Palace Archives": "If Qianlong was on the 9th of December, the eunuch passed the decree. The burning festival uses Sanyang Kaitai, Shangyuan Festival uses Wugu Fengdeng, Duanyang Festival uses Aiyelingfu, Qixi Festival uses Qiqiao Xiandu, Wanshou Festival uses Wanshou Wujiang, Mid-Autumn Festival uses Dangui fragrance, September Nine uses heavy Yang chrysanthemums, etc., common flowers with Wanhua Xianrui, All make patterns burn on time. "From the above records, it is not difficult to see that the paintings of the court pastels are not randomly painted. Although they are represented by stylized compositions, they eventually form the characteristics of Qianlong pastels. This composition style continued until the late Qing Dynasty. In addition, pastels are often accompanied by imperial poems of the Emperor Qianlong. The poems include different books such as truth, grass, poetry, chanting, and running books. They are in the form of pictures and texts, and are not common among other porcelain varieties.
粉彩瓷器是清康熙晚期在五彩瓷基礎上，受琺瑯彩瓷制作工藝的影響而創造的一種釉上彩新品種，從康熙晚期開始燒制，后來經久不衰。粉彩瓷的彩繪方法是在高溫燒成的白瓷上勾畫出圖案的輪廓，成形后非常美觀。
Pastel porcelain is a new kind of overglaze color, which was created on the basis of multicolored porcelain in the late Kangxi period of Qing Dynasty and influenced by the production process of enamel color porcelain. It was fired from the late Kangxi period, and then it lasted for a long time. The painting method of pastel porcelain is to sketch the outline of the pattern on white porcelain fired at high temperature, which is very beautiful after forming.
此件大清乾隆描金乳白釉粉彩罐，瓶高：34厘米，口經外延：10.5厘米，底部外延10厘米，外表通體施滿乳白釉，瓶腹繪有松樹，底部落有“大清乾隆年制”款識。整體繪畫線條流暢，刻畫細膩，栩栩如生。整器形制規整，胎釉細致縝密，工藝精湛，色調柔和，為粉彩瓷精品。胎薄體輕，胎質堅致細密，釉水光潔瑩潤，這件藏品，器型規整，款式完美大器莊重，釉色明亮。
This cream glaze pastel can painted with gold for Qing Qianlong has a bottle height of 34 cm, a mouth extension of 10.5 cm, and a bottom extension of 10 cm. Its exterior is covered with cream glaze, and its belly is painted with pine trees. The bottom tribe has the impression of "Qing Qianlong Year System". The overall painting lines are smooth, delicate and vivid. With regular shape, meticulous glaze, exquisite workmanship and soft color tone, it is a fine pastel porcelain product. The tire is thin and light, the tire quality is firm and fine, and the glaze water is bright and clean. This collection is regular in shape, perfect in style and solemn in size, and bright in glaze color.
整器形秀美，既凸顯皇家貴氣，又具有時代氣息，保存狀態完好，十分難得。此罐端莊碩大，氣勢宏偉，繪制精工，構圖疏密有致，遠近相映，施彩富麗濃艷，紋飾繁縟細膩，寓意吉祥，盡展清代瓷器奢華的藝術遺風，保存完美，實屬罕見，彌足珍貴。有較高的歷史價值和收藏價值，將來會有巨大升值空間。
The shape of the whole device is beautiful, which not only highlights the royal noble spirit, but also has the flavor of the times. It is very rare and well preserved. This jar is dignified and huge, magnificent in momentum, exquisitely drawn, dense in composition, far and near in contrast, rich in color application, rich and delicate in ornamentation, implying good fortune, exhibiting the artistic legacy of luxury porcelain in Qing Dynasty, and being perfectly preserved. It is rare and precious. It has high historical value and collection value, and will have huge appreciation space in the future.
企業聯系電話:400-681-6118
