【藏品名稱】：大清康熙墨跡
[collection name]: ink of Kangxi in Qing Dynasty
【藏品數量】：一件
[collection quantity]: one piece
【藏品起拍價】：18萬
[collection starting price]: 180000
昔日文房工具，今日藝術珍品，每方硯都反映出各個時期手工藝品的制作水平，蘊含豐富的歷史文化信息。向詠文房四事，謂筆墨紙硯，其中唯有硯最經久耐用，因而宋代米芾李之硯等存譜以藏，也是藝林佳話。乾隆皇帝喜歡硯，他在《硯譜序》中寫：“內府硯頗夥，或傳自勝朝或弆自國初，如晉玉蘭堂硯、璧水暖硯，久陳之乾清宮東西暖閣。”硯臺是文人幾案必備之物，又流傳有譜系，更是受皇帝重視，乾隆帝也念及“物繁地博，散置多年，不有以薈綜稡記，或致遺佚失傳，為可惜也。”故而“命內廷翰臣，甄覆品次，圖而譜之，凡舊藏者若干枚，散置者若干枚，新獲者若干枚，其棄置庫中為之剪拂刮磨、郁為奇品者又若干枚，譜既成，欲命于敏中擬四六引言以行之。既思題句銘辭皆自作，且六日而成四十首……”不僅收藏硯，還親手題詩。
Each inkstone reflects the production level of handicrafts in different periods and contains rich historical and cultural information. The four things about Xiangyong's study are called brush, ink, paper and inkstone. Among them, only inkstone is the most durable. Therefore, Li Zhiyan, a poet of Mi Fu in the Song Dynasty, and other works of art are well-known stories. Emperor Qianlong liked inkstones. He wrote in the preface to the inkstone spectrum that "the inkstones in neifu were quite a group, which were handed down from the Victorian dynasty or from the beginning of the country, such as the inkstones of the Yulan hall in Jin Dynasty and the inkstones in Bishui water, and the East-West warm Pavilion in the Qianqing palace after a long history." Inkstone is a necessary thing for literati in several cases, and it has been spread in a genealogy, and it is valued by the emperor. Emperor Qianlong also said that "it is a pity that things are numerous and the earth is rich, scattered for many years, and there is no collection of records, or it is lost." Therefore, "the imperial court ordered Han Chen to screen out the second items, and to draw up the pictures. There were several pieces of old collection, some pieces of scattered pieces, and several pieces of newly acquired pieces. In the abandoned warehouse, there were several pieces for cutting, scraping and grinding, and some pieces were for the unique products. After the completion of the spectrum, he wanted to order Minzhong to draw up four or six quotations to do it. He wrote his own poems and sentences, and in six days he wrote forty poems... " He not only collects inkstones, but also writes poems by himself.
在制作機構上，清宮用硯一般是由內務府造辦處承辦制作，還有少量來自地方官員年例進貢，或由地方織造按內廷發樣承做。內廷造辦處作坊林立，其中硯作、金玉作、銅鍍作、琺瑯作等，均有御用硯活計的制作，所制硯臺品種有松花石硯、端石硯、歙石硯、仿古澄泥硯、玉石硯、銅匣暖硯等，成為御筆臨池、政務、書齋陳設用硯等。清代內廷造辦處“硯作”還制作大量仿古硯，其形式、種類多樣。其中尤以乾隆時期成套制作的各式仿古硯最具特點，這些硯不僅造型摹古，而且命名也仿古，仿制皆有所本，如仿自明人高濂《硯譜》或宋人蘇軾《硯譜》中的畫樣。仿古硯材質有歙石、端石、澄泥等，硯和硯盒上鐫刻有乾隆帝御制詩，或者御題硯銘，以及“康熙年制”或“大清康熙仿古”款等，堪稱康熙時期特有的御用硯形式。
In terms of production institutions, the inkstones used in the Qing palace were usually produced by the manufacturing office of the interior government, and a small number of inkstones were paid by local officials in the year, or were made by local weaving according to the samples issued by the imperial court. There are many workshops in the manufacturing office of the imperial court. Among them, inkstone, gold and jade, copper plating and enamel are all made for imperial use. The inkstones produced include Songhua inkstone, Duanshi inkstone, sheshi inkstone, archaized Chengni inkstone, Yushi inkstone, tongxianuan inkstone, etc., which have become the inkstone for Imperial calligraphy linchi, government affairs and study furnishings. In the Qing Dynasty, a large number of imitation ancient inkstones were produced by the office of making inkstones of the imperial court in Qing Dynasty. Among them, the most distinctive feature is the complete set of antique inkstones produced in Qianlong period. These inkstones are not only imitated by the ancient style, but also named after them. All the imitations have their own versions, such as those in the Yan Pu written by Gao Lian in the Ming dynasty or Su Shi in the Song Dynasty. The materials of imitation ancient inkstone include she stone, Duanshi, Chengni, etc. the inkstone and inkstone box are engraved with poems made by Emperor Qianlong, or inkstone inscriptions with imperial titles, as well as "Kangxi year system" or "Kangxi imitation of ancient times in Qing Dynasty", etc., which can be called the unique form of imperial inkstone in Kangxi period.
這件大清康熙墨跡（墨硯）精于造型設計，而且還注重裝飾工藝和題材，在造型、紋飾、雕刻等方面多有創新。由內廷如意館畫師畫樣，并遵照皇帝的旨意照硯樣成作。由于使用經過澄洗的細泥作為原料加工燒制而成，因此這件墨硯質地細膩，具有貯水不涸，歷寒不冰，發墨而不損毫，滋潤勝水可與石質佳硯相媲美的特點，因此前人多有贊譽。今日所見康熙墨硯已極為稀少，對我們研究當時的歷史具有非常高的貢獻，后期得升值空間也十分可觀。
This great Qing Dynasty Kangxi ink (inkstone) is refined in design, but also pays attention to decorative technology and theme, and has many innovations in modeling, decoration, sculpture and other aspects. The painting was made by the painter of Ruyi Hall of the inner court and according to the emperor's will. Because the fine mud which has been cleaned is processed and burned as raw material, the ink stone is of fine texture, which has the characteristics of water storage, cold and ice free, ink without damage. Moistening water can be comparable with stone quality inkstone, so many previous generations have praise. Today, Kangxi ink stone has been very rare, which has a very high contribution to our study of the history at that time, and the space for appreciation in the later period is also considerable.
