乾隆通寶，是清高宗乾隆時期(1736-1795年)的流通貨幣。乾隆皇帝在位的60年里施展其“文治武功”的治國策略，創(chuàng)造了封建社會里最后一個輝煌盛世，之后民間便盛傳佩帶“乾隆通寶”銅錢可驅(qū)災辟邪，又因乾隆二字諧音“錢隆”而備受后世藏家所喜愛。乾隆通寶的鑄造工藝了得，奠基了該古錢幣在將來錢幣珍藏界中的重要位置，這不只反映了該時代的經(jīng)濟開展程度，還表現(xiàn)了該歷史時期極為精湛的鑄幣工藝，有著極為深厚的歷史研究意義。
Tongbao of Qianlong was the currency of Qianlong period (1736-1795). During the 60 years of Emperor Qianlong's reign, he carried out his strategy of "governing the country with culture and martial arts", which created the last glorious era in the feudal society. Later, it was widely said that wearing "Qianlong Tongbao" copper coins could drive away disasters and evil spirits. Because of the homonym "Qianlong", it was loved by later collectors. The casting technology of Qianlong Tongbao is excellent, which lays the foundation for the important position of the ancient coins in the future coin collection. It not only reflects the economic development degree of the era, but also shows the extremely exquisite casting technology of the historical period, which has a profound historical research significance.
嘉慶通寶鑄于清仁宗嘉慶年間。嘉慶時出現(xiàn)了一些楷書錢文，如嘉慶萬壽楷書大錢，有光背及背巨星二式，可能是西南地區(qū)所鑄。按清初以來的制錢不講究書法，但嘉慶寶黔局小平卻有一種楷書錢文，寫得清秀工整，令人耳目一新。嘉慶錢背還出現(xiàn)了草書錢文，如嘉慶通寶背桂桂、康康、壽壽，均是右楷左草，估計也屬宮錢性質(zhì)。
Jiaqing Tongbao was cast in the reign of zongjiaqing. During Jiaqing period, some regular articles appeared, such as Jiaqing Wanshou regular big money, with two styles of light back and back superstar, which may have been cast in Southwest China. According to the money making since the early Qing Dynasty, there was no emphasis on calligraphy, but Xiaoping of jiaqingbao Guizhou bureau had a kind of regular , which was neat and fresh. In Jiaqing, there are also cursive money texts on the back of money, such as GuiGui, Kangkang and Shoushou on the back of Tongbao in Jiaqing, all of which are right regular and left cursive, which are also estimated to be palace money.
康熙通寶，清代錢幣。鑄于清圣祖康熙年間。康熙通寶按照背面文字可以分成兩大類：一類是仿“順治四式”的滿文錢。錢背滿文“寶泉”、“寶源”左讀，是戶、工兩部所造。另外一類是仿“順治五式”滿漢文錢。康熙通寶有小平及當十大錢。除寶源、寶泉二局以滿文紀局外，各省均以滿漢字紀局名，穿左鑄滿文，穿右鑄漢文。各省鑄錢均為小平。折十大錢為寶源局所鑄，面文離郭隔輪，背滿文寶源列穿左右。
Kangxi Tongbao, coins of Qing Dynasty. It was cast in the reign of Emperor Kangxi. According to the characters on the back, Kangxi Tongbao can be divided into two categories: one is the Manchu money imitating the four types of Shunzhi. Qian Beiman's left reading of "Baoquan" and "Baoyuan" is made by the household and the industry. The other is to imitate "Shunzhi five styles" in Chinese. Kangxi Tongbao has Xiaoping and ten big money. In addition to Baoyuan and Baoquan bureaus, all provinces are named after the Bureau of Manchu characters, with Manchu characters on the left and Chinese characters on the right. All the money cast in each province is Xiaoping. The ten large coins were cast by Baoyuan Bureau. The face text was separated from Guo's wheel, and the back full of Baoyuan was arranged around.
順治通寶是滿清入關后鑄行的第一種錢幣，從最初的仿明錢鑄幣到逐步完善為規(guī)范系統(tǒng)的滿清幣制，它的鑄行過程是清朝建立初期對幣制不斷探索和總結(jié)的過程。此后自康熙以來，清朝歷代的鑄幣都是依照順治錢式鑄造。
Shunzhi Tongbao is the first coin that was cast after the entry of the Qing Dynasty. Its casting process is a process of continuous exploration and summary of the currency system in the early Qing Dynasty. Since then, the coins of the Qing Dynasty have been minted according to the Shunzhi style.
雍正通寶鑄造時，清王朝正處在康乾盛世的頂峰期，相比之后的乾隆通寶，嘉慶通寶而言，它的質(zhì)量較大，對通貨的控制能力也較強。而相比之前的順治通寶而言，由于雍正年間處在清朝最鼎盛的時期，社會安定，作為盛世的產(chǎn)物，雍正通寶的版式最為簡單。
At the time of Yongzheng Tongbao's casting, the Qing Dynasty was at the peak of KangQian era. Compared with Qianlong Tongbao and Jiaqing Tongbao, its quality was higher and its control over currency was stronger. Compared with Shunzhi Tongbao, Yongzheng Tongbao was in the most prosperous period of the Qing Dynasty, with stable society. As a product of the prosperous period, the layout of Yongzheng Tongbao was the simplest.
道光通寶鑄于清宣宗道光年間(1821-1850年)。錢文"道光通寶"四字以楷書書寫.從上而下而右而左直讀，錢背是記有寶局二十名的滿文。道光通寶形制特點基本與嘉慶錢相同，所不同者只是新疆際克蘇、庫車因缺少黃銅而開始鑄折五當十升值平錢，這是清代虛值大錢的濫觴。
Daoguang Tong Bao was cast during the Reign of Daoguang emperor Xuanzong of the Qing Dynasty (1821-1850). Qian Wen "Dao Guang Tong Bao" four characters written in regular script. From top to bottom and right and left straight read, money back is to remember the treasure bureau of twenty Manchu. The shape and system characteristics of Daoguang Tongbao are basically the same as those of Jiaqing money, except that the lack of brass in Jikesu and Kuche in Xinjiang province led to the casting of the 50 percent discount and 10 percent appreciation money, which was the beginning of the imaginary money in the Qing Dynasty.
此組錢幣大小合適，尺寸規(guī)范，鑄于清朝歷代皇帝。歷經(jīng)無窮歲月的洗禮，錢幣表面有輕微磨損，但不影響其整體美感，反而多了一分歷史滄桑感，歷史沉淀豐富，過渡性自然，歷史價值深厚，收藏意義非凡。此組錢幣為方孔圓錢，邊廓略寬，色澤素雅，包漿醇厚。錢文端莊大氣，字體深邃挺拔，橫直豎立，遒勁有力，書法藝術價值頗高。整幣設計簡約大氣，古樸典雅，色澤自然，紋飾深淺適度，錢文輪廓的清晰程度較好，品相完好，鑄造精美，工藝精湛，是匠師匠心獨運之佳作。
This group of coins is of suitable size and standard size, and was cast in the emperors of the Qing Dynasty. After endless years of baptism, the surface of coins has been slightly worn, but it does not affect the overall aesthetic feeling. On the contrary, it has a sense of historical vicissitudes. It is rich in historical deposits, transitional nature, profound historical value and great significance for collection. The coins of this group are round coins with square holes, slightly wide margin, plain color and mellow coating. Qian wenduanzhuang's style is magnificent, the font is deep and straight, upright, vigorous and powerful, and the calligraphy art value is quite high. The design of the coin is simple and atmospheric, simple and elegant, natural color, moderate depth of decoration, clear outline of the coin, good appearance, exquisite casting and exquisite workmanship. It is a masterpiece of craftsman's ingenuity.
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