青花瓷，又稱白地青花瓷，常簡稱青花，是中國瓷器的主流品種之一，屬釉下彩瓷。原始青花瓷于唐宋已見端倪，成熟的青花瓷則出現(xiàn)在元代景德鎮(zhèn)的湖田窯，明代青花成為瓷器的主流，清代時發(fā)展到了頂峰。明代青花瓷器在中國青花瓷中影響深遠(yuǎn)，不同年代的不同青花鈷料都能很好地適應(yīng)中國繪畫的各種題材。
Blue and white porcelain, also known as white ground blue and white porcelain, is often referred to as blue and white, is one of the mainstream varieties of Chinese porcelain, belongs to underglaze porcelain. The original blue and white porcelain has been found in Tang and Song dynasties. The mature blue and white porcelain appeared in the Hutian kiln in Jingdezhen of Yuan Dynasty. The blue and white porcelain in Ming Dynasty became the mainstream of porcelain, and reached the peak in Qing Dynasty. The blue and white porcelain in Ming Dynasty has a profound influence on the Chinese blue and white porcelain. Different cobalt materials of different ages can adapt to various subjects of Chinese painting.
明代景德鎮(zhèn)青花瓷相比元代，在燒造技藝上有了明顯進(jìn)步，是中國青花瓷蓬勃發(fā)展時期。它品種繁多，裝飾方法多種多樣，紋飾題材豐富，同時對外交流活躍，所有這些都是明代早期青花瓷發(fā)展的重要標(biāo)志。
Compared with the Yuan Dynasty, the blue and white porcelain of Jingdezhen in the Ming Dynasty has made significant progress in firing techniques, which is a period of vigorous development of China's blue and white porcelain. It has many varieties, various decoration methods, rich decorative themes, and active foreign exchanges, all of which are important signs of the development of blue and white porcelain in the early Ming Dynasty.
洪熙皇帝在位時間短暫，僅有一年。《景德鎮(zhèn)史稿》中，有洪武至洪熙年間遣中官督燒瓷窯的記載，但至今尚未發(fā)現(xiàn)署洪熙官窯真品，因而洪熙青花瓷的真實情況也就難見其廬山真面目了（洪熙青花高仿品相當(dāng)多）。
The reign of emperor Hongxi lasted only one year. In the historical manuscript of Jingdezhen, it is recorded that the central government was sent to supervise the firing of porcelain kilns during the period from Hongwu to Hongxi, but the authentic wares of Hongxi's official kilns have not been found so far, so it is difficult to see the true features of Hongxi's blue and white porcelain (there are quite a lot of high-quality imitations of Hongxi blue and white porcelain).
此件明代洪熙官窯青花人物鼓墩罐，明代洪熙官窯瓷器極為稀少!目前此青花人物鼓墩罐乃是國內(nèi)唯一一件。此器器型規(guī)整，釉色瑩潤，蘇包漿濃厚，蘇麻離青料深入胎骨，鐵銹斑清晰可見，畫工精湛，人物徐徐如生。經(jīng)多位專家鑒定此明代洪熙官窯青花人物鼓墩罐是難得一見的。腹上繪人物故事圖，人物居于松下，尊卑有別，古樸典雅，美觀大氣。青花發(fā)色鮮艷亮麗，繪畫筆法工寫兼?zhèn)洌瑢崬榍嗷炎鳎哂袠O高的收藏價值。
This blue and white figure drum jar of Hongxi official kiln in Ming Dynasty is extremely rare. At present, this blue and white figure drum jar is the only one in China. The shape of the ware is regular, the glaze is bright and moist, and the Su coating slurry is thick. The blue material of Su Ma goes deep into the fetal bone, and the rust spots are clearly visible. The painting is exquisite and the characters are like living slowly. According to many experts, this drum jar of blue and white figures in Hongxi official kiln of Ming Dynasty is rare. On the abdomen draws the figure story picture, the character lives in Matsushita, the superiority and inferiority are different, the simple and elegant, the beautiful atmosphere. The blue and white hair color is bright and bright, with both painting and writing techniques. It is actually a masterpiece of blue and white, and has high collection value.
人們常把青花瓷比作舞臺上的青衣，素雅高潔，清麗婉轉(zhuǎn)，像極了中國的水墨畫。明青花價值連城既有上述原因，更重要的是它的自身工藝也達(dá)登峰造極的水平。無論是顏色、畫藝、質(zhì)量，都是青花瓷中的上乘佳作。其雄渾矯健的造型、張力十足的紋飾、濃艷深透的青花發(fā)色、通體彌漫的雄霸之氣，強烈地震撼著每個喜愛青花瓷器的人。明代青花的題材眾多，和其他瓷器多表現(xiàn)飛禽走獸、花卉蟲魚不同，明青花后期有大量繪有戲劇故事的作品問世。明青花是一個劃時代的作品，它與唐宋年間的陶瓷有著本質(zhì)性的區(qū)別。它使中國陶瓷從素瓷向彩瓷過渡，其豐富的繪畫藝術(shù)更賦予了中國陶瓷裝飾性的功用。
People often compare blue and white porcelain to the blue and white clothes on the stage. They are elegant, elegant, elegant and graceful. They are very similar to Chinese ink painting. The blue and white of Ming Dynasty are of great value because of the above reasons, and more importantly, its own craft has reached the highest level. No matter the color, painting art and quality, they are the best works in blue and white porcelain. Its vigorous and vigorous shape, strong decorative patterns, deep blue and white hair color, and the air of hegemony pervaded the whole body, which strongly shocked everyone who loved blue and white porcelain. There are many themes of blue and white porcelain in Ming Dynasty, which are different from other porcelains, such as birds, animals, flowers, insects and fish. The blue and white of Ming Dynasty is an epoch-making work, which is essentially different from the ceramics in Tang and Song dynasties. It makes the transition of Chinese ceramics from plain porcelain to color porcelain, and its rich painting art endows Chinese ceramics with decorative function.
企業(yè)聯(lián)系電話:400-681-6118
