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為推進世界各國文化藝術(shù)的交流與多元發(fā)展,踐行中國政府“一帶一路”和“構(gòu)建人類命運共同體”的倡議,誠邀來自世界各國的眾多藝術(shù)家,旨在弘揚中華民族優(yōu)秀的文化藝術(shù)與世界各國的優(yōu)秀文化藝術(shù),為當代優(yōu)秀藝術(shù)家與藝術(shù)愛好者以及世界各國的藝術(shù)機構(gòu)架起一座溝通的友誼橋梁,現(xiàn)特邀華人藝術(shù)家劉硯軍先生為廣大讀者獻上一部輝煌的藝術(shù)盛典。

China's one belt, one road and the building of a community of human destiny are invited to invite the artists from all over the world to promote the excellent culture and art of the Chinese nation and the world's best performing arts and culture, and to contemporary outstanding artists and art lovers, as well as the world's Art institutions. To build a bridge of friendship, Liu Yanjun, a Chinese artist, is invited to present a splendid art ceremony for the readers.

【藝術(shù)簡歷】

劉硯軍,中國文安,筆名:大清河人,畢業(yè)于南京大學。中國中央電視臺星光大道專家評委,中國互聯(lián)網(wǎng)聯(lián)盟主任、藝術(shù)總監(jiān),中國楹聯(lián)協(xié)會翰墨藝術(shù)副理事長,中國新聞國際名人百科外聯(lián)部主任。中國最具收藏價值藝術(shù)家,中國當代詩書風云人物,中國當代新聞英才人物,中國杰出貢獻人物,中華德藝雙馨藝術(shù)家,國家高級書法師。

歷任職中國石油文聯(lián)副秘書長、辦公室主任,中國文聯(lián)產(chǎn)業(yè)文化委員會辦公室主任,中國國際報告文學研究會中華文化傳承委員會專家委員,中國民族建筑研究會書畫藝術(shù)專業(yè)委員會客座教授,中國工業(yè)合作協(xié)會國策智庫專家委員,中華詩詞學會會員,古韻鳳凰詩社顧問,中詩報副主編,中國香港詩人聯(lián)盟會員。中國當代書畫家聯(lián)盟常務理事,中國國際書畫藝術(shù)研究會絲路畫院理事,世界文化名家書畫院副院長。

專業(yè)從事文化工作20余年間,撰寫有上百萬字的詩歌、報告文學等,作品散見于《工人日報》《中國改革報》《中國文化報》《光明網(wǎng)》等各級各大主流媒體,并相繼榮獲特等獎、金獎、一等獎、孔子文學獎、黃河文學獎、世紀詩歌騎士榮譽獎章等殊榮。

在書法領(lǐng)域,多次參與國展、省部級以上專業(yè)職業(yè)大賽,先后摘得金獎、銀獎、銅獎和優(yōu)秀作品獎,文藝先鋒獎、國際中國書畫傳播獎等書壇獎項,作品入展中國藝壇最高殿堂中國美術(shù)館和釣魚臺國賓館。2018年被國家頂級專家評鑒為"中國最具收藏價值藝術(shù)家"。2020年被新聞中心評為走向國際的華人藝術(shù)家。

筆墨翰香的座右銘:放不開眼底乾坤,何須登斯樓把酒;吞得盡胸中云夢,方能對仙人吟詩。

[art resume]

Liu Yanjun, Wen'an, China, pen name: Daqinghe, graduated from Nanjing University. He is the expert judge of star avenue of CCTV, director and art director of China Internet Alliance, vice president of calligraphy art of China couplet Association, and director of international celebrity Encyclopedia of China news. He is one of the most valuable artists in China. He is one of the most valuable artists in China. He is also one of the most outstanding figures in China.

He has served as deputy secretary general and office director of China Petroleum Federation of literary and art circles, office director of industry and Culture Committee of China Federation of literary and art circles, expert member of Chinese Culture Heritage Committee of China International Reportage Research Association, visiting professor of calligraphy and painting art professional committee of China National Architecture Research Association, expert member of national policy think tank of China Industrial Cooperation Association, member of Chinese Poetry Society and consultant of ancient charm Phoenix poetry society, Deputy editor in chief of China Poetry daily, member of Hong Kong poets Union, China. He is the executive director of Chinese contemporary calligraphers and painters alliance, director of Silk Road Painting Academy of China International Calligraphy and Painting Art Research Association, and vice president of world famous calligraphers and painters Academy.

He has been engaged in cultural work for more than 20 years. He has written poems and reportages of over a million words. His works are scattered in the major mainstream media at all levels, such as workers' daily, China reform daily, China culture daily and Guangming. He has successively won the special prize, Gold Award, first prize, Confucius literature award, Yellow River Literature Award, century poetry Knight Medal and so on.

In the field of calligraphy, he has participated in national exhibitions and professional competitions at provincial and ministerial levels for many times. He has won gold, silver, bronze and excellent works awards, literary Pioneer Award, international Chinese calligraphy and painting communication award and other calligraphy and painting awards. His works have been exhibited in China Art Museum, the highest palace of Chinese art, and the Diaoyutai State Guesthouse. In 2018, he was rated as "China's most valuable artist for collection" by national top experts. In 2020, he was rated as an international Chinese artist by the news center.

Pen and ink Hanxiang's motto: if you can't open your eyes to heaven and earth, why don't you drink wine at Dengsi tower; if you swallow up all your dreams, you can recite poems to immortals.

《沁園春 • 大愛無疆》

詞/劉硯軍

魔虐瀟湘,黃鶴哀鳴,鄂楚慟殤。

舉國之全力,封城閉戶,同心九域,馳聚荊江。

獻策鐘翁,英姿天使,血染悲歌斬疫王。

極情遠,正大浪淘涌,漫卷東洋。

憶秦嬴政始皇。徐福使、蓬萊探錦囊。

念一衣帶水,長屋朝圣,鑒真弘法,日月同光。

虎守杏林,懸壺濟世,義舉乾坤大愛飏。

龍風勁,已冰消海闊,萬古流芳。

《漢宮春 • 又臨莫高窟》

詞/劉硯軍

大漠秦風,樂僔開廣嶼,窟聳蒼穹。

雄關(guān)漫沙紫塞,雕壁驚鴻。

星光普照,佛金經(jīng)、繪彩玲瓏。

云嶺上、清流碧域,東方屹與浮宮。

回首舊游如夢,洗心臨圣境,蕩滌塵紅。

登樓月明萬里,雪欲山重。

凌空彌勒,飛天來、勢若潮洪。

真道是、菩提無樹,眾生普渡如虹。

《望海潮•仰止太白樓》

開軒臨水,橫峰倚劍,云樓繞閣流丹。

詩酒烈英,文驚廣宇,放歌誰與爭先。

氣象裂心肝。圣公立于壁,仁厚高賢。

閱盡華堂,壯觀遒勁勝亭蘭。

青山踏遍成仙。履巴閩蜀越,逐魯東遷。

穹楚倚霄,長煙浙蔽,別留肯姥吟天。

仰嘯皓蓬閑。志壯推門去,終拒龍顏。

愿與詩翁敬對,詩酒醉人間。

《滿江紅•泰山戀》

刺破青天,登臨處、蒼山無限。

極目眺,翠煙歸隱,雪峰不現(xiàn)。

俯首封禪秦帝始,東瞻祭海浪濤漩。

待回眸、往事越千年,龍風卷。

群峰上,千仞戀。浮廣宇,呼星漢。

蕩胸驚魂魄,壯懷肝膽。

五岳三山憑定鼎,一云一路橫天遠。

泰宗夢、漫道破雄關(guān),豪情見。

《念奴嬌•屈子吟》

夏風沅汛,怒濤吟、一代辭雄天問!

社稷如虹,何奈那、讒陷江湖悠隱。

對話先皇,商湯夏禹,正謬當誰論。

離騷含恨,吐懷沙抱石殉。

遙想靈瑾當年,路漫修更遠,思追穹盡。

舉世渾渾,皆酩酊,唯我一人猶慎。

馭駕長龍,攜霞云漫卷,壯哉湘蘊。

《沁園春•書》

原創(chuàng)/劉硯軍

璀璨中華,半頃鵞池,萬代墨香。攬古今書道,殷商甲骨;秦開篆隸,魏晉真章。無冕詩書,有形魂魄,叱膽風云社稷匡。神歸處,看懸針垂露,翰海流芳。 太空如此蒼茫,引浩渺長天星醉光。昔元常逸少,巍然卓立;顏歐褚栁,各派流方。草上雙峰,顛張狂素,酩酊揮毫奔怒江。俱往矣,撼三山五岳,我輩猶狂。

Qinyuanchun: boundless love

CI / Liu Yanjun

The demons oppressed Xiaoxiang, the Yellow Crane wailed, and the Hubei Chu mourned.

The whole country's efforts, closed the city, concentric nine regions, gallop together in Jingjiang.

Zhong Weng, a heroic angel, a bloody elegy, killed the king of pestilence.

The extreme sentiment is far away, the big waves are surging, sweeping the East.

Recalling the first emperor of Yingzheng of Qin Dynasty. Xu Fuxiang and Penglai explored the golden bag.

Read a strip of water, long house pilgrimage, Jianzhen Hongfa, sun and moon with light.

Tiger guard apricot forest, hanging pot to help the world, righteousness, heaven and earth love Yang.

The dragon's strength has disappeared, the sea is wide, lasting forever.

Spring in the Han Dynasty

CI / Liu Yanjun

The wind of Qin in the desert, the opening of Guangyu and the towering sky of grottoes.

The grand pass is full of sand and purple fortress, and the carved wall is startling.

Stars shine everywhere, Buddhist ures and paintings are exquisite.

Yunling, qingliubiyu, dongfangyi and Fugong.

Looking back on my old trip like a dream, I wash my heart and face the holy land.

The moon is bright and the snow is heavy on the mountain.

Maitreya flying in the sky is like a tidal flood.

The truth is, Bodhi has no tree, and all living beings are like a rainbow.

Wang Haichao Yangzhi Taibai building

Open Xuan Linshui, Hengfeng lean sword, cloud tower around the pavilion flow Dan.

Poetry wine lieying, Wen Jing Guangyu, singing who is the first.

Weather cracked heart and liver. The sage stands on the wall, benevolent and high virtuous.

After reading all the Huatang, it is more magnificent and powerful than the pavilion orchid.

The green mountains are full of immortals. He moved eastward after Lu.

The sky of Chu depends on the sky, and the smoke covers the sky. Don't leave kenmu to chant the sky.

The wind roars and the canopy is free. Zhi Zhuang pushes the door, and finally refuses the dragon.

I wish to be with Shi Weng Jing, and the poem is drunk in the world.

Love in Mount Tai

Through the blue sky, Mount Cangshan infinite.

When you look at it, you can see the green smoke and disappear the snow peak.

Bow head Fengchan Qin emperor, east look sacrifice sea waves swirling.

To look back, the past more than a thousand years, the dragon wind volume.

On the peaks, a thousand people fall in love. Floating Guangyu, calling Xinghan.

Swing the chest, startle the soul, strengthen the liver and gall.

The five mountains and three mountains are based on the tripod, one cloud and one road across the sky.

Tai Zong's dream, the road to break through the Xiongguan, heroic feelings see.

Niannujiao Qu Ziyin

Summer wind yuan flood, angry waves chant, a generation of farewell to male heaven!

The country is like a rainbow, he Naina, slander trapped in the lake and lake.

Dialogue with the emperor, Shang Tang, Xia Yu, who is wrong.

Li Sao is full of hatred, and tuhuaisha died with a stone in his arms.

Thinking of Lingjin in the past, the road is mended farther, and the sky is full of pursuit.

The whole world is muddy and drunk. I am the only one who is cautious.

Long clouds and clouds.

 

Qinyuan Spring Book

Original / Liu Yanjun

Bright China, half an acre pool, ten thousand generations of ink. The ancient and modern calligraphy, Shang Jiagu; Qin kaizhuan Li, Wei Jin Zhenzhang. No crown poetry, visible soul, chivalrous wind and wind, the country Kuang. God return to place, see hanging needle drop dew, Hanhai Liufang. The space is so vast that it makes the stars drunk. In the past Yuan Dynasty, there was a lot of leisure, but there were many schools in the Yuan Dynasty. There are two peaks on the grass, which make me crazy and run to the Nu River when I am drunk. All the past, shake three mountains and five mountains, our generation is still crazy.

作品賞析

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專業(yè)機構(gòu)品鑒——

中國書法注重氣勢之美、意態(tài)之美、韻律之美,更講究筋骨之美。劉硯軍的書法筆勢洞清,筆力雄健,字里行間蘊含著一股浩然正氣。古人云:字如其人,歷來都是書品和人品骨肉相連,優(yōu)秀的書法必須有人格魅力支撐著作品的精神。正如唐代名家柳公權(quán)所說“心正則筆正”,書法家心中若有正氣,其字體發(fā)于筆翰,則剛毅雄特,法體嚴備,猶如忠臣義士立于朝堂之上,一身錚錚傲骨,臨大節(jié)而不可奪其志。

著名書法家劉硯軍老師自幼開始藝術(shù)修養(yǎng)征程,以文人之法修煉書法醞釀丹青,磨礪不止,成為詩書兩界皆成造詣的詩書大手筆。修得詩書同功之高,功成非凡,兩門皆精,可謂詩書藝術(shù)當下大家,后輩楷模。

劉硯軍修煉書法,探書法之源,尋書法之古,具有非常到位的師古能力。他極度認可書法藝術(shù)的高峰在秦篆漢隸,在唐楷,在二王,在張旭,在懷素。為得諸書皆成功法,他的書法修煉,研習真草隸書無一缺失,得法度,成正宗,主路正品,大美可觀。行書為飄逸,草書顯恣意,隸書古韻,漢風復見。

Evaluation of professional institutions——

Chinese calligraphy pays attention to the beauty of momentum, the beauty of mood, the beauty of rhythm, and the beauty of muscles and bones. Liu Yanjun's calligraphy style is clear and vigorous, and there is a noble righteousness between the lines. The ancients said: characters, like people, have always been closely linked to the quality of calligraphy. Excellent calligraphy must have personality charm to support the spirit of the work. As Liu Gongquan, a famous scholar in Tang Dynasty, said, "the heart is regular and the brush is upright". If a calligrapher has righteousness in his mind and his writing style is written in Bihan, he will be firm and strong, and his legal style is strict, just like a loyal minister and a righteous man standing on the court hall, and his body is upright and proud, and he can not win his ambition when he is in the festival.

Liu Yanjun, a famous calligrapher, began his artistic cultivation journey since he was a child. He practiced calligraphy with the method of literati, brewed the painting, and honed it. He became a master of poetry and calligraphy in both the poetry and calligraphy circles. It can be said that the great master of poetry and calligraphy art and the model of later generations.

Liu Yanjun practiced calligraphy, explored the source of calligraphy, and found the ancient calligraphy. He had a very good ability to learn from the ancient. He highly recognized the peak of calligraphy art in Qin Zhuan, Hanli, Tangkai, Erwang, Zhangxu and huaisu. In order to get all the successful methods, he practiced calligraphy and studied the real grass official . He got the Dharma and became authentic. His main road was authentic. His great beauty was considerable. The running is elegant, the cursive is arbitrary, the official has ancient rhyme, and the Han style can be seen again.

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最為可貴的是,劉硯軍老師對魏碑修煉更是精益求精,從始至今,他已專攻魏碑數(shù)十年之久,成為書界深諳魏碑原質(zhì)和復成之功的專家大才。他利用魏碑的端正楷形與斧鑿堅韌,不斷涵養(yǎng)書法的碑學氣質(zhì),讓他的書法在帖學精華的一旁,又威然生立出碑骨風采,書法堅韌雄邁,剛?cè)嵯酀?力透紙背,悅目動心。特別是結(jié)體中正,章法嚴謹,十美皆居。修成之績恰是碑學大師康有為所論:成碑學者,可得書法真髓,真書家也。劉硯軍依遙臨頂?shù)奈罕α?鑄立新峰,成為書法界的佳績與佳話。

遙觀劉硯軍的魏碑美書,恰如鑿巖刻壁,形如龍跡,勢如霹靂,強大的筆墨控制能力,源于對碑帖的深刻領(lǐng)悟和卓意磨礪。實踐出真功,大手筆必然是扎實的實踐派。正是臨池染平湖,禿筆積成山的修煉付出,讓劉硯軍書法擁有了可復成古質(zhì),再續(xù)古韻的崇高絕技。

The most valuable thing is that Mr. Liu Yanjun excelled in the cultivation of Weibei. From the beginning to the present, he has specialized in Weibei for decades, and has become an expert expert in the field of calligraphy who is familiar with the original quality and the success of Weibei. He used the forceful move among force and soft carving of Wei tablet to keep the calligraphy quality of calligraphy, and let his calligraphy be on the side of the essence of calligraphy, and he also created a magnificent style of calligraphy. In particular, the structure of the body is upright, the organization is rigorous, and the ten beauties all live. Kang Youwei, the master of stele studies, said that the scholars who have completed the stele can get the essence of calligraphy and the real calligrapher. Liu Yanjun built a new peak with the help of the Wei stele, which became a great achievement and story in the field of calligraphy.

Liu Yanjun's beautiful Weibei books are just like rock drilling and wall carving. They are like dragon traces and thunderbolt like momentum. Their strong ability to control ink and brush stems from their deep understanding of the inions. Practice makes real achievements, and great efforts are bound to be a solid School of practice. It is linchi dye Pinghu, bald accumulation of mountains of practice pay, so that Liu Yanjun calligraphy has a return to the ancient quality, and then continue the ancient charm of noble skills.

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劉硯軍老師對于詩詞方面也是大手筆,大工程,他的詩詞也是爐火純青,不是一般人可比擬。不修煉不達功成,無智慧不成大家。著意于詩詞與書法雙修的劉硯軍,不僅僅依碑帖寫舊韻書法,還以智慧創(chuàng)建奇跡,他的詩詞師古而不拘泥于古,舊韻含新質(zhì),善用詩詞歌時代,也善筆墨抒情懷。筆墨新風覆舊功,一派新氣象。

功力,有智慧,有情懷,書以言志,墨以抒情,書法與思想主旨的完美統(tǒng)一,讓劉硯軍書法詩詞既是功法的典范,也是精神的主帥旗幟!

Liu Yanjun is also a great master of poetry and a great project. His poetry is also perfect, which is not comparable to ordinary people. If you don't practice, you can't achieve success. If you don't have wisdom, you can't become everyone. Liu Yanjun, who was interested in both poetry and calligraphy, not only wrote the old rhymes and calligraphy according to the inions, but also created miracles with wisdom. His poetry was a master of the ancient, not stuck to the ancient, and the old rhyme contained new quality. He was good at using poetry and song times, and was good at writing and expressing emotions. The new style of writing and ink covers the old skills, a new atmosphere.

Liu Yanjun's calligraphy poetry is not only a model of Kung Fu, but also a banner of spiritual commander!

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名家點評:

劉硯軍因為是一位才華橫溢的詩人,所以他的書法具有相當獨特的藝術(shù)魅力,既師于古也師于自然,更源于內(nèi)心,成為天工 與人工的合成之妙。“詩書一品文人才”筆墨吟歌,先詩人而后再成為書法家,詩書一品皆成造詣,才是傳統(tǒng)文人的文化修成。劉硯軍先生“詩書合璧、文人回歸”。

——中國最具收藏價值藝術(shù)家專家評鑒詞

劉硯軍先生是一位多才多藝的藝術(shù)家,他的詩詞與他的書法讓人震撼,所以他的書法具有相當獨特的藝術(shù)魅力。既師于古,他師于自然,更源于內(nèi)心,中國書法注重氣勢之美、意態(tài)之美、韻律之美,更講究筋骨之美。

古人說道:字如其人,劉硯軍的書法筆勢洞清,筆力雄健、字里行間蘊含著一股浩然正氣。

Comments of famous experts:

Liu Yanjun is a brilliant poet, so his calligraphy has a very unique artistic charm, which is not only from the ancient but also from the nature, but also from the heart. It has become a wonderful combination of natural and artificial. "Poetry is a literary talent" brush ink chant, first poet and then become a calligrapher, poetry and calligraphy all become attainments, is the cultural cultivation of traditional literati. Mr. Liu Yanjun "the combination of poetry and calligraphy, the return of literati".

——Comments from experts of the most valuable artists in China

Mr. Liu Yanjun is a versatile artist. His poems and calligraphy are shocking, so his calligraphy has a very unique artistic charm. Chinese calligraphy pays attention to the beauty of momentum, mood, rhythm, and the beauty of muscles and bones.

The ancients said: the character is like the person. Liu Yanjun's calligraphy style is clear and vigorous, and there is a noble righteousness between the lines.

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