在清咸豐年間（公元1851—1861年）寶陜局鑄錢中，有一品特殊的錢幣，即“太平重寶背寶陜錢局”，譜批曰“開爐錢”。該錢直徑約50毫米余，是為大錢形制。
In the period of Xianfeng of Qing Dynasty (1851-1861), there was a special coin named "Taiping chongbao Baobao Shanqian bureau", which was called "Kailu coin". The coin is about 50 mm in diameter and is in the form of large coins.
正式開爐鑄新年號錢之前，鑄開爐錢，用以祈福，或者試材驗(yàn)爐證模，歷代錢局鑄錢的一種傳統(tǒng)習(xí)俗，雖然并非必然。而開爐錢因非正式用錢并不發(fā)行流用，故通常鑄造批量皆小，致后世遺存不豐。某些品種甚至成為較為珍稀之品，其中，寶陜局所鑄的這枚太平重寶開爐錢即是如此。
Before the official opening of the furnace to cast new year's coins, it was a traditional custom of money bureaus in the past dynasties to cast coins for blessing, or to test the materials and verify the models. Because the money was not officially used, it was usually cast in small quantities, which made the later generations not rich. Some varieties have even become more rare products, such as the opening money of Taiping heavy treasure cast by Baoshan Bureau.
此枚錢幣，品文識(shí)書。展目本品，面文“太平重寶”，楷書書體，直讀。其書筆意率真古樸，筆劃起頓著力，十足力道，自然而不做作，風(fēng)格較為獨(dú)特。其背文“寶陜錢局”四字，亦是楷書書體，直讀。書意風(fēng)格亦與面文相當(dāng)，無需贅述。當(dāng)然，其也與譜載之拓吻合，自不在話下。一言以蔽之，本品書相可謂開門見山。
This coin can be used to read literature and books. This product, face text "Taiping treasure", regular script style, direct reading. His writing style is simple and straightforward, with strong strokes and natural style. Its back text "Bao Shan Qian Ju" is also regular script, direct reading. The style of calligraphy is similar to that of mianwen. Of course, it is also consistent with the extension of the spectrum. In a word, this book can be said to be open to the point.
其次，觀鑄識(shí)體。可見本品鑄制規(guī)整，厚薄適中，乃為當(dāng)五十型形制。其鑄相顯示，方正圓矩，平坦地章，干凈穿輪。其緣可有修整倒圓。字廓深淺自然適度，線條清晰。顯而易見，其乃陜局官爐出品，無需有疑，實(shí)為開門之鑄相矣。
Secondly, it is necessary to observe, cast and recognize the body. It can be seen that the casting of this product is regular, and the thickness is suitable. It is the 50 type shape. Its casting phase shows that it is square, round, square, flat, and clean. The edge may be trimmed and rounded. The outline is natural and moderate, and the lines are clear. Obviously, it was produced by the official furnace of the Shaanxi Bureau. There is no doubt that it is actually the casting of the door.
再者，辯銹識(shí)漿。不難看出，本品呈傳世品之銹相。其地章之上包漿覆蓋，十分老道，踏實(shí)無虛，分布亦是自然。其中，緣廓文面，可感黃亮，可識(shí)其黃銅質(zhì)地，然，其銅色可感十分熟潤，火氣全無。毫無疑問，其銹漿之相，皆顯純真無邪，一派自然天成之相之相昭然，傳世銹相，本真開門矣。
What's more, we should distinguish rust and mud. It is not difficult to see that this product is the rust phase of handed down products. It is very old-fashioned, practical and natural. Among them, the edge of the tattoo, can feel yellow bright, can recognize its brass texture, however, its copper color can feel very ripe run, no fire. There is no doubt that the appearance of rust slurry is pure and innocent. The appearance of a school of natural and natural appearance is obvious, and the rust phase handed down from generation to generation is really open to the door.
綜上所述，本品陜局開爐錢，三相一材，無異無邪，乃開門見山之品。檢索可見此錢雖有數(shù)枚公展，然在收藏實(shí)踐中，如今亦是難得了，此亦可由上拍品價(jià)值不低，而窺一斑矣。
To sum up, this product has three phases and one material, which is the first to see product. It can be seen from the search that although there are several public exhibitions of the money, it is still rare in the collection practice. This can be seen from the high value of the top auction.
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