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粉彩瓷是琺瑯彩之外,清宮廷又一創燒的彩瓷。在燒好的胎釉上施含砷物的粉底,涂上顏料后用筆洗開,由于砷的乳蝕作用顏色產生粉化效果。粉彩瓷在眾多的清宮廷粉彩瓷中,慈禧粉彩簡單率直,濃筆艷抹,富貴豪華而別具一格。

Besides enamel, famille rose porcelain is another kind of porcelain created by the Qing court. The base of the burnt glaze is applied with arsenic. The pigment is painted and washed with a brush. The color of the glaze is produced due to the emulsion effect of arsenic. Among the numerous Famille Rose Porcelain of the Qing Dynasty, Cixi's pastel is simple and straightforward, with rich, luxurious and unique style.

粉彩瓷裝飾畫法上的洗染,吸取了各姐妹藝術中的營養,采取了點染與套色的手法,使所要描繪的對象,無論人物,山水,花卉,鳥蟲都顯得質感強,明暗清晰,層次分明。粉彩的描繪,著色技法是比較復雜細致的,一般如畫,彩,填,洗,扒,吹,點等技法。其所用工具有畫筆,填筆,洗筆,彩筆,篤筆,赤金筆,金水筆,瑪瑙筆,扒筆等許多特制筆。

The washing and dyeing of the decorative painting of Famille Rose Porcelain absorbed the nutrition of the sisters' art, and adopted the techniques of spot dyeing and color matching, so that the objects to be depicted, no matter the figures, mountains and rivers, flowers, birds and insects, all have strong texture, clear light and dark, and clear levels. The painting and coloring techniques of famille rose are more complex and meticulous, such as painting, color, filling, washing, grilling, blowing, and so on. The tools used are paintbrush, filling pen, washing brush, colored brush, Du pen, red gold pen, golden water pen, agate pen, pickling pen and so on.

此粉彩花鳥紋紋冬瓜罐,高26cm,圓徑24cm,牡丹花卉紋花飾,翠綠的葉子陪襯,牡丹花開的正濃,寓意著前程似錦。此罐,外形酷似冬瓜,所以俗稱“冬瓜罐”,圓潤大方,釉層均勻,紋飾精美,珍貴難得。造型簡潔明快,大方俊朗,構圖之精妙,線條之挺秀,敷色之典雅,雖在造型之古拙、線條之凝練上尚不能與后來的作品媲美,然則,已遠非一般畫手所能比肩。集多種工藝技法之大成,既突出圖案之精美,又彰顯華貴之氣質,富有濃郁的古色古香的韻味,是為宮廷陳設重器。

This white gourd jar with flower and bird patterns is 26cm high and 24cm round. It is decorated with peony flowers and green leaves. The blooming of peony means a bright future. The shape of this jar is similar to that of wax gourd, so it is commonly known as "wax gourd pot". It is round and generous, with even glaze layer and exquisite decoration. It is precious and rare. Although the simplicity and simplicity of modeling and the conciseness of lines are not comparable to those of later works, they are far beyond the ordinary painters' ability. The collection of a variety of techniques, not only highlights the exquisite design, but also highlights the noble temperament, rich in rich antique charm, is an important furnishing for the court.

 

縱觀清代粉彩瓷的歷年表現,其經歷過一個突飛猛進而后高位盤整的走勢。資料記載的較早拍賣可追溯到1965年和1971年的兩次倫敦佳士得專場,有賴于早期私人藏家的推動,清代粉彩瓷一路從廉價走到天價。

Looking at the performance of Famille Rose Porcelain in the Qing Dynasty over the years, it experienced a trend of rapid development and then high-level consolidation. The earliest auctions recorded can be traced back to two Christie's fairs in London in 1965 and 1971. Thanks to the promotion of early private collectors, famille rose from cheap to sky high in Qing Dynasty.

粉彩瓷素有“精于雍正、盛于乾隆”之說,高價乃至天價成交,都已不能算是新聞。經歷了十幾年的熱炒,這個市場也或多或少出現了疲勞跡象。但品相好、體量大、有特殊加分項的生貨和名品,依然備受追捧。尤其在2000年以后,粉彩瓷的市場表現尤其驚人。如2010年,香港佳士得一件“乾隆御制粉紅地彩軋道蝴蝶瓶”以4700萬港元落槌,這一價格創下乾隆粉彩拍賣的又一個紀錄,僅次于中國嘉德2006年以5280萬元成交的“乾隆粉彩開光八仙過海圖盤口瓶”。2016年中國嘉德秋拍,一件“清乾隆粉彩百鹿圖螭耳尊”以1207.5萬元成交,創下當年清代粉彩瓷的最高價。

Famille rose porcelain has always been said to be "good at Yongzheng and prosperous in Qianlong". The high price and even the sky high transaction price are no longer news. After more than ten years of hot speculation, the market has more or less appeared signs of fatigue. However, raw and famous products with good quality, large volume and special bonus items are still popular. Especially after 2000, the market performance of famille rose porcelain is particularly amazing. For example, in 2010, Christie's "Qianlong Royal pink ground color rolling butterfly bottle" fell to the hammer with HK $47 million, which set another record in Qianlong famille rose auction, second only to the "Qianlong pastel bottle with Eight Immortals crossing the sea" which was sold by China Jiade in 2006 with a price of 52.8 million yuan. In 2016, China's Jiade autumn auction, a "Qing Dynasty Qianlong pastel hundred deer Tu Er Zun" was sold for 12.075 million yuan, setting the highest price of Famille Rose Porcelain in the Qing Dynasty.

 

在中國清代,五彩被稱為“硬彩”,而粉彩被稱為“軟彩”。粉彩是釉上彩的一個品種,所謂釉上彩,就是在燒好的素瓷器釉面上進行彩繪,在入窯經攝氏600度至900度溫度烘烤而成。粉彩瓷器是中國古代瓷器最后誕生的一個主要瓷器品種。它一出現就稱為青花瓷的主要對手,青花自誕生以來,一直以來沒有遇到真正的對手,包括顏色釉、五彩和斗彩瓷器,都不能對其構成威脅。只有粉彩瓷器出現以后,才對青花瓷長久以來占據的市場發起了挑戰,甚至一度占據上風。在康熙、雍正、乾隆三朝,粉彩稱為景德鎮彩瓷的主流,無論是造型、胎釉還是彩繪圖案,都達到了前所未有的水平。尤其是雍正時期,這時彩料的提煉石是相當的純凈,施彩和洗染的技法精確熟練,畫面自然生動。分別代表瓷器最重要門類的三件拍品,同時跨入億元俱樂部,業內信心得到極大提振,同時亦讓人浮想聯翩。“破億”提示著人們,市場正往什么方面發展。

In the Qing Dynasty, five colors were called "hard colors", while pastels were called "soft colors". Famille rose is a variety of overglaze color. The so-called overglaze color is painted on the glaze of plain porcelain and baked at 600 ℃ to 900 ℃ in the kiln. Famille rose porcelain is one of the main porcelain varieties in ancient China. As soon as it appeared, it was called the main opponent of blue and white porcelain. Since its birth, blue and white porcelain has not met any real rivals, including color glaze, multicolor and fighting color porcelain, which can not pose a threat to it. Only after the emergence of famille rose porcelain, did blue and white porcelain challenge the market it had occupied for a long time, and even had the upper hand for a time. In the three dynasties of Kangxi, Yongzheng and Qianlong, famille rose was known as the mainstream of Jingdezhen's color porcelain. Its shape, body glaze and painted patterns all reached an unprecedented level. Especially in the Yongzheng period, the refined stone of color materials was quite pure, the techniques of color application and washing and dyeing were precise and skilled, and the pictures were natural and vivid. Three items representing the most important category of porcelain, and entering the $100 million club at the same time, have greatly boosted the confidence of the industry, and at the same time, it also makes people dream. "Breaking the billion dollar" indicates that the market is developing in what direction.

 

 

 

 

 

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