現在整個藝術品市場，清三代瓷器一直是拍賣場上的寵兒，尤其是清乾隆瓷器，一直占據著藝術品收藏品類的版面，市場行情一路走熱，無論是交易額還是價格都一路攀升。有數據顯示，很早之前清乾隆瓷器的價格標簽大概兩三年調整一次，而近兩三年，幾乎一年要調整兩到三次。另一組數據亦支持了這觀點，自06年以后，清乾隆瓷器的價格漲幅至少在50%-200%之間，粉彩瓷瓶，漲幅更是接近一倍。并且，目前市場粉彩瓷瓶更是越加稀少。
At present, the porcelain of the three dynasties of the Qing Dynasty has always been a favorite in the auction house, especially in the Qianlong period of the Qing Dynasty, which has always occupied the space of art collection categories. The market has been hot all the way, and both the transaction volume and the price have been rising. According to some data, the price tag of Qianlong porcelain in the Qing Dynasty was adjusted once every two or three years. However, in recent two or three years, it has been adjusted twice or three times a year. Another set of data also supports this view. Since 2006, the price of Qianlong porcelain has increased by at least 50% - 200%, and the price of famille rose nearly twice. And, at present, the famille rose porcelain bottle in the market is more and more rare.
粉彩是乾隆朝瓷器中所占比重較大的品種之一，既繼承了雍正時期在肥潤的白釉上繪疏朗艷麗紋飾的特點，又有新的突破。乾隆朝除了白地繪粉彩外，還有色地粉彩或色地開光中繪粉彩等品種。
Famille rose is one of the most important porcelain varieties in Qianlong Dynasty. It not only inherits the characteristics of bright and bright patterns on the rich white glaze in Yongzheng period, but also has a new breakthrough. In Qianlong Dynasty, in addition to white painted pastels, there were also varieties of pastels painted in color or pastels in colored Kaiguang.
此件大清乾隆年制仕女圖花瓶，高:28公分 寬:18公分 家傳至寶，品相極好，色彩鮮艷而豐富，布局合理，富貴豪華而別具一格。人物描繪栩栩如生，花卉紋飾紋理清晰，筆畫流暢，線條優美。秀麗雅致的粉彩紋飾與潔白精美的瓷質相結合，相互襯托，相映成趣，遠處一看猶如一幅富麗堂皇的畫一般，生動活潑，十分精致。制作精美絕倫，色彩濃艷華麗，充分體現了乾隆粉彩制作工藝的最高成就，構圖疏密有致，雅致清新，格調高雅。底書"大清乾隆年制"款。
This vase is 28 cm in height and 18 cm in width. It has been handed down from the family. It has excellent appearance, bright and rich colors, reasonable layout, rich and luxurious and unique style. The characters are vivid, with clear flower patterns, smooth strokes and beautiful lines. The beautiful and elegant famille rose decoration and the white and exquisite porcelain are combined to set off each other and form an interesting contrast. At a distance, it looks like a magnificent painting, lively and exquisite. The production is exquisite and gorgeous, which fully reflects the highest achievement of Qianlong pastel production technology. The composition is dense, elegant and fresh, and the style is elegant. The bottom book "Qianlong year system of the Qing Dynasty".
整器做工工藝一絲不茍，繪畫精細，色彩精細，色彩亮麗。雍榮華貴，氣度不凡，帶有濃重的乾隆風格，現已不多見，彌足珍貴，值得珍藏。
The whole machine is meticulous in workmanship, fine in painting, fine in color and bright in color. It is very precious and worthy of collection.
仕女圖，亦稱仕女畫，是以中國封建社會中上層婦女生活為題材的繪畫，為歷代瓷器裝飾的典型紋飾之一，它最早始于唐代長沙窯瓷器，宋元時期，因盛行花鳥畫，仕女圖少見。至明清時期，特別是清晚期，仕女圖的繪畫大為發展。這時的仕女畫衣帶飄然，婀娜多姿，妙筆傳神。加上畫工精細，色彩艷麗，具有獨特的時代特色。正如清代高崇瑞的《松下清齋集》里所云；“天下名山勝水，奇花異烏，惟美人一身可兼之，雖使荊、關潑墨，崔、艾揮筆，不若美女之集大成也。”說明當時之所以重視仕女圖繪畫的原因所在。正因為如此，這時期的仕女圖在創作上日益脫離現實生話而趨向一種想象化、程式化的表現，注重姿態優美，淡雅飄逸，將仕女的形象繪畫得貌若天仙，絕代美人。并把西方繪畫的優點融入到作品之中，給后來人物畫技術的革新地開辟了道路。
The painting of beautiful women, also known as the painting of ladies, is a painting with the theme of women's life in the middle and upper class of feudal society in China. It is one of the typical patterns of porcelain decoration in the past dynasties. It originated from Changsha Kiln porcelain in the Tang Dynasty. In the song and Yuan Dynasties, due to the prevalence of flower and bird painting, the painting of beautiful women was rare. In the Ming and Qing Dynasties, especially in the late Qing Dynasty, the painting of ladies was greatly developed. At this time, the beautiful women's paintings are graceful and vivid. In addition, the fine painting, gorgeous colors, with unique characteristics of the times. As Gao chongrui of the Qing Dynasty put it in his collection of Songxia qingzhai: "there are famous mountains and rivers in the world, and strange flowers and black flowers. Only beauties can have both of them. Although Jing, Guan Po Mo, Cui and AI are able to write, they are not like a collection of beautiful women." It shows the reason why the painting of ladies was valued at that time. Because of this, the paintings of ladies in this period were increasingly divorced from reality and tended to be imaginative and stylized. They paid attention to beautiful posture, elegant and elegant, and made the images of ladies look like fairies and peerless beauties. And the advantages of Western painting into the works, to the later figure painting technology innovation opened up the way.
清代的粉彩仕女圖瓷器，不僅胎質細潔縝密，胎骨薄勻，釉色白中閃青，且繪畫細膩，毫發清晰，色彩淡雅艷麗，富有濃郁的中國畫之韻味，充分給人們以美的藝術享受。
The famille rose porcelain of Qing Dynasty not only has a fine and meticulous texture, thin and even fetal bone, but also has delicate painting, clear hair, simple and elegant colors, and rich in the charm of Chinese painting, which gives people a full artistic enjoyment of beauty.
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