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大家都知道中國的瓷器都是揚名海內外,但說到青花瓷出口大概可以追溯到瓷器產生的同時代,目前已知的瓷器出口是從唐代開始的。早期的中國瓷器東銷日本,西銷東南亞,中亞,西亞乃至于非洲。歷代以來,瓷器一直是我國對外出口的重要商品,與絲、茶并譽于世界,在國際貿易中有著重要的地位,對中外經濟文化交流作出了有益的貢獻。

We all know that China's porcelain is famous at home and abroad, but when it comes to blue and white porcelain export, it can be traced back to the same time when porcelain was produced. At present, the known export of porcelain began from the Tang Dynasty. Early Chinese porcelain was exported to Japan in the East, Southeast Asia in the west, Central Asia, West Asia and even Africa. Porcelain has always been an important commodity for China's export in the past dynasties. It is well-known in the world with silk and tea. It plays an important role in international trade and has made a beneficial contribution to the economic and cultural exchanges between China and foreign countries.

青花瓷又稱白地青花瓷,常簡稱青花,中華陶瓷燒制工藝的珍品。是中國瓷器的主流品種之一,屬釉下彩瓷。

Blue and white porcelain, also known as white blue and white porcelain, is often referred to as blue and white, a treasure of Chinese ceramic firing technology. It is one of the main varieties of Chinese porcelain, belonging to underglaze color porcelain.

據考古工作者發現,唐代時河南省的鞏縣窯就有原始青花制作。也就是說,青花瓷最早出現在唐朝。唐代的青花瓷器是處于青花瓷的濫觴期。人們能見到的標本有20世紀70—80年代揚州出土的青花瓷殘片二十余片;香港馮平山博物館收藏的一件青花條紋復;美國波士頓博物館收藏的一件花卉紋碗;丹麥哥本哈根博物館收藏的一件魚藻紋罐;南京博物院收藏的一件點彩梅朵紋器蓋。隨著時間的推進,成熟的青花瓷器出現在元代;明代青花成為瓷器的主流;清康熙時發展到了鼎峰。

According to archaeologists, Gongxian kiln in Henan Province had original blue and white production in Tang Dynasty. In other words, blue and white porcelain first appeared in the Tang Dynasty. The blue and white porcelain of the Tang Dynasty is in the initial stage of blue and white porcelain. There are more than 20 pieces of blue and white porcelain unearthed in Yangzhou in the 1970s and 1980s, a blue and white striped copy collected by fengpingshan Museum in Hong Kong, a flower bowl collected by Boston Museum in the United States, a fish and algae pot collected in Copenhagen Museum in Denmark, and a plum blossom pattern vessel cover in Nanjing Museum. With the development of time, mature blue and white porcelain appeared in Yuan Dynasty; blue and white porcelain became the mainstream of porcelain in Ming Dynasty; it developed to Dingfeng in Kangxi period of Qing Dynasty.

蒜頭瓶,因口若蒜頭而得名,始于戰國晚期,流行于秦漢,有銅制與陶瓷制之別。蒜頭瓶口如蒜頭狀突起,宋人認為可塞其口,而瓶頸細長便于握持,瓶腹扁矮可以盛裝,故稱之為溫壺,用作酒器。宋以后為仿古器式,歷代皆有,明、清景德鎮窯有青花、五彩、粉彩及單色釉品種。許之衡《飲流齋說瓷 》“說瓶罐”載:“蒜頭者,口似蒜頭,而體段則近油錘,宋制已有之,后此尤伙。純色、青花多有之。”

Garlic bottle, named for its mouth like garlic, began in the late Warring States period and was popular in the Qin and Han Dynasties. The mouth of the garlic bottle is like a garlic head. People in the Song Dynasty thought that it could be plugged into the mouth, and the bottle neck was long and thin, which was easy to hold. The bottle belly was flat and short, so it could be filled. Therefore, it was called warm pot and was used as wine utensil. After the Song Dynasty, it was an antique ware type, and there were blue and white glaze, multicolor glaze, famille rose glaze and monochrome glaze in Jingdezhen kiln of Ming and Qing Dynasties. According to Xu Zhiheng's "talking about porcelain from drinking Liuzhai", it is recorded that "garlic is like garlic in its mouth, and its body is close to the oil hammer. It has been made in the Song Dynasty, and this is especially true after that. There are many solid colors and blue and white

 

此唐青花雙龍耳蒜頭瓶,造型規整,大氣端莊。顏色呈火石紅,整個胎底的外壁屬于直壁,襯托出整個瓷器的歸一。瓶身采用畫面感極強的青花花卉紋飾,給整個瓷器帶來生氣,活靈活現,融為一體。傳世至今,且保存得如此完整,幾乎無任何損傷,可以看得出收藏者對其的喜愛程度。它的收藏價值是極高的,未來的市場升值空間也是無可限量。

The blue and white garlic bottle with double long ears in Tang Dynasty has a regular shape and elegant atmosphere. The color is flint red, and the outer wall of the tire bottom belongs to the straight wall, which sets off the unification of the whole porcelain. The bottle is decorated with blue and white flowers with a strong sense of picture, which brings vitality to the whole porcelain. It has been handed down to this day, and it has been preserved so completely that there is almost no damage. It can be seen that collectors love it. Its collection value is extremely high, and the future market appreciation space is unlimited.

青花瓷是我國傳統陶瓷文化的精題,水輩畫亦是傳統藝術中的不朽瑰寶這兩種藝術形式都起源于唐代,興盛于宋元,到明清達到巔峰,是中華民族為全人類貢獻的寶貴財富。青花瓷繪畫藝術構思深邃,題材豐富,宛如一幅幅形神兼備、靈動飄逸的水墨作品,特別是景德鎮元明清三代的青花瓷繪畫,更是在中國藝術史上大放異彩。

Blue and white porcelain is the essence of China's traditional ceramic culture, and water generation painting is also an immortal treasure in traditional art. Both of these two art forms originated in the Tang Dynasty, flourished in the song and Yuan Dynasties, and reached the peak in the Ming and Qing Dynasties. They are the precious wealth of the Chinese nation for the whole human being. The blue and white porcelain painting has profound artistic conception and rich themes. It is like a vivid and elegant ink painting with both form and spirit. Especially the blue and white porcelain painting of Jingdezhen in yuan, Ming and Qing Dynasties has made great achievements in the history of Chinese art.

 

此件藏品現在展賣于藝品在線商城平臺中,據持寶人介紹說,這件瓷器是祖上傳下來的。曾讓專家老師鑒定過,絕世精品。在本公司得知其有這件罕見珍品,特邀其持這件瓷器參加,現持寶人因資金周轉困難原因。忍痛割愛愿將此件瓷器委托本公司代其通過網絡媒體進行尋找買家。如對此藏品有興趣收藏者,可撥打企業聯系電話:400 686 3616進行洽談。

The collection is now on sale in the art online mall platform. According to the treasure holder, the porcelain was handed down by ancestors. It has been appraised by experts and teachers, and it is a masterpiece. We learned that he had this rare treasure and invited him to take part in it. Now the holder of the treasure has difficulty in capital turnover. We are willing to entrust this porcelain to our company to find a buyer through network media. If you are interested in this collection, you can call the enterprise contact number: 400 686 3616 for discussion.

 

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