拍賣會書畫精品：楊和平大師--清明上河圖/齊白石大師門下弟子曹孟龍--百龍圖
國際拍賣場為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
【名稱】：中國書畫清明上河圖 百龍圖
【直徑】：清明上河圖 長：7.7m 寬：0.56m
百龍圖 長：7.95m 寬0.60m
【數量】：2幅
藏品展示圖
Collection map
清明上河圖，中國十大傳世名畫之一。
Along the River During the Qingming Festival, one of the ten most famous paintings ever painted in China.
作品以長卷形式，采用散點透視構圖法，生動記錄了中國十二世紀北宋都城東京(又稱汴京，今河南開封)的城市面貌和當時社會各階層人民的生活狀況，是北宋時期都城汴京當年繁榮的見證，也是北宋城市經濟情況的寫照。
The work, in the form of a long scroll and using a scattered perspective composition method, vividly records the cityscape of the capital city of the Northern Song Dynasty in the 12th century, Tokyo (also known as Bianjing, now Kaifeng, Henan Province) , and the living conditions of people of all social strata at that time, is the Northern Song Dynasty capital Bianjing prosperous testimony, is also the northern song city economic situation portrayal.
這在中國乃至世界繪畫史上都是獨一無二的。在七米多長的畫卷里，共繪了數量龐大的各色人物，牛、騾、驢等牲畜，車、轎、大小船只，房屋、橋梁、城樓等各有特色，體現了宋代建筑的特征。具有很高的歷史價值和藝術價值。
This is unique in the history of Chinese and even world painting. In the seven-meter-long Scroll, a large number of figures, cattle, mules, donkeys and other livestock, cars, cars, boats, houses, bridges, towers and other unique features, reflecting the architectural characteristics of the Song Dynasty. It has high historical value and artistic value.
從《清明上河圖》中可以看到幾個非常鮮明的藝術特色:此畫用筆兼工帶寫，設色淡雅，不同一般的界畫，即所謂"別成家數"。構圖采用鳥瞰式全景法，真實而又集中概括地描繪了當時汴京東南城角這一典型的區域。
From the Along the River During the Qingming Festival, we can see several very distinct artistic features: This painting uses both brush and brush to write, the color is light and elegant, different from the general boundary painting, that is, the so-called "don't get married" . The composition uses the bird's eye view type panoramic view law, truly but also concentrated and summarized described then the bianjing southeast city corner this typical area.
作者用傳統的手卷形式，采取"散點透視法"組織畫面。畫面長而不冗，繁而不亂，嚴密緊湊，如一氣呵成。畫中所攝取的景物，大至寂靜的原野，浩瀚的河流，高聳的城郭;小到舟車里的人物，攤販上的陳設貨物，市招上的文字，絲毫不失。畫面中，穿插著各種情節，組織得有錯落有致，同時又具有情趣。
The author uses the traditional hand-scroll form, adopts "scattered point perspective" to organize the picture. The screen is long but not redundant, complicated but not chaotic, strict and compact, such as one breath. The scenes captured in the painting range from silent fields, vast rivers and towering city walls, to figures in boats, furnishings on stalls and words on signs. In the picture, interspersed with each kind of plot, the organization has the Patchwork to have sends, simultaneously has the sentiment.
結構嚴謹，繁而不亂，長而不冗，段落分明。可貴的是，如此豐富多彩的內容，主體突出，首尾呼應，全卷渾然一體。畫中每個人物、景象、細節，都安排得合情合理，疏密、繁簡、動靜、聚散等畫面關系，處理得恰到好處，達到繁而不雜，多而不亂。充分表現了畫家對社會生活的深刻洞察力和高度的畫面組織和控制能力。從內容看，此畫屬于風俗畫，也具有風俗畫的特點。
The structure is rigorous, complex and not chaotic, long and not redundant, paragraph clear. What is valuable is, so rich and colorful content, main body is outstanding, head and tail should be, the whole volume is one body. Every figure, scene, and detail in the painting are arranged reasonably, and the relationship between the images, such as density, complexity, movement and dispersion, is handled appropriately to achieve complexity but not complexity, and many but not disorder. It fully shows the painter's profound insight into social life and his high ability of picture organization and control. From the content, this painting belongs to genre painting, but also has the characteristics of genre painting.
在技法上，大手筆與精細的手筆相結合。善于選擇那些既具有形象性和富于詩情畫意，又具本質特征的事物、場面及情節加以表現。十分細致入微的生活觀察，刻劃每一位人物、道具。每個人各有身份，各有神態，各有情節。房屋、橋梁等建筑結構嚴謹，描繪一筆不茍。車馬船只面面俱到，謹小而不失全貌，不失其勢。比如船只上的物件、釘鉚方式，甚至結繩系扣都交待得一清二楚，令人嘆為觀止。
In technique, the big hand and the fine hand are combined. Be Good at choosing those things, scenes and plots that are both figurative and poetic, but also have essential characteristics. Very meticulous observation of life, depicting each character, props. Everyone has his own identity, his own manner, his own plot. Buildings, bridges and other architectural structure, described a meticulous. Chariots, horses, and ships are all-round, small and yet complete, and yet powerful. For example, the ship's objects, riveting methods, and even knots and buckles are explained clearly, it is amazing.
《清明上河圖》不僅僅是一件偉大的現實主義繪畫藝術珍品，同時也為我們提供了北宋大都市的商業、手工業、民俗、建筑、交通工具等詳實形象的第一手資料，具有重要歷史文獻價值。其豐富的思想內涵、獨特的審美視角、現實主義的表現手法，都使其在中國乃至世界繪畫史上被奉為經典之作。
Along the River During the Qingming Festival is not only a great realistic painting treasure, but also provides us with detailed images of the commercial, handicraft, folk, architecture, transportation and other primary source of the northern song metropolis It has important historical literature value. Its rich ideological content, unique aesthetic perspective, realistic expression, all make it in the history of Chinese and even the world painting as a classic.
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齊白石大師門下弟子曹孟龍--百龍圖
齊白石大師門下弟子曹孟龍先生畫蝦力求深入表現蝦的形神特征。
One of Master Qi Baishi's disciples, Mr. Cao Menglong, painted shrimps in an effort to reveal their physical and mental characteristics.
畫的蝦可說是畫壇一絕，靈動活潑，栩栩如生，神韻充盈，用淡墨擲筆，繪成軀體，浸潤之色，更顯蝦體晶瑩剔透之感。
The shrimp can be said to be a unique painting, lively, lifelike, full of Verve, with light ink throwing pen, painted into the body, saturated color, more crystal clear sense of the shrimp body.
以濃墨豎點為睛，橫寫為腦，落墨成金，筆筆傳神。細筆寫須、爪、大螯，剛柔并濟、凝練傳神，顯示了畫家高妙的書法功力。畫家寫蝦，來自生活，卻超越生活，大膽概括簡化，更得傳神妙筆。
Take the thick ink vertical point as the eye, the horizontal writing for the brain, falls the ink to become the gold, the pen and pen vivid. Fine Brush Strokes, claw, claw, big claw, rigid and flexible, concise and vivid, showing the painter Gao Miao calligraphy skills. The painter writes the shrimp, comes from the life, actually surpasses the life, the bold summary Simplification, also must convey the magic pen.
畫蝦表現出了蝦的形態，活潑、靈敏、機警，有生命力。是因為掌握了蝦的特征，所以畫起來得心應手。
Shrimp painting shows the shape of the shrimp, lively, sensitive, alert, vital. Because knew what shrimp were like, he knew how to draw them.
寥寥幾筆，用墨色的深淺濃淡，表現出一種動感。一對濃墨眼睛，腦袋中間用一點焦墨，左右二筆淡墨，于是使蝦的頭部變化多端。硬殼透明，由深到淺。而蝦的腰部，一筆一節，連續數筆，形成了蝦腰節奏的由粗漸細。
A few strokes, with the shades of ink, showing a sense of movement. A pair of thick ink eyes, the middle of the head with a bit of focus ink, left and right two light ink, so that the head of the shrimp changes a lot. The hard shell is transparent, from deep to shallow. The waist of the shrimp, a section of a pen, a number of consecutive pen, forming the rhythm of the shrimp waist by thick gradually thin.
曹孟龍先生用筆的變化，使蝦的腰部呈現各種異態，有躬腰向前的，有直腰游蕩的。也有彎腰爬行的。蝦的尾部也是寥寥幾筆，既有彈力，又有透明感。蝦的一對前爪，由細而粗，數節之間直到兩螯，形似鉗子，有開有合。蝦的觸須用數條淡墨線畫出。
Mr. Cao menglong changes in the use of the pen, so that the waist of shrimp presents a variety of different states, there are bent forward, there are straight waist wandering. There are those who stoop and crawl. Shrimp tail is also a few strokes, both elastic, and a sense of transparency. A pair of front claws of shrimps, thin and thick, several nodes between until the two claws, shaped like pincers, open and closed. The antennae of the shrimp are drawn with several thin ink lines.
對水中的蝦，為表現出那種透視感，線條有虛有實，簡略得宜，似柔實剛，似斷實連，直中有曲，亂小有序，紙上之蝦似在水中嬉戲游動，觸須也像似動非動。
To the shrimp in the water, to show that perspective, Lines are solid and empty, simple and appropriate, like soft and firm, like broken solid even, straight and curved, disorderly and small order, the shrimp on paper seems to play in the water, like the tentacles do not move.
特別提示：以上藏品持寶人誠意出售，歡迎各界收藏家到拍賣會咨詢出價。
Special tips: the above collections are sold in good faith. Collectors from all walks of life are welcome to consult and bid at the auction.
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