【藏品名稱】：寄托款康熙成化人物山水五彩瓶
[collection name]: colorful bottles of landscape of Chenghua figures in Kangxi
【藏品類別】：瓷器
[collection type]: porcelain
【藏品數量】：一件
[collection quantity]: one piece
【藏品起拍價】：35萬
[collection starting price]: 350000
說到明清瓷器，一個非常明顯的特點就是“時代特征”，所謂“一朝天子一朝瓷”，越是盛世王朝，時代特征越明顯。比如順治時期的龍紋，“一龍三顯、五顯、七顯”，即用云紋遮住龍身，使龍身分為三節、五節、七節。這樣的畫法前無古人后無來者。我們曾經私下討論過，這樣的畫法或許是自卑感吧，畢竟，比起文化底蘊清王朝還是差很多的，統治者的這種心態也反映在藝術上了。國運和民生總是息息相關。到了康熙，由于主弱臣強，康熙的整個成長過程都在進行劇烈斗爭:扳倒權臣鰲拜，平定三藩，掃蕩南明小王朝，雅克薩打敗老毛子。這樣的生活反映在瓷器藝術上，顯得過于“剛硬”，不管是青花還是彩瓷，處處體現一個“硬”字，到了后期風格柔和一點。
When it comes to Ming and Qing porcelain, a very obvious feature is the "characteristics of the times". The more prosperous the dynasty is, the more obvious the characteristics of the times are. For example, the dragon pattern of Shunzhi period, "one dragon three show, five show, seven show", that is, cloud pattern is used to cover the dragon body, so that the dragon body is divided into three sections, five sections and seven sections. This kind of painting has never been done before. We have discussed in private that this kind of painting may be a sense of inferiority. After all, compared with the cultural background, the Qing Dynasty is still much worse, and the mentality of the rulers is also reflected in art. National Games and people's livelihood are always closely related. In Kangxi, due to the weak leader and strong minister, the whole process of Kangxi's growth was in a fierce struggle: overthrowing aobai, pacifying San Francisco, sweeping up the small Dynasty of Nanming, and defeating laomaozi by Yaksa. This kind of life is reflected in the art of porcelain, which is too "rigid". Whether it is blue and white porcelain or color porcelain, there is a "hard" character everywhere. In the later stage, the style is a little softer.
款識起源于古代的彝器，后被移植到瓷器上。瓷器的款識就如同字畫的題跋，是瓷器裝飾的附屬物，好的款識與裝飾畫面相配，可以增強器物的藝術性。款識一般位于瓷器的底部，在底足居中的位置上刻印或書寫著表明年代、窯名、人名、堂名、或者表示贊頌、祝愿等內容的文字，也有的器底或器里有某種識別的圖案，這些統稱為“款識”，瓷器于器底署本朝年款當始于明代 永樂年間，雖在一部分宋瓷中見有底署 “大觀”、“政和”年號者，當屬其濫觴，康熙早期的瓷器，很少寫有款識，原因就是康熙認為瓷器上不能寫款，寫了款，如果瓷器損壞后，連同本朝年號同棄于廢土之中，這樣不吉利，故有“不尚尊號”的習慣。所以瓷器上很少寫有本朝年款識的。
It originated from the ancient Yi ware and was later transplanted to porcelain. As the inscriptions and postscripts of calligraphy and painting, porcelain is an accessory of porcelain decoration. A good understanding and decorative pictures can enhance the artistry of utensils. It is usually located at the bottom of the porcelain. Characters indicating the age, kiln name, person's name, hall name, or praises and wishes are engraved or written on the middle of the bottom of the porcelain. There are also some identification patterns on the bottom of some vessels. These are collectively referred to as "recognition". The porcelain wares were placed at the bottom of the ware. The model year of this dynasty began in Yongle period of the Ming Dynasty. Although there are bottom signs in some song dynasty porcelains "Daguan" and "Zhenghe" dates are the origin of them. In the early Kangxi period, there were few inscriptions on the porcelain. The reason is that Kangxi thought that the porcelain could not be written with money. If the porcelain was damaged, it would be abandoned together with the date of the current Dynasty, which would be bad luck and lead to the habit of "not respecting the title". Therefore, the porcelain is rarely written with the date of the dynasty.
人物山水是中國古代繪畫的重要題材之一，文人們通過對人物山水的描繪寄托自身的理想情懷，也反映出當時的社會現實。從宋代開始，制瓷匠人們就將中國畫中的人物山水繪制于瓷器之上，巧妙地將中國傳統文人們的美好理想與現實生活結合在一起，表達人們內心的期盼和真實的社會信息，這是一件成化寄托款的康熙五彩人物瓶的真品，此康熙五彩人物瓶造型規整，古樸典雅，釉色溫潤,堆塑鐵花螭龍紋活靈活現，五彩人物紋靜中有動栩栩如生，彩料有質感，整器線條優美，傳世包漿厚重，修足工整風化自然，寄托款成化年制流暢規范，開門真品，此瓶造詣不凡，有極高的投資價值與經濟價值極高。
Figure landscape is one of the important themes of ancient Chinese painting. The literati repose their ideal feelings and reflect the social reality at that time. Since the Song Dynasty, porcelain makers have been painting the landscape of characters in Chinese paintings on porcelain, cleverly combining the beautiful ideals of Chinese traditional literati with real life, expressing people's inner expectations and real social information. This is a genuine Kangxi five color figure bottle with regular shape, simple and elegant, and glaze color It is warm and moist, piled plastic iron flower dragon pattern is vivid, colorful figure pattern is dynamic and lifelike, color material has texture, the whole line is beautiful, handed down thick and thick, neat and weathered, the deposit is mature, the annual system is smooth and standard, and the real product is opened. This bottle has extraordinary attainments, high investment value and high economic value.
