佛像收藏，有高古佛像和明清佛像之分。高古佛像是指明清之前的佛像，也稱漢傳佛像，一般歷史價值高、藝術性強、內涵豐富，制作精美。北魏前后或隋唐佛像都可稱之為高古佛像。北魏佛像在隋朝以前經歷了歷史上數次毀佛滅法運動，致使高古佛像十分少見或品相殘缺，現在北魏的佛像市場上幾乎看不到了，但這更加增添了高古佛像的魅力。
The collection of Buddha statues can be divided into high ancient Buddha statues and Ming and Qing Buddha statues. Gao ancient Buddha statues refer to the Buddha statues before Ming and Qing Dynasties, also known as Han Buddha statues, which have high historical value, strong artistry, rich connotation and exquisite production. Buddha statues before and after the Northern Wei Dynasty or Sui and Tang Dynasties can be called high ancient Buddha statues. Before Sui Dynasty, the Buddha statues in Northern Wei Dynasty experienced several campaigns to destroy the Buddha and destroy the Dharma in history, which made the ancient Buddha statues very rare or incomplete in appearance. Now, the Buddha statues in Northern Wei Dynasty can hardly be seen in the market, but this adds to the charm of the ancient Buddha statues.
此觀音佛像造型優美，工藝精湛，基座上蓮臺線條剛勁、流暢，蓮瓣飽滿，有張力及彈性感。蓮臺上以觀音坐佛為主，面型端莊虔誠，身骨清瘦，衣褶繁復，水波紋頭，背部都鑄有火焰紋，另一面為大背光。根據此坐佛像整體特征表明，這是一件典型的明清時期觀音佛像。也充分表現出明清時期佛像雄偉而嚴肅的氣質。實物證明了印度佛教傳入中國逐漸漢化的演進趨勢。佛像比例適宜，配合整善完美，莊嚴合度。雕造墩鑄的藝術手法也很高巧，精致、姿態、挺舉、雄勁剛劍。凝厚沉寂中卻又生動活潑，線條拙樸而又嫻熟，名副其實的明清精品之作。
This Buddha statue of Guanyin is beautiful in shape and exquisite in craftsmanship. The lotus platform on the base is rigid and smooth, and the lotus petals are full, with tension and elasticity. The lotus platform is dominated by Guanyin sitting on Buddha, with dignified and pious face, thin body, complicated clothes pleats, water ripple head, flame pattern cast on the back and big backlight on the other side. According to the overall characteristics of this sitting Buddha statue, it is a typical Guanyin Buddha statue in Ming and Qing Dynasties. It also fully shows the majestic and serious temperament of Buddha statues in Ming and Qing Dynasties. It proves the evolution trend of Indian Buddhism being introduced into China and gradually localized. The Buddha statues are in proper proportion, perfect with perfection and solemn harmony. The artistic technique of carving and casting piers is also very skillful, delicate, posture, clean and jerk, strong and strong. It is a famous masterpiece of Ming and Qing Dynasties, which is lively in thick silence, simple and skillful in lines.
當今，隨著傳統文化的深度回歸，價值投資理念成熟，未來中國藝術品拍賣市場在深度調整中實現持續穩健發展是一大趨勢。佛像藝術品行情自2000年以來，發展穩健，雖然沒有經歷過大的爆發性行情，即便是有所跌漲，幅度也控制在非常小的范圍之內。自2014年佛像在海外和內地拍賣市場屢創天價，掀起新一輪佛像收藏熱潮。其中以2014年4月8日拍賣會拍出的順治年間一尊“鎏金銅執蓮觀音坐像”以1972萬港幣高價成交，領銜中國2014年度佛像TOP排行榜。值得注意的是，近幾年佛像藝術品的市場表現，可以推知，鎏金佛像、銅佛像藝術品市場行情一路看好，升值空間較大，或將成為中國古代佛教藝術品投資市場的主體。特別是高品質、傳承有序的佛像，更是值得收藏和投資。
Nowadays, with the deep return of traditional culture and the mature concept of value investment, it is a major trend for the future Chinese art auction market to achieve sustained and steady development in the deep adjustment. Since 2000, the market of Buddha art has developed steadily. Although it has not experienced excessive explosive market, even if it has declined, the range is controlled within a very small range. Since 2014, Buddha statues have repeatedly hit sky-high prices in overseas and mainland auction markets, setting off a new wave of Buddha statue collection. Among them, a "Goddess of Mercy Sitting with Lotus in Gold and Copper" sold at auction on April 8, 2014 was sold at a high price of HK$ 19.72 million, leading the TOP ranking of Buddha statues in China in 2014. It is worth noting that the market performance of Buddha statues in recent years can be inferred that the market prices of gilded Buddha statues and bronze Buddha statues are promising all the way, and there is a large room for appreciation, or they will become the main body of the investment market of ancient Chinese Buddhist artworks. In particular, high-quality and well-inherited Buddha statues are worth collecting and investing.
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