此蒜頭瓶，型體端莊，蒜頭口，細(xì)頸，削肩，壯腰，鼓腹，直圈足微撇。精修胎，圈足呈沉鰍背狀，手掂重量適中。胎質(zhì)細(xì)膩，玉質(zhì)感強(qiáng)，浮梁高嶺土制坯。內(nèi)外施滿(mǎn)釉，酥雅潤(rùn)澤，迎光見(jiàn)毛孔紋,氣泡均勻。斗彩裝飾，口沿及花描金。回紋、及纏枝菊花及口沿，頸部留白，變形蓮烽火紋披肩，回紋，如意紋陪襯。
This garlic bottle is dignified in shape, with garlic mouth, thin neck, cut shoulders, strong waist, bulging belly, straight circle and slight skimming. After intensive tire repair, the ring foot is back-like, and the hand weight is moderate. The fetal quality is fine, the jade texture is strong, and the float beam kaolin is made into blank. Glazed inside and outside, crisp, elegant and moist, with pores and even bubbles. Dou Cai decoration, mouth edge and flower tracing gold. Ribbon, bound chrysanthemum and mouth edge, white neck, deformed lotus flame pattern shawl, palindrome, ruyi pattern foil.
主題紋繪畫(huà)人物，花草樹(shù)木，亭樓，連理枝等折技三花，近根處均有如意靈芝，足以波濤紋為飾，紅、綠、金與青花相得益彰。不但畫(huà)面情趣生輝。吉祥如意的寓意也十分明瞭。此種三多的繪畫(huà)題材明清時(shí)廣泛使用。此瓶繪畫(huà)精致，用筆嫻熟流暢，首屈一指。粗看有永宣青花的潤(rùn)散現(xiàn)象，細(xì)看為運(yùn)筆故意點(diǎn)觸所為。
Themed painting figures, flowers, trees, pavilions, lianli branches, etc., are full of brilliant ganoderma lucidum near the roots, which can be decorated with wavy lines. Red, green, gold and blue and white complement each other. Not only is the picture interesting. The meaning of good luck is also very clear. This painting theme of Sanduo was widely used in Ming and Qing Dynasties. This bottle is exquisite in painting and fluent in pen, which is second to none. Roughly speaking, there is the phenomenon of spreading the blue and white flowers of Yongxuan, and carefully, it is deliberately touched by the brush strokes.
底部浙青料篆書(shū)“大明成化年御制”款，筆跡清晰，力透瓷胎。百倍放大鏡觀察，釉面硬傷痕跡鈍化明是，氣泡稀疏明朗，個(gè)別泡破結(jié)晶。彩料下沉致胎。斗彩始于明成化。有別于五彩。五彩嘉萬(wàn)時(shí)期出現(xiàn)最多。斗彩是在坯胎上先用青料畫(huà)好框架，只留下少量空白處，經(jīng)第一次燒制后再補(bǔ)上其它色彩第二次燒制完成。也就是斗彩是以青花為主體，而五彩青料是作為藍(lán)色與其它顏色是一樣地位。
At the bottom, the seal script of Zhejiang Qingliao is "Imperial System of Daming Chenghua Year", with clear handwriting and penetrating porcelain tire. 100 times magnifying glass observation, glaze hard marks are passivated, bubbles are sparse and clear, and some bubbles are broken and crystallized. Tire caused by color sinking. Dou Cai began in Ming Chenghua. Different from multicolored. Colorful Jiawan period appeared the most. Fighting color is to draw a frame with green material on the green tire, leaving only a small amount of blank space, and then make up other colors for the second firing after the first firing. That is to say, fighting colors are mainly blue and white, while colorful green materials have the same status as other colors as blue.
斗彩瓷繪成化期盛行，一直沿襲到現(xiàn)在，但因其需二次彩繪,二次入窯瓷界并不常用。清三代雖然是瓷業(yè)高峰期也不多見(jiàn)。此蒜頭瓶的面世也是一件罕見(jiàn)之器物。此藏品極具投資及收藏價(jià)值。
The painting period of doucai porcelain is very popular, which has been followed until now. However, because of the need of secondary painting, it is not commonly used in the field of kiln porcelain. Although the three dynasties of Qing Dynasty was the peak period of porcelain industry, it was rare. The appearance of this garlic bottle is also a rare artifact. This collection is of great investment and collection value.
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