【藏品名稱】：宋代冰山裂紋釉花瓶
[collection name]: Iceberg cracked glaze vase of Song Dynasty
【藏品類別】：瓷器
[collection type]: porcelain
【藏品數(shù)量】：一件
[collection quantity]: one piece
【藏品起拍價(jià)】：45萬(wàn)
[collection starting price]: 450000
陶藝中的坯體與釉，如果在配方與燒成上設(shè)計(jì)不當(dāng)，兩者膨脹系數(shù)差異過(guò)大，常會(huì)造成釉面裂紋。然而刻意造成釉面裂紋，也別有一番風(fēng)味，在陶藝上我們稱之為冰裂釉。早在宋代，浙江龍泉窯（哥窯）作為中國(guó)宋代五大名窯之一，其就生產(chǎn)了釉面布滿龜裂的紋片（通常稱之為“開片”），是龍泉哥窯產(chǎn)品獨(dú)有的裝飾風(fēng)格，所產(chǎn)帶有裂紋青瓷器皿為世所珍。哥窯產(chǎn)品釉面出現(xiàn)裂紋，實(shí)際上是一種缺陷，卻被制瓷工匠巧妙地用來(lái)為裝飾紋，而且效果奇特、精美絕倫，猶如渾然天成。據(jù)史料記載，“冰裂紋”在龍泉哥窯產(chǎn)品的各種紋片中排名首位，素有“紋是冰裂為上”的美譽(yù)。
If the ceramic body and glaze are not properly designed in the formula and firing, the difference of expansion coefficient between them is too large, which often leads to glaze cracks. However, the glaze crack is deliberately caused, which has a special flavor. In ceramic art, we call it ice crack glaze. As early as the Song Dynasty, Zhejiang Longquan kiln (GE kiln), as one of the five famous kilns in Song Dynasty, produced cracked patterns on its glaze (usually called "kaipian"), which is the unique decorative style of Longquan Ge kiln products, and the celadon ware with cracks produced by it is precious in the world. The cracks on the glaze surface of Ge kiln products are actually a kind of defect, but they are skillfully used as decorative patterns by porcelain craftsmen, and the effect is unique and exquisite, as if it were formed by nature. According to historical records, "ice crack" ranks first among all kinds of patterns of Longquan Ge kiln products, known as "ice crack is the top".
“冰裂釉”與裂紋釉不同，其差異在于前者為多層次裂紋，而后者為單層次。由于“多層次裂紋”在技術(shù)上的困難度，可想而知。“冰裂釉”最大的特點(diǎn)在多層次的立體結(jié)構(gòu)裂紋，造成猶如玫瑰花瓣般的層面，加上釉色的變化，讓人愛(ài)不釋手，欲看穿方休。冰裂紋釉在宋代官釉、哥釉、汝釉、龍泉釉等都有局部的出現(xiàn)，對(duì)冰裂紋釉的贊揚(yáng)更是不絕于耳，在《陶雅》中的“宋官窯者絕不經(jīng)見(jiàn)，世人罕有識(shí)之者。”來(lái)贊美宋代官窯，在贊美宋代官窯的前提下冰裂紋釉有了“哥窯品格，紋取冰裂為上”的美譽(yù)，可見(jiàn)冰裂紋哥釉在瓷器中的地位是舉足輕重的，自然會(huì)被視作稀世珍寶而待之。
"Ice crack glaze" is different from cracked glaze in that the former is multi-level crack, while the latter is single-layer. Due to the technical difficulty of "multi-level crack", it can be imagined that the crack is of great difficulty. The biggest characteristic of "ice crack glaze" lies in the multi-level three-dimensional structure cracks, resulting in a rose petal like layer. In addition, the change of glaze color makes people fondle to see through Fang Xiu. The ice crack glaze appeared in the Song Dynasty official glaze, Ge glaze, Ru glaze, Longquan glaze and so on. The praise for the ice crack glaze is endless. In Tao ya, it is said that "the official kilns of Song Dynasty are never seen, and the people in the world seldom know it." On the premise of praising the official kilns of the Song Dynasty, the ice cracked glaze has the reputation of "Ge kiln character, the pattern is based on the ice crack". It can be seen that the ice crack glaze plays an important role in the porcelain and will naturally be treated as a rare treasure.
“聽敲冰戛玉，恨云怨雨，聲聲總在愁處。”古人用敲擊冰塊的冰裂聲來(lái)比喻樂(lè)聲清潤(rùn)動(dòng)聽，在漫長(zhǎng)的國(guó)瓷文明中，冰裂也綻放在美輪美奐的瓷器上。這件宋代冰裂紋釉瓷器，集自然美、規(guī)律美、工藝美、意境美、智慧美于一身該瓶造型典雅，小盤口，頸呈弧形，豐肩圓腹，束腰，至足略內(nèi)收，矮圈足。瓷質(zhì)細(xì)潤(rùn)，釉色勻潤(rùn)，透青，冰裂紋清晰華美。其藝術(shù)價(jià)值高、造型獨(dú)特、紋飾精美、深受收藏者青睞，為中國(guó)陶瓷歷史畫上重要的一筆！
"Listen to knock on ice and jade, hate clouds and complain about rain, the voice is always in the sad place." The ancients used the sound of ice cracking to compare the sound of music. In the long Chinese porcelain civilization, the ice crack also bloomed on the beautiful porcelain. This ice cracked glaze porcelain of the Song Dynasty is a collection of natural beauty, regular beauty, craft beauty, artistic conception beauty and wisdom beauty. The bottle is elegant in shape, with a small pan mouth, an arc-shaped neck, full shoulders and round abdomen, and a waist, so that the feet are slightly retracted and the feet are short. The porcelain is fine and smooth, the glaze color is smooth, and the ice crack is clear and gorgeous. Its high artistic value, unique shape, exquisite decoration, favored by collectors, is an important stroke in the history of Chinese ceramic painting!
