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此件大清康熙年制五彩人物故事將軍罐, 本品高15cm,囗徑5.50m,底徑7cm。此品體形優美具有良好的審美風格,色彩銫麗五彩繽紛,人揚刻化維妙維肖,五彩精品留世不多具有較大的升值空間。直口、短頸、豐肩、鼓腹。腹下部漸收,平底無釉,通體渾圓,器型高大。器底圈足素胎,平削,圈足邊沿倒角利落,見有修胎時留下的旋紋痕,器底內凹處施釉,用青花畫有雙圈,并署寫“大清康熙年制”二行豎排六字楷書款識,字體規范,寬大豪放,頗具時代特征。

This Qing Kangxi annual colorful character story general can is 15cm high, 5.50m in diameter and 7cm in bottom diameter. This product is beautiful in shape and has a good aesthetic style. It is colorful and colorful, and it is beautifully carved by people. There are few colorful products left in the world, and it has a large appreciation space. Straight mouth, short neck, rich shoulders and bulging belly. The lower part of the abdomen is gradually closed, with flat bottom and no glaze. It is round and tall. The bottom of the device is round with plain tires, which are cut flat, and the edges of the round feet are chamfered neatly. There are spiral marks left when repairing tires. The concave part of the bottom of the device is glazed, with double circles painted in blue and white, and the two-line vertical six-character regular script of "Qing Kangxi Year System" is written. The font is standard, generous and bold, which is quite characteristic of the times.

瓶通體滿繪工藝,以五彩為顏料,其色彩達八個品種之多,由紅、黃、綠、藍、黑、褐等組成,分別繪畫:瓶口邊緣用褐彩和綠彩繪畫對等的紋飾,環繞一周;瓶蓋部繪畫洞石、青山、綠樹等景觀;頸部白釉,瓶身壁面繪以“八仙過海”為主題圖景,各持自己的寶物,有的步在祥云上,有的走在寬道上,個個面容喜悅,神采飛揚,談笑風生,人物線條柔和,神態栩栩如生,場面十分壯觀熱鬧;人物圖景間還穿插繪制有洞石、花卉、松樹等自然風景,色彩鮮艷,層次分明。此罐造型周正,挺拔秀麗,胎質潔白,堅硬細致,瓷化程度高。該件瓷器為清代康熙年間典型代表的精品五彩瓷,有很高的收藏價值及市場投資價值!

The whole bottle is full of painting technology, with five colors as pigments, and its colors are as many as eight varieties, which are composed of red, yellow, green, blue, black and brown, etc., and are painted separately: the edge of the bottle mouth is painted with brown color and green color for a week; The bottle cap department paints landscapes such as caves, green hills and green trees; The neck is white glazed, and the wall of the bottle is painted with the theme of "Eight Immortals Crossing the Sea". Each holds its own treasures, some step on the auspicious clouds, and some walk on the wide roads. Each face is happy, glowing, talking and laughing, the characters are soft and lifelike, and the scene is very spectacular and lively; Natural landscapes such as caves, flowers, pine trees, etc., which are colorful and well-defined, are interspersed among the figures. The shape of this jar is well-shaped, upright and beautiful, and its fetal quality is white, hard and meticulous, with a high degree of porcelain. This piece of porcelain is a typical representative fine multicolored porcelain in Kangxi period of Qing Dynasty, which has high collection value and market investment value!

康熙時期的五彩,繪畫工整精細,生動傳神,改變了明代嘉靖、萬歷時期只重色彩而不講究造型的粗率畫風。其施彩較明代均勻,勾勒輪廓所用線條以焦墨為料, 筆鋒勁挺有力,后用油墨彩料,筆觸圓潤柔和在描繪各種形象時,勾畫的線條簡練有力,在乎涂各種彩色后,給人一種明朗感。當后人以雍正粉彩與其比較時,雍正 粉彩顯得細膩而柔軟,康熙五彩則顯得勁利而結實,因此被稱為“硬彩”,也被稱為“古彩”。

In Kangxi period, the colorful paintings were neat and delicate, vivid and vivid, which changed the rough style of painting in Jiajing and Wanli periods of Ming Dynasty, which only paid attention to color without paying attention to modeling. Compared with the Ming Dynasty, its painting is more uniform. The lines used to draw the outline are made of Jiao Mo, and the style of writing is quite strong. After that, the ink and color materials are used, and the strokes are round and soft. When depicting various images, the sketched lines are concise and powerful, giving people a clear feeling after painting various colors. When later generations compared it with Yongzheng pastel, Yongzheng pastel was delicate and soft, while Kangxi multicolored was vigorous and strong, so it was called "hard color" and also called "ancient color".

康熙五彩選擇的瓷料精細,拉坯修坯端正細微,一絲不茍, 坯體接口不留痕跡,這一點和明代不同;瓷胎是經過精心修坯的,但造型氣勢不失,仍留有古拙、凝重、質樸的感覺,這一點與清后期造型過于雕琢、輕薄之風亦不 相同??滴鯐r無論官窯還是民窯,瓷器造型都很規矩嚴謹、古樸端莊,這和原料制備、制坯成型等工藝技巧的純熟密不可分。

Kangxi's colorful choice of porcelain materials is fine, and the blank drawing and trimming are fine and meticulous, and the blank interface leaves no traces, which is different from the Ming Dynasty; The porcelain tire has been carefully repaired, but its shape is imposing, and it still has the feeling of Gu Zhuo, dignity and simplicity, which is different from the style of being too polished and light in the late Qing Dynasty. No matter the official kiln or the folk kiln in Kangxi period, the shape of porcelain was very strict, simple and dignified, which was inseparable from the proficiency of raw material preparation, blank forming and other technical skills.

康熙官窯五彩除少數大件器外,多數是小件器,其圖案花紋雖亦有少量的海屋添壽及人物故事圖外,大多是龍風、纏枝蓮、桃果等傳統的紋飾。民窯五彩器則器形多 樣,圖案花紋豐富多彩。

Apart from a few big wares, most of the colorful wares in Kangxi official kiln are small wares. Although there are also a few pictures of life extension of sea houses and characters' stories, most of them are traditional ornamentation such as dragon wind, branch-bound lotus and peach fruit. The colorful wares in folk kilns have various shapes and colorful patterns.

 

將軍罐,是中國陶瓷藝術的珍品。此種罐式,因寶珠頂蓋形似將軍盔帽而得名。初見于明代嘉靖、萬歷朝,至清代順治時基本定型??滴鯐r期,是將軍罐廣為流行的時期,這時的造型,將渾圓的罐體展肩提腹,拉長頸部,收緊圈足,使得將軍罐的造型顯得挺拔向上,氣魄宏偉。由于將軍罐的造型受人喜愛,因此不論是官窯還是民窯都大量地燒造,特別是民窯的制造,從內容到形式都是以老百姓喜聞樂見的題材為主,有戲曲人物、神話故事,這些題材紋飾比較繁縟,在小器物上很難展示,而高大的將軍罐,則可以將這些題材全面地展示出來,深受廣大百姓的認同。因而保存至今的精品在各大拍賣公司的大型拍賣會上也是屢創新高,深受廣大藏友和投資者的喜愛追捧。

General cans are treasures of Chinese ceramic art. This kind of can is named after the top cover of the orb looks like a general's helmet. First seen in Jiajing and Wanli Dynasties in Ming Dynasty, it was basically shaped in Shunzhi in Qing Dynasty. Kangxi period was a period when general cans were widely popular. At this time, the round cans were stretched over their shoulders, their necks were lengthened, and their feet were tightened, which made the general cans look tall and straight and magnificent. Because the shape of general pots is popular, both official kilns and civilian kilns are burned in large quantities, especially the manufacture of civilian kilns, which are mainly based on popular themes from content to form. There are opera figures and Shinhwa stories, which are rather rich in ornamentation and difficult to display on small objects, while tall general pots can display these themes comprehensively and are well recognized by the general public. Therefore, the high-quality products that have been preserved up to now have also reached record highs in the large-scale auctions of major auction companies, and are deeply loved and sought after by Tibetan friends and investors.

 

 

 

 

 

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