本網(wǎng)9月24日訊 清代豆青色釉燒制水平趨于平穩(wěn),基本的色調(diào)仍以青中閃黃為主,而青色比以前淡雅。清代豆青釉淡雅柔和,色淺者淡若湖水,色深者綠中泛黃,釉面凝厚。清代燒造豆青釉的同時,還在釉上施以各種色彩入窯二次燒造,淡雅的釉色襯托下的色彩,更加艷麗嫵媚。清代中期以后,豆青色釉還有的在素胎上勾勒出紋飾輪廓線,施以豆青釉,然后入窯燒造成凸起的紋飾。豆青釉透明度不及白釉,故豆青釉青花的效果也不及豆青釉釉上彩。青釉派生釉色之一,起源于宋代的龍泉窯。豆青和東青原屬一類,以后才各具特色。明以前微近黃色,至清代純近綠色。其釉色為青中泛黃,釉面光澤比粉青、梅子青弱。
In the Qing Dynasty, the firing level of the bean green glaze tended to be stable, and the basic color was still yellow in green, and the blue color was lighter than before. In the Qing Dynasty, the bean green glaze is elegant and soft, the light color is as light as the lake water, the deep color is green and yellow, and the glaze surface is thick. In the Qing Dynasty, when the bean green glaze was fired, various colors were applied on the glaze, and the color under the light and elegant glaze color was more gorgeous and charming. After the middle of the Qing Dynasty, the bean green glaze still has the outline of the pattern on the plain body, which is applied with the bean green glaze, and then it is fired into the kiln to create the protruding decoration. The transparency of bean green glaze is not as good as that of white glaze, so the blue and white effect of bean green glaze is not as good as that of bean green glaze. Blue glaze is one of the derived glaze colors, originated in the Song Dynasty Longquan kiln. Douqing and Dongqing belong to the same category, but later they have their own characteristics. Before the Ming Dynasty, it was slightly yellow, and in the Qing Dynasty, it was almost green. The glaze color is yellowish in green, and the luster of glaze is weaker than that of pink green and plum green.
此「玉壺春」瓶,由著名督陶官唐英監(jiān)燒,其青釉朗潤,形制珍罕,浮雕細(xì)膩,滿寓慶壽美意,非凡超絕,展現(xiàn)景德鎮(zhèn)御窯廠之精卓制瓷技藝。并且采用了上色極難的包金工藝,似的瓶身上的龍鳳圖案展現(xiàn)的活靈活現(xiàn),唐英立志臻善制瓷工藝,可經(jīng)此類體量碩大瓷品之燒造,窺覷一斑。本品所見青釉,通常用于浮雕紋樣瓶式,呈明快海綠色調(diào),謂之「豆青」。此種釉質(zhì)可使色地與浮雕圖案間形成強(qiáng)烈反差,異于乾隆早期常見的藍(lán)綠色「粉青」釉種,「粉青」者,因其乳濁失透,無法清晰呈現(xiàn)紋飾,遂多見于素面無紋之器。此瓶滿罩青釉,深海綠色,薄釉巧施,圖案顯明。清代早期單色釉登峰造極,當(dāng)居魁位,透過本品,可見陶工對于色、釉技藝凝練革新之卓著成就,同時配以曼妙紋樣,使得此類優(yōu)雅杰作得以呈現(xiàn)于世。此瓶造型獨(dú)特,意仿古代銅器樣式,乾隆瓷器形制喜追古溯源,清初藝匠更擅將造型與樣式相合,以求無窮變化,藉以創(chuàng)思出新,本器亦不例外,其形或仿漢代祭祖所用青銅禮器「壺」。身為鑒賞大家的乾隆,藏古、好古,而此鑒古思變之風(fēng),無疑更深得高宗皇帝贊賞推崇。更是收藏界之極品。
This "jade pot spring" bottle was fired by Tang Ying, a famous official in charge of pottery. Its blue glaze is bright, its shape is rare, and its relief is exquisite. It is full of the beauty of longevity. It is extraordinary and extraordinary. It shows the excellent porcelain making skills of Jingdezhen imperial kiln factory. Tang Ying was determined to perfect the porcelain making process, which could be seen through the firing of such large porcelain products. The blue glaze seen in this product is usually used in the relief bottle style, with a bright sea green tone, which is called "bean green". This kind of glaze can make a strong contrast between the color and the relief pattern, which is different from the blue-green "pink green" glaze commonly seen in the early Qianlong period of Qianlong. Because of its opaque and opaque, the "pink green" glaze can not clearly present the decorative patterns, so it is often seen in plain objects. This bottle is covered with blue glaze, deep-sea green, thin glaze is skillfully applied, and the design is obvious. In the early Qing Dynasty, the monochrome glaze reached its peak and became the leader. Through this product, we can see the outstanding achievements of the potters in refining and innovating the color and glaze techniques. At the same time, with the graceful patterns, this kind of elegant masterpieces can be presented in the world. The shape of this bottle is unique, meaning to imitate the style of ancient bronze ware. The shape of Qianlong porcelain was fond of tracing back to the ancient times. In the early Qing Dynasty, artists were more adept at combining the shape with the style in order to create infinite changes, so as to create new ideas. The shape of this bottle is no exception. Its shape or imitates the bronze ritual vessel "pot" used for ancestor worship in Han Dynasty. As a great connoisseur of Qianlong, he kept and loved the ancient, and this style of learning from the past and thinking about changes was undoubtedly highly praised by Emperor Gaozong. It is also the best collection.
