【藏.薦】欄為藏品強大的傳播效應向各位買家推薦經國家一級鑒定專家甄選的藝術珍品,為藏家牽線搭橋,讓千百件藝術珍品價值被發掘與重視,在拍賣會上得以高價成交。
[Tibet. Recommendation] column for the strong dissemination effect of the collection to recommend to buyers the selected art treasures by experts at the first level of national appraisal, to bridge the gap for Tibetans, so that the value of thousands of art treasures are excavated and valued, and high-priced transactions can be concluded in the auction.
【名 稱】： 張大千敦煌畫
【藏 品 類 型】: 字畫
【藏 品 年 代】： 民國
【藏 品 信 息】: 長：2.47m 寬：1.4m
[name]: Dunhuang paintings
[collection type]: Calligraphy and painting
[Collection date]: The Republic of China
[collection information]: diameter: 2.47m.wide：1.4m
敦煌畫時間最早創于公元366年（另bai有始建于西晉末年及東晉永和九年等說）壁畫類別多，故事豐富，作為宗教藝術來說，它是壁畫的主要部分，其中包括各種佛像（三世佛、七世佛、釋迦、多寶佛、賢劫千佛等）；菩薩（文殊、普賢、觀音、勢至等）；天龍八部（天王、龍王、夜叉、飛天、阿修羅、迦樓羅(金翅鳥王)、緊那羅(樂天)、大蟒神等等）。這些佛像大都畫在說法圖中。僅莫高窟壁畫中的說法圖就有933幅，各種神態各異的佛像12208身。
敦煌石窟是舉世矚目的世界文化遺產，而張大千正是對敦煌藝術進行全面整理、臨摹、學習、繼承和發揚的第一人。1941年至1943年，張大千在敦煌共臨摹作品276件。這一經歷，使得張大千的藝術創作產生了極大的轉變，人物形象更加飽滿生動，線條流暢而富于變化，賦色濃艷又不失端莊，與單純的文人畫風拉開了距離。此畫作上人物衣著，神情，神態得充分體現了作者極其高超的藝術手法。內容豐富，實為敦煌畫中孤品，后市無限，值得珍藏
Dunhuang paintings were first created in 366 A.D. (there are many kinds of murals and rich stories in Bai. As a religious art, it is the main part of the murals, including various Buddha statues (the third Buddha, the seventh Buddha, Sakyamuni, Duobao Buddha, xianjieqianfo, etc.); Bodhisattvas (Manjusri, Puxian, Guanyin, Shizhi, etc.); Tianlong eight parts (King of heaven, Dragon King, Yasha, Feitian, Ashura, kaluro, jinnara, python, etc.). Most of these Buddha statues are painted in the picture. In the Mogao Grottoes murals alone, there are 933 pictures of Buddha, including 12208 statues of various appearances.
Dunhuang Grottoes are the world's cultural heritage, and Zhang Daqian is the first person to comprehensively arrange, copy, learn, inherit and develop Dunhuang art. From 1941 to 1943, Zhang Daqian copied 276 works in Dunhuang. This experience has greatly changed Zhang Daqian's artistic creation. The characters are more vivid, the lines are smooth and full of changes, and the colors are colorful and dignified, which is far away from the simple literati painting style. The clothing, expression and manner of the figures in this painting fully reflect the author's extremely superb artistic techniques. It is rich in content, but it is the only one in Dunhuang paintings. It is worth collecting
