魏沁，1962年生，現任中國書協鑒定評估委員會委員、寧夏書協副主席、吳忠市文聯副主席、吳忠書畫院院長、吳忠市書協主席。榮獲中國書協、中國教育學會特殊貢獻獎。書法作品多次在全國大賽中獲獎：2003年寧夏第五屆書法篆刻作品展獲金獎，2010年代表寧夏到臺灣進行書法交流，2004-2012年三次登上《書法導報》個人專版，2012年作品入選中國書協會員優秀作品展，2013年作品入選《中國當代書法百家作品集》。2013年作品被宋慶齡紀念館收藏。書法作品曾在韓國、新加坡、臺灣等多地展出，被入選書法集30余本，并由許多書畫專業機構、紀念館和個人收藏。
Wei Qin, born in 1962, is currently a member of the Appraisal Committee of China Book Association, vice chairman of Ningxia Book Association, vice chairman of wuzhong Federation of Literary and Art Circles, president of Wuzhong Painting and Calligraphy Institute and chairman of wuzhong Book Association. Won the Special Contribution Award of China Book Association and China Education Society. Calligraphy works have won many awards in national competitions: in 2003, Ningxia won the gold medal in the fifth calligraphy seal cutting exhibition; in 2010, he represented Ningxia for calligraphy exchange in Taiwan; in 2004-2012, he was listed in the personal special edition of Calligraphy Herald for three times; in 2012, his works were selected into the excellent works exhibition of members of Chinese Calligraphy Association; in 2013, his works were selected into the Collection of 100 Contemporary Chinese Calligraphy Works. In 2013, his works were collected by Soong Ching Ling Memorial Hall. Calligraphy works have been exhibited in Korea, Singapore, Taiwan and other places, and have been selected into the 30 Yu Ben of Calligraphy Collection and collected by many professional institutions, memorial halls and individuals.
1.2001年全國“鳥語花香”書法大賽獲金獎
2.2003年寧夏第五屆書法篆刻作品展獲金獎
3.2007年-2009年中國書法家協會“書法進萬家”先進個人
4.2010年代表寧夏到臺灣進行書法交流
5.2004年-2012年曾三次登上《書法導報》個人專版；吳忠電視臺專題報道；寧夏日報、吳忠日報曾多次報道
6.2012年作品曾入選中國書法家協會會員優秀作品展
7.2012年曾被中華英才專版報道
8.2013年作品入選《中國當代書法百家作品集》
9.2013年作品被宋慶齡紀念館收藏（有作品集）
10.曾擔任中國書法家協會主辦全國中小學生書法節第一、二、三屆評委
11.榮獲中國書法家協會、中國教育學會特殊貢獻獎
12.書法作品曾在韓國、新加坡、臺灣、北京、上海、河南、山東、海南、吉林、陜西、甘肅、湖南、重慶等多地展出
1. In 2001, the National Calligraphy Competition of "Flowers and Birds" won the gold medal In
2.2003, Ningxia won the gold medal in the fifth calligraphy and seal cutting exhibition
3.2007 -2009 Advanced Individual of Chinese Calligraphers Association "Calligraphy Enters Wanjia"
4. Represented Ningxia to Taiwan for calligraphy exchange in 2010
5. From 2004 to 2012, he was on the personal special edition of Calligraphy Herald for three times; Special report of Wuzhong TV station; Ningxia Daily and Wuzhong Daily have reported many times
6. In 2012, his works were selected into the excellent works exhibition of members of Chinese Calligraphers Association
7. In 2012, it was reported by the Chinese Talent Special Edition
8. The works in 2013 were selected into the Collection of 100 Works of Contemporary Chinese Calligraphy
9. The works in 2013 were collected by Soong Ching Ling Memorial Hall (with a collection of works)
10. He served as the first, second and third judges of the National Calligraphy Festival for Primary and Secondary School Students sponsored by the Chinese Calligraphers Association.
11. He won the Special Contribution Award of the Chinese Calligraphers Association and the Chinese Education Society
12. Calligraphy works have been exhibited in Korea, Singapore, Taiwan, Beijing, Shanghai, Henan, Shandong, Hainan, Jilin, Shaanxi, Gansu, Hunan and Chongqing
魏晉風骨是最早的皇家規范字體。既端莊厚重又古樸高雅，章法布局有序，參差錯落，疏可走馬，漲不離形枯有劃沙之跡，濃淡相隨，時而老藤纏樹，時而似隕石高空墜地，把有限的空間運用得微妙到了極致。而魏氏書體以魏晉為師，以魏晉字體為變化基礎，彰顯自我風格，其特點在原魏晉書體的基礎上更加的重視起筆重按而輕提、收筆斬釘截鐵，頓挫翻轉干凈利落有屋漏雨之痕，墨色變化深沉凝重，注重寫字時注重氣的運用，魏沁以特有的魏氏書體高水平的書法藝術而飲譽文藝界。
The style of character in Wei and Jin Dynasties is the earliest royal standard font. It is dignified, heavy, simple and elegant, with orderly layout, uneven level, easy to walk, and traces of sand scratching when it goes up and down. Sometimes the old vines bind the trees, and sometimes it falls to the ground like meteorites, which makes the limited space use subtly to the extreme. However, Wei's style of writing is based on Wei and Jin dynasties, and shows its own style. Its characteristics are based on the original Wei and Jin dynasties, which pay more attention to re-emphasizing the writing, taking it lightly, closing it firmly, making a setback and turning it clean, with traces of house leaking rain, deep and dignified ink changes, and paying attention to the use of qi when writing. Wei Qin is well-known in the literary and art circles for his unique Wei's style of writing.
集草、楷、隸特色使魏氏書體變化萬千爐火純青的草書，高雅圓潤的行書、楷書，魏沁的書法創造力已達到多家書體融合為一，更創造出獨具一格的魏氏書體。 他將流暢雄健風格的行書，雄健有力草書與英氣逼人古拙飄逸的楷書一氣和三為一，融合后的魏式書體形成了獨特的形散而意不散，單從字形此致來說就以達到了青出于藍而勝于藍的境界，整體布局章法有度，書寫隨心所欲中帶有幾分凌亂，落筆古掘穩健，字里行間都透露出如青磚般樸實厚重，同時又透出一股飄逸的英氣，筆體厚重粗狂，結構卻秀逸而內斂，風姿古風濃郁，行筆卻又力透紙背，這些細節顯示了魏沁先生刻苦臨摹碑帖、博采眾長而獨創一格的藝術功力。值得人們反復揣摩，細細品味。
Combining the characteristics of Cao, Kai and Li, Wei's calligraphy style has changed a lot, such as perfect cursive script, elegant and round running script and regular script. Wei Qin's calligraphy creativity has reached the integration of several calligraphy styles, and even created a unique Wei's calligraphy style. He integrated the smooth and vigorous running script, the vigorous cursive script and the elegant regular script in Gu Zhuo. After the integration, the Wei-style script formed a unique shape and was inseparable. From the glyph alone, it reached the state of shine on you and was better than blue. The overall layout was well-organized, and the writing was somewhat messy at will, and the writing was steady. The words between the lines were as simple and heavy as blue bricks, and at the same time, it revealed an elegant one The pen body is thick and crazy, but the structure is elegant and restrained, the style is ancient and rich, and the pen is written through the back of the paper. These details show Mr. Wei Qin's artistic skill of assiduously copying the inscription, learning from others and creating a unique style. It's worth pondering and savoring.
魏晉風骨，書法情感基調慷慨悲涼，字體簡練剛健，自然明白而流暢，成為后世書法推崇的榜樣。以“文情并茂的、結構嚴密的、剛健朗暢的美”著稱于世，后人認為風骨即風格、與內容、思想有直接關系，在以字彰顯胸懷的年代，而成為王侯將相必學的內容。所以是魏晉風骨也成為帝王書法的最高代表。如果說蘭亭是書法之王，那魏晉就是當之無愧的書法之尊了。
The character of Wei and Jin Dynasties, the emotional tone of calligraphy is generous and sad, the font is concise and vigorous, and it is naturally clear and fluent, which has become an example of calligraphy in later generations. Known as "the beauty of rich culture, tight structure, vigorous and smooth", later generations think that style is style, which has a direct relationship with content and thought. In the era when words show the mind, it has become the content that princes must learn. Therefore, it was the Wei and Jin Dynasties who became the highest representative of imperial calligraphy. If Lanting is the king of calligraphy, then Wei and Jin Dynasties are worthy of the respect of calligraphy.
魏沁先生的書法技法全面、章法依宮廷禮度，謹嚴莊重、用筆氣靈動自然，墨跡潤筆深厚有力，布局立勢雄渾、字字精美絕倫，氣勢行云流水，在視覺上給人帶來極大的張力和藝術美感，無時無刻不透露著古代皇家威儀風范。幾十年功夫，練得真草隸篆樣樣皆精，自成一派的魏氏書體風格。氣勢驚人。大有神龍凌駕于九重天外，耕耘不雨廣施恩澤的神力及出入山河，騰云潛淵遨游太空的磅礴之勢。是當代書法世界中屈指可數遵從古代宮廷禮法的書法家之一，是當代公認的魏晉風骨的最高代表作品。藝術價值與市場價值不可估量。
Mr. Wei Qin's calligraphy techniques are comprehensive, the rules and regulations are in accordance with the court etiquette, he is scrupulous and solemn, his pen is smart and natural, his ink is deep and powerful, his layout is vigorous, his words are exquisite and his momentum is flowing, which brings great tension and artistic beauty to people visually, and reveals the ancient royal dignity style all the time. After decades of kung fu, I have practiced Cao Li Seal, which is a unique style of Wei's calligraphy. Amazing momentum. There are great dragons above the cloud nine, and the mighty trend of spreading the divine power of mercy and entering and leaving the mountains and rivers, making clouds dive deep into space. He is one of the few calligraphers in the contemporary calligraphy world who follow the ancient court etiquette, and is recognized as the highest representative work of Wei and Jin Dynasties. The artistic value and market value are immeasurable.
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