最早的青銅器出現于6000年前的古巴比倫兩河流域。蘇美爾文明時期雕有獅子形象的大型銅刀是早期青銅器的代表。
The earliest bronzes appeared 6000 years ago in the two rivers of Babylon in Cuba. Large bronze knives carved with lion images in Sumerian civilization are the representatives of early bronzes.
在中國，距今5000-4000年，相當于堯舜禹傳說時代。古文獻上紀載當時人們已開始冶鑄青銅器。黃河、長江中下游地區的龍山時代遺址里，經考古發掘，在幾十處遺址里發現了青銅器制品。春秋晚期至戰國，由于鐵器的推廣使用，銅制工具越來越少。秦漢時期，隨著陶器和漆器進入日常生活，銅制容器品種減少，裝飾簡單，多為素面，胎體也更為輕薄。中國古代銅器，是我們的祖先對人類物質文明的巨大貢獻，雖然從考古資料來看，中國銅器的出現，晚于世界上其他一些地方，但是就銅器的使用規模、鑄造工藝、造型藝術及品。
In China, it is 5000-4000 years ago, which is equivalent to the legendary era of Yao Shunyu. Ancient documents recorded that people had started smelting and casting bronzes at that time. Bronze ware products have been found in dozens of sites in Longshan period in the middle and lower reaches of Yellow River and Yangtze River through archaeological excavations. From the late Spring and Autumn Period to the Warring States Period, due to the popularization and use of iron tools, there were fewer and fewer copper tools. In Qin and Han Dynasties, with pottery and lacquerware coming into daily life, the variety of copper containers decreased, the decoration was simple, most of them were plain, and the carcass was thinner. Ancient Chinese bronze ware is a great contribution made by our ancestors to human material civilization. Although according to archaeological data, Chinese bronze ware appeared later than other places in the world, its use scale, casting technology, plastic arts and products were discussed.
世界上沒有一個地方的銅器可以與中國古代銅器相比擬。這也是中國古代銅器在世界藝術史上占有獨特地位并引起普遍重視的原因之一。青銅器的顏色真正做出來的時候是很漂亮的，是黃金般的土黃色，因為埋在土里生銹才一點一點變成綠色的。由于青銅器完全是由手工制造所以沒有任何兩件是一模一樣的，每一件都是獨一無二、舉世無雙的。
There is no place in the world where bronzes can be compared with ancient Chinese bronzes. This is one of the reasons why ancient Chinese bronzes occupy a unique position in the history of world art and attract widespread attention. When the color of bronze ware was really made, it was very beautiful, it was golden khaki, and it turned green little by little because it was buried in the soil and rusted. Since bronzes are made entirely by hand, no two pieces are identical, and each piece is unique and unique in the world.
隨著原始社會的發展，鼎由最初的燒煮食物的炊具逐步演變為一種禮器，成為權利與財富的象征。鼎的多少，反映了地位的高低；鼎的輕重，標志著權力的大小。在商周時期，中國的青銅器形成了獨特的造型系列：容器、樂器、兵器、車馬器，等等。青銅器上布滿了饕餮紋，夔紋或人形與獸面結合的紋飾，形成神靈的圖紋，反映了人類從原始的愚昧狀態向文明的一種過渡。
With the development of primitive society, Ding evolved from the original cooking utensils to a kind of ritual vessels, and became a symbol of rights and wealth. The number of Ding reflects the level of status; The weight of Ding marks the size of power. During the Shang and Zhou Dynasties, Chinese bronzes formed a unique series of shapes: containers, musical instruments, weapons, chariots and horses, and so on. Bronze ware is covered with gluttonous patterns, Kui Wen or the decorative pattern of human figure combined with animal face, forming the pattern of gods, which reflects a transition from primitive ignorance to civilization.
此件春秋戰國青銅方豆，禮器，高二十一公分，口徑十一公分，重一點八公斤，豆盤呈口大底小的方斗形，豆蓋造型與盤相同但是可倒過來使用，所以考古原稱之為"覆斗形"，兩相扣合，成為一個方中帶圓，方圓相柔的封閉箱。豆盤之下，是柱形矮柄，柄下是圓形覆盆式足。
This bronze square bean in Spring and Autumn Period and Warring States Period, a ritual vessel, has a height of 21 cm, a diameter of 11 cm and a weight of 1.8 kg. The bean plate has a square bucket shape with a big mouth and a small bottom. The shape of the bean cover is the same as that of the plate, but it can be used upside down. Therefore, it was originally called "over bucket shape" in archaeology, and the two sides are buckled together to become a closed box with a circle in the square and a soft Fiona Fang. Under the bean plate, there is a short cylindrical handle, and under the handle is a round basin-covering foot.
古玩業界普遍認為，高端青銅器多數集中于歐美，國內市場上的青銅器藏品以中低檔居多。不過目前高端青銅器開始向內地市場云集，“今后精品青銅器會越來越少，因為藏家多了，交易量大了。精品進入收藏領域就藏而不漏了。資源越來越少，而需求量卻越來越大，這就形成了一個巨大的買方市場，價格上漲是必然的。青銅器品種的稀缺性決定了它未來的漲幅，尤其要關注高古藏品。”
The antique industry generally believes that most of the high-end bronzes are concentrated in Europe and America, and the bronze collections in the domestic market are mostly middle and low. However, at present, high-end bronzes are beginning to gather in the mainland market. "There will be fewer and fewer fine bronzes in the future, because there are more collectors and the transaction volume is large. Fine products are hidden when they enter the collection field. There are fewer and fewer resources, but the demand is getting bigger and bigger, which forms a huge buyer's market, and the price increase is inevitable. The scarcity of bronze ware varieties determines its future increase, especially paying attention to Gaogu collections. "
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