【藏品類別】：字畫
[collection category]: calligraphy and painting
【藏品數量】：一幅
[collection quantity]: one piece
【藏品簡介】：在中國傳統藝術里，竹子被賦予了個極具人文色彩的意義——喻人以高潔的德行。畫竹，在中國文人畫中是尤為重要的一個題材。而清代揚州八怪中的鄭板橋更是以畫竹而名滿天下。徐悲鴻曾這樣評價他：板橋先生為中國近300年來最為卓絕的人一物之一，其思想奇、文奇，書畫尤奇，鄭板橋詩文書畫俱佳，恣情山水，多與騷人游，最愛畫竹石，凜凜有生氣，在畫史地位和后世影響都是首屈一指。”
[collection introduction]: in traditional Chinese art, bamboo is endowed with a humanistic meaning, which is to describe people with noble virtue. Bamboo painting is a very important subject in Chinese literati painting. Zheng Banqiao, one of the eight monsters in Yangzhou in Qing Dynasty, is famous for his bamboo painting. Xu Beihong once commented on him: Mr. Banqiao is one of the most outstanding people and things in China in the past 300 years. His ideas are strange, his calligraphy and painting are extraordinary. Zheng Banqiao's poetry, calligraphy and painting are both excellent. He is unrestrained in mountains and rivers. He is fond of painting bamboo and stone. He is awe inspiring and vigorous. He is second to none in the status of painting history and later influence. "
同樣是畫竹子，不管是站在國學繪畫還是現代油畫藝術的角度來講，大家都一致地認為鄭板橋筆下的竹子最具有中國國畫的味道，鄭板橋是清代的一位書畫家，也是比較有代表性的文人畫家，是江蘇興化人。鄭板橋早年學書相當刻苦，他取黃庭堅之長筆劃入八分，夸張其擺宕，“搖波駐節”，單字略扁，左低右高，姿致如畫，又以畫蘭竹之筆入書，求書法的畫意。鄭板橋并不是什么畫都會畫，他一生只畫蘭花，竹子，石頭，自稱“四時不謝之蘭，百節長青之竹，萬古不敗之石，千秋不變之人”。
It's also about bamboo painting. No matter from the perspective of traditional Chinese painting or modern oil painting, we all agree that the bamboo in Zheng Banqiao's works has the flavor of Chinese traditional painting. Zheng Banqiao was a calligrapher and painter in Qing Dynasty, and also a representative literati painter. He was from Xinghua, Jiangsu Province. Zheng Banqiao studied calligraphy very hard in his early years. He drew eight points from Huang Tingjian's long brush, exaggerating its swing and "standing at stanza". The single character was slightly flat, with the left low and the right high, and the posture was picturesque. He also used the brush of orchid and bamboo to enter the calligraphy to seek the painting meaning of calligraphy. Zheng Banqiao did not know how to paint all kinds of paintings. He only painted orchids, bamboo and stones all his life. He claimed to be "the orchid of four seasons, the evergreen bamboo of a hundred sections, the stone of eternal invincibility, and the person who will not change for thousands of years".
這幅鄭板橋《竹趣圖》竹從書法用筆中來，此圖體現得尤為明顯，高竹瘦葉撐滿畫面，乃以淡墨黃體瘦筆來處理，畫面最重處的肥葉，選擇以濃墨蘇體肥鋒描繪，既與高竹、巖石區別開來，又加重了畫面感，可謂“適其天，全其性”，體現出一種自然美。疏離正統藝術，標新立異，以怪為尚。在鄭板橋眾多存世畫作中，竹石是永遠的主角，此幅即為其中的力作。畫面繪有幾叢修竹立于巖石之前，恰如天成，呈自然之趣，修竹安排錯落有致，竹竿細密卻透著力量，竹葉以硬毫之筆挑畫出來，且呈隸書之撇捺，竹竿亦如篆書之筆意，搖曳而生姿。具有非常高的收藏價值和升值空間！
This painting of bamboo in Zheng Banqiao's "bamboo interest painting" comes from the calligraphy brush, which is particularly obvious. The thin leaves of tall bamboo cover the picture and are treated with thin pen in light yellow. The fat leaves at the most important part of the picture are depicted with thick ink Su style fat front, which is different from Gaozhu and rock, and adds to the sense of picture. It can be said that it is "suitable for the nature and all its nature", reflecting a kind of natural beauty. Alienating from orthodox art, being unconventional and unconventional. Among Zheng Banqiao's many surviving paintings, bamboo and stone are the eternal protagonists, and this painting is one of the masterpieces. In the painting, there are several clumps of bamboo standing in front of the rock, just like the natural interest. The arrangement of bamboo trimming is well arranged, and the bamboo poles are fine and powerful. The bamboo leaves are picked out with a brush of hard brush, and they are like the strokes of seal script, swaying and growing. Has very high collection value and appreciation space!
欲了解更多精品詳情聯系王經理：15766204074
For more details, please contact manager Wang at 15766204074
