【藏品類別】：瓷器
[collection type]: porcelain
【藏品數(shù)量】：一件
[collection quantity]: one piece
【藏品簡介】：在中國文明發(fā)展史上，宋代文化占有極其重要的歷史地位，汝瓷文化又是宋代文化的一個(gè)重要組成部分。它以其工藝精湛，造型秀美，釉面蘊(yùn)潤，高雅素凈的豐韻而獨(dú)具風(fēng)采，在我國青瓷發(fā)展史上，是一個(gè)劃時(shí)代的重要標(biāo)志。
[collection introduction]: in the history of Chinese civilization, Song Dynasty culture occupies an extremely important historical position, and Ru porcelain culture is an important part of Song Dynasty culture. It is a landmark in the development history of China's celadon because of its exquisite workmanship, beautiful shape, rich glaze, elegant and simple charm.
何為汝窯？古瓷以州定名，五代
至晚清寶豐為汝州屬地，故稱汝瓷。北宋晚期皇室建汝官窯專燒御用瓷，供皇家御用，集民間的能工巧匠，緊密的技術(shù)流程，科學(xué)的胎釉配方，而燒制出精巧的瓷器。如今咱們所說的“汝窯”，就是指這一期間的汝瓷。然而，因靖康之亂，金兵侵略華夏宋朝被逼南遷，許多汝瓷毀于一旦，窯址荒沒，技術(shù)失傳。專家專家們的遍及觀念是，北宋汝官窯只燒制了20年。在前史的長河中，汝窯似乎一曲華彩的樂章，但只是曇花一現(xiàn)。
What is Ru kiln? Ancient porcelain is named after the state, Five DynastiesIn the late Qing Dynasty, Baofeng was the territory of Ruzhou, so it was called Ru porcelain. In the late Northern Song Dynasty, the Royal Jianru official kiln was dedicated to firing imperial porcelain for the Royal use. It produced exquisite porcelain by combining folk craftsmen, close technical process and scientific glaze formula. Now what we call "Ru kiln" refers to Ru porcelain during this period. However, due to the Jingkang rebellion, the Jin soldiers invaded China and the Song Dynasty was forced to move south. Many Ru porcelain wares were destroyed, and the kiln sites were lost and the technology was lost. Experts generally believe that Ru Guan kiln in the Northern Song Dynasty was only fired for 20 years. In the long history, Ru kiln seems to be a brilliant movement, but it is only a flash in the pan.
宋汝瓷的存世數(shù)量如此稀少，又深得后朝帝王權(quán)貴的喜愛，但因其傳世量少、燒制工藝難以再現(xiàn)，后人一直嘗試對宋瓷的仿制。但直到清代，汝瓷仿品才具備穩(wěn)定的質(zhì)量，在外觀上可做到與宋代珍品相類似。仿汝釉瓷器到了清雍正時(shí)期才大量出現(xiàn)，雍正和乾隆皇帝都極為喜愛宋瓷，令督陶官唐英大量仿制，養(yǎng)心殿造辦處記載：“（雍正十年）九月十三日……奉上諭：著寄信與年希堯，將霽紅、霽青、均窯、汝窯小花盆、水奩燒造些來。先做木樣呈覽，看準(zhǔn)時(shí)再發(fā)去燒造”。可見仿制的宋瓷中也有仿汝窯瓷器，且要先呈交木質(zhì)模型，獲準(zhǔn)后才能燒造。清代仿汝釉瓷器不光仿汝窯釉色，也仿宋瓷器形，甚至連銘文也仿。但仍有一部分仿汝瓷有所創(chuàng)新，將清代創(chuàng)制的器形施以仿汝釉，器物底部書寫或錐刻本朝篆書年款。
The number of Song Dynasty Ru porcelain is so rare that it is loved by the later emperors. However, because of its small quantity and difficult to reproduce the firing technology, the descendants have been trying to copy the song porcelain. But it was not until the Qing Dynasty that the imitations of Ru porcelain had stable quality and could be similar to the treasures of Song Dynasty in appearance. It was not until the Yongzheng period of the Qing Dynasty that a large number of imitation Ru glazed porcelains appeared. Both Yongzheng and Qianlong emperors loved song porcelain very much. Tang Ying, the supervisor of the pottery official, made a large number of imitations. According to the records of the manufacturing office of Yangxin Hall: "September 13, the 10th year of Yongzheng The imperial edict is to send a letter to Nian Xiyao to make some of Jihong, Jiqing, Junyao, Ruyao small flower pots and water toilet boxes. First make a sample of the wood and show it, and then send it to burn it. It can be seen that there are imitation Ru porcelain in the imitation of Song Dynasty porcelain, and the wooden model must be submitted first, and then it can be fired. The Qing Dynasty imitated Ru glaze porcelain not only imitated the glaze color of Ru kiln, but also imitated the shape of Song Dynasty porcelain, even the inscriptions. However, there are still some innovations in imitation of Ru porcelain, which are made in the Qing Dynasty with imitation Ru glaze. The bottom of the objects is written or cone engraved with seal script year of the current Dynasty.
此件藏品為弦紋三足爐，具備晚清的風(fēng)格。口徑13cm，高9.5cm。天青釉，圓口，直壁，筒腹，平底。底邊有三足支托，底面滿釉五粒支燒釘。整器造型大方，制作精細(xì)獨(dú)特，胎骨適中，釉面平滑、滋潤，釉色天青色，器表呈蟬翼紋和蟹爪紋，紋路細(xì)小，不規(guī)則網(wǎng)格狀大小開片。器身外壁近口、腹中部及近足處各凸起弦紋，造型端莊雅致，洋溢文人的審美意趣。
This collection is a three legged stove with string pattern, which has the style of late Qing Dynasty. The diameter is 13cm and the height is 9.5cm. Azure glaze, round mouth, straight wall, barrel belly, flat bottom. There are three legs on the bottom, and the bottom surface is covered with glaze, and five pieces of burning nails are used. The glaze is smooth and moist. The glaze is azure. The surface is cicada wing pattern and crab claw pattern. The body's outer wall near the mouth, the abdomen and the near foot are raised with string patterns. The shape is elegant and elegant, and is full of the aesthetic interest of literati.
近幾年民間汝瓷收藏?cái)?shù)量也大，收藏界認(rèn)為“天下收藏，無汝者，難稱盡善盡美也”。該汝窯奩造型古樸大方，純屬宋代汝窯標(biāo)準(zhǔn)器，器型嬌小不失莊重，相較于其他實(shí)用器的瓷器來講，此種觀賞器更是稀少，少之又少，獲其具有極高的收藏價(jià)值及觀賞性，是一件不可多得的珍藏。
In recent years, there are also a large number of folk Ru porcelain collections. The collection circle thinks that "the collection in the world, without Ru, is difficult to be called perfect.". Compared with other practical porcelain wares, this kind of ornamental utensils is rare and rare. It has high collection value and ornamental value, and is a rare treasure.
此件藏品將參加北京瀚古拍賣，有對此藏品感興趣的朋友歡迎咨詢小編了解詳情！
This collection will participate in the Beijing Hangu auction. If you are interested in this collection, please consult the editor for details!
